In addition to the live album “research” I’ve been doing, here’s what’s been assaulting my ears lately.
UFO – No Place to Run Not one of their best but a grower and a refreshing listen when you’ve worn out the classics.
The Stranglers – La Folie Can’t think of much to say about this other than I enjoyed it! A set of tight, angular pop songs with an ongoing lyrical theme of love. Taking in nuns, the Mafia and heroin.
Toto – The Essential (Disc 1) Not usually a big fan of compilation albums but this is a fantastic set of essential Toto. I was enjoying this immensely until my girlfriend announced that she thought I was trying to seduce her back to the 1980s! Maybe I was… she’d love it there.
Paul Stanley – Live To Win KISS man-crush Paul Stanley entered dangerous X-Factor-friendly territory with his long awaited second solo album. Generally, as on Wake Up Screaming, Bulletproof and the title track, there is enough of the great man’s bombastic heroism to make this enjoyable but there are a few too many sub-Forever ballads on this. I like hearing him apply his talents outside of the heavier rock sphere though so this is a bit of a guilty treat. Hilariously, a run of UK magazine adverts stated that the album featured the track Bulletpoof. True story.
Queen – Jazz and The Game I think Jazz is a hugely underrated effort from Queen. The general wisdom is that their Heavy Rock credentials ended at their previous album News of the World but Jazz is full of mighty riffing and Fat Bottomed Girls is a euphoric pub-rock classic. Brian May has a guitar tone to die for on this. I’m less fond of The Game but really got into it this time. It was all I could do to not dance around my flat like a twat when this was on. As Alan Partridge would say… Classic Queen!
Testament – The Formation of Damnation Aha, some actual Heavy Metal to end off an admittedly rather odd week of listening. I always want to like Testament more than I actually do. As they have a new record out I thought I’d give their previous effort another spin. This has been raved about since its release but it never really did the job for me. It went down well this week though and seemed to catch me in a receptive mood. Good melding of old and new styles here and Chuck Billy’s voice is always a joy!