Rock the Nations was an encouraging but not entirely convincing return to the classic Saxon sound. With EMI breathing down their necks, Saxon made a last-ditch bid for stardom with 1988`s Destiny. But it wasn’t meant to be.
Destiny was the first (and only) Saxon studio album to feature the new rhythm section of bassist Paul Johnson and drummer Nigel Durham. Saxon were at a low ebb in their confidence and creativity, papering over the cracks with all sorts of formulaic 80s pop rock moves and an over-egged pudding of a production. Uninspiring songs like I Can’t Wait Anymore, We Are Strong and Song For Emma rely on stock pop rock moves and limp anthemry. And more promising numbers like Calm Before the Storm and S.O.S. struggle under layers of keyboards and backing vocals.
However, the band recaptures some of their classic might with For Whom the Bell Tolls and Red Alert. More dynamic, riff-heavy and fully-realised, it’s telling that these tracks rely less on the production bells and whistles. The album’s one true classic and standout track is Ride Like the Wind, a driving and charismatic power ballad reinvention of the Christopher Cross tune. It’s a brilliant cover and a should-have-been hit. It’s the only Destiny-era tune to endure in the band’s career and live repertoire. But even then, it’s no Broken Heroes, Battle Cry or Crusader.
Overall, Destiny is likely to be too syrupy for many fans of traditional Saxon and, even judged on its own merits as an AOR album (against, say, Magnum’s Wings of Heaven), it’s unconvincing. In fact, it’s one of Saxon’s worst albums. As worst albums go, it’s not a total disaster. There’s good stuff here and in the right mood even some of the ropier tunes can connect. But the patchiness, dissipating credibility and perceived commercial desperation of Saxon’s EMI years came to a head here. Before long the band were dropped from EMI, had fired their management and were taking time out to rethink and recharge. It would take years for the one-time champions of NWOBHM to fully recover.
HEAVY METAL OVERLOAD 
This Tooooooooown Knoooooows Hooooooow Toooooo Rawk!
I know HMO wrong album! Still though being a North American I punched out my Saxon ticket after Rock The Nations! (Party Til Ya Puke) I’m trying to recall if I ever seen this album advertised over here.
You my friend are a true fan and its dudes like you that let this band survive til this day. Even with patchy albums as this one you still found stuff….awesome….
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Dunno if you’d dig this one much Deke but I’m sure there are album’s later on that you’d love. I’m glad I’m keeping them going though… Still waiting on my royalty cheques from Biff!
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I like about half the record. Not as bad as its reputation but not as good as it could’ve been.
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“Not as bad as its reputation but not as good as it could’ve been.”
Haha just like ex-girlfriends! 🙂
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Yeah I agree. About half good. But even the good half isn’t like… proper Saxon good! Maybe even just one Broken Heroes type song would have lifted it up. But it isn’t a totally bad album.
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Agreed 🙂
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“stock pop rock moves and limp anthemry” Ye g-ds!
Ride Like The Wind > Break Like The Wind?
Are For Whom The Bell Tolls and Red Alert covers of Metallica and Rush?
Clearly, they should have contacted our benevolently evil HMO (in 1987) before they even started recording, and said “Oh great and omniscient HMO, we beseech you, please tell us how to ‘turn up the good and turn down the suck!'” That would have solved everything! Imagine! Now THAT would have been an album of Destiny! Alas.
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I dunno… if I’d heard this in 1987 I might have liked it a bit more, who knows?
And no to Metallica and… do Rush have a song called Red Alert?
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Haha I think I had the lyrics of Distant Early Warning in my head while thinking Red Sector A and… yeah… that one didn’t work! 😉
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Hand in your Canadian badge forthwith Mister! To get it back you have to list all the Helix albums in order of release.
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Badges? We don’t need no stinking badges!
As for Helix, your test is too easy. Instead, I’ll give you this:
R! “R!”
O! “O!”
C! “C!”
K! “K!”
Whatcha got?
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OK… here goes. I’ll do my best…
S!
L!
O!
A!
… hey, you brainwashing Canucks get out of my head!!
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It’s working! It’s working!!
SLOOOOOO-OOOOAAANNNNNNN!!!!!!
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I’m envisaging that scene in Scanners right now.
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I am Locutus of Sloan. Resistance is futile. You will be assimilated!!
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There’s a good quality copy of this in my local 2nd hand record shop – I came close to getting it last week, but pulled away at the last minute. I do like that cover though.
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I like the ladder propped up in the background. It’s a nice touch. Not sure you’d like this… not enough about transport.
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Not even an anthem about rickshaws? No eulogy to sedan chairs? Crom!
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Just one about a Sinclair C5… but that just dates the album.
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Also a bit difficult to write a galloping war cry-style song about too, I’d imagine.
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Yeah, their logo is iconic. Perhaps this version without the cross cuts of combat express something. It does to me. Torch the choppers. Release something restless and wild. Burn the archive and see-saw-sew…hey, I should run like the wind of changing thoughts your post unleash. Thanks Scott, I’d fallen out of Saxon at the the time but came back after ups and downs of my own journeys.
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I think a lot of people had probably fallen out of Saxon at this point but I also see lots of people saying it’s the album that was their introduction. I guess, even if it wasn’t a big hit, Ride Like the Wind got enough plays on TV and radio to win some converts?
Really looking forward to doing the next lot of albums though. Some really overlooked, great stuff coming up!
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Funny the first thing I thought of was Christopher cross and it is a cover…..Always dig the Saxon updates!
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I think I’ve only heard the original about twice… I should give it another listen. Glad you’re still digging these. Got a couple of Saxon posts in the works… We’re getting into the wilderness years now haha
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Love the posts. After 30 or so years of listening to Metal its time for some new music to me anyways….been listening to Intervals, Darkest Hour, Human Abstract, Mastodon…
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That’s great that you’re finding new stuff to enjoy. It’s good to keep your listening fresh!
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Scott, even though I don’t know this album, I do recognize it from magazine ads. It struck me as looking verrrry different (cover wise) from past Saxon covers I’d seen.
What I like best about your review is that there’s some tension — I’m cheering for them to succeed, you know? The ending of this chapter isn’t so upbeat, but since you say they later on recover, well, I’m on board for the next chapter!
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It’s not an upbeat ending but I’m glad it’s not a total downer… it’s what was needed for them to get back on track. They toiled in obscurity for a while but their albums started getting better very quickly. Destiny is definitely their low point.
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Kind of like Kiss I guess. They had to do Crazy Nights to get to Hot in the Shade which got them to Revenge!
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Not quite though. Cause each of those albums got progressively worse.
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Haven’t gotten to this one yet (my Saxon education has stalled!), but I wasn’t looking forward to it. There’s just something about the cover. Look at the picture of them, too! All hair and little face. Can’t trust a band like that. No sir.
Anyhoo, you’ve confirmed that this is one to approach with caution! (might avoid it!)
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Definitely approach with caution. And try not to look at the picture too much. It’s upsetting. Especially Paul Quinn. The videos were even worse.
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Videos: too late. Oooft.
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You can never unsee them.
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Especially that I Can’t Wait Anymore thing. Good grief.
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Yup. That’s the worst one… by a long shot. Awkward.
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I love this album. Basically all of it. All the songs effectively tell the intended story, which is part of what I love about bands like Saxon, Iron Maiden and Dio. ‘Where the Lightning Strikes’ is very underrated, IMO. A lot of these songs would have made great soundtrack tunes to a worthy action flick.
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