Live After Live After Death: Dissection – Live Rebirth

I’ve been wondering what happened to the live album and if Iron Maiden’s Live After Death is the last truly classic one. I’m going to be looking into some post-1985 live releases to see if there are any overlooked belters out there.

Swedish Black Metal legends Dissection had only released two studio albums before they embarked on the “Rebirth of Dissection” tour that kicked off with this show in Stockholm (listed on the LP jacket as September 2004 but it other sources suggest that the show was actually in October!).

The band had disbanded in 1997 following the imprisonment of guitarist/vocalist Jon Nödtveidt as an accessory to the murder of an Algerian man in Sweden. Upon his release in 2004, Nödtveidt quickly assembled a new line-up of Dissection for the tour captured on Live Rebirth.

For a band with only two albums of material to draw from, this is an exceptionally strong set of well-written and passionately performed tracks. The atmosphere and excitement at the show is well captured. The taped intro of instrumental track At the Fathomless Depths combines with the enthusiastic crowd cheering to build the excitement level for the first track proper Nights Blood so the feeling of being at the gig is palpable from the offset. In fact, the opening song is exciting and epic enough to be worth the price of admission alone.

Dissection’s take on extreme Metal is grounded with a strong grasp of songwriting and pacing. There are stunning, memorable riffs in abundance here and, although the hoarser vocals and dark atmosphere may be off-putting for some, there is much to love here for fans of the NWOBHM era and other older acts like Mercyful Fate.

Highlights for me include Where Dead Angels Lie and Maha Kali (the only new track here). These are absolutely thrilling and timeless, both delivered with an enigmatic folky lilt. Maha Kali also builds to a fantastic climax with its exotic feel bolstered by female Hindi vocals. The Somberlain evokes Iron Maiden with its melodic guitar harmony lines and there is also an excellent cover of Tormentor’s Elisabeth Bathory. Another band for me to check out!

Overall, this is an incredible Metal live album and is right up there with the best of them. It’s dripping with atmosphere, epic in scope and there is not a single track on here that is anything less than incredible. For such a short-lived band to have created a set like this is pretty remarkable. Jon Nödtveidt would commit suicide in 2006.

Buying Note: This full gig is available on DVD as Rebirth of Dissection and also available as Live in Stockholm 2004 on CD and LP but that version has some tracks removed and some are shortened. This edition, released in 2010, by the excellent High Roller Records has the full set intact.

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2 thoughts on “Live After Live After Death: Dissection – Live Rebirth”

  1. That set looks sweet! And from your descriptions, it sounds like a great live set indeed. But I have to admit, you’ve got me here – I haven’t heard anything by this band (I don’t think – unless a track turned up on one of those BWBK magazine discs I used to buy – I think I gave those to Mike).

    So, the question is: is it a Classic in the tradition of the Classics, or just a good live album that happens to be recorded after your cut-off date?

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    1. I would say a classic in this case. For a band in this genre it has a very classic, traditional appeal and vibe. It generates the same excitement for me as the very best Metal live albums. When it first heard it, it came as something of a relief that it was still possible to make a live album this good. I think it’s a great entry point for strangers to the genre.

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