Amount spent on purchase: £13
Amount spent in total so far: £88
I resisted buying this for a surprisingly long time. Eremita has been picking up some great reviews since its release and has been compared very favourably with its 2010 predecessor, After, which I enjoyed very much. Despite all this, every time I picked it up in the shops I just couldn’t be arsed. Weird.
Eventually I just had to force myself to buy it and I’m glad I did because this has the edge on its predecessor and is one of the most enjoyable releases of the year so far.
Opener Arrival gets things off to an exciting start with a Dream-Theater style rampaging riff. It’s also immediately noticeable that the vocal performance is more nuanced than on After and there are some pleasingly soulful Kings X style harmonies which are a nice touch (Arrival guest vocalist Einar Solberg certainly brings to mind Kings X vocalist Doug Pinnick). The guitars are also allowed some free reign from Ihsahn’s usual orchestrated approach and the result is some great shredding solos, in particular from Jeff Loomis on The Eagle and the Snake (one of the album’s centrepieces).
Emperor fans will be in more familiar territory with the track Something Out There which hits you in the face like an icy gale. Although the album’s overall feel is quite Avant-Garde (check out The Eagle and the Snake’s Jazz Café opening and orchestral interlude Grief) there is still enough evidence of Ihsahn’s Black Metal roots for this album to appeal to Emperor fans.
For an album that’s title translates as “Hermit” Eremita is surprisingly collaborative and impressively cohesive. It maybe doesn’t have the same peaks as After but it is more consistent and more fully-formed. I hadn’t been in the mood for this but it won me over and that’s an accomplishment in itself.