Any new Rush album is a big event and lots of folk have been very excited about this one. As a Rush fan I was inevitably going to buy this as the band is always capable of great things and always has the potential to come up with something new and exciting. But in truth, my expectations weren’t running too high for this one after the disappointing Snakes and Arrows.
I’m happy to report that after a few listens this has defied my expectations quite dramatically. And I’m also quite sure the full joys of the album have not yet revealed themselves so this is already a strong contender for Album of the Year. They channel a lot of the excitement and energy of Vapor Trails here but with a much warmer sound and looser feel. The band performance is more reminiscent of their earlier days and there are some throwbacks to earlier material like the Bastille Day referencing Headlong Flight. At times they seem to be channeling The Who and even have some riffs that would sound at home on latter-day Cheap Trick records! There are also some dynamic choruses and tasteful orchestration. It’s a great sounding record and a really electrifying band performance.
One of the most pleasant surprises of the record are the lyrics. I found Neil Peart’s writing on Snakes and Arrows to be a bit too mild mannered and lacking in edge. In some tracks like The Larger Bowl the lyrics actually hampered the effect of the tracks. So it’s really pleasing to report that the man is in fine form here. The use of a story-concept for the album’s lyrics has helped add mystique and, conversely, some of the lyrics here seem more personal and biting than before. The opening tracks refrain of “I can’t stop thinking big” could be Neil’s life story and other tracks deal with religion and the cruel passage of time in a really intriguing way.
So, in short, Rush are back and I’m delighted to say they are defying the ravages of time coming up with one of their finest albums yet.
HMO Rating: 4 out of 5