Category Archives: Lists

Piledriver – The Fire God (Song Review)

“Burn all the sinners in my way”

In the mid-80s Canada’s Cobra Records reckoned that, as long as you put a wild cover on it, any old metal shite could sell 20,000 copies easily. So they set out to create a bunch of pretend metal acts and whack out some albums. One of these was Piledriver.

Although Piledriver boasted various fictional members (including “Knuckles” Akimbo on guitar and “Former” Lee on drums!) all the backing tracks were written, performed and produced by Leslie Howe with vocals handled by Piledriver himself (real name: Gordon). But by second album Stay Ugly, Leslie was gone and Piledriver was assisted by none other than Virgin Steele’s David DeFeis (writing and producing as “The Lion”) and Edward Pursino (writing and playing guitar as umm… “Bruizer” Bernette).

The Fire God is one of the album’s standout tracks. Leathery speed metal with a blasphemous flavour of Venom. It’s crude enough that it sounds a bit bashed out but it’s not just any old metal shite either. It’s got heart, hooks, harmonies and ripping guitar. It was good enough that Virgin Steele did their own version years later and it’s proof that good music can come out of the the most crass and contrived circumstances.

HMO Rating: 4 Out Of 5

Behemoth – God=Dog (Song Review)

“I shall cast the pearls before the swine”

God=Dog asks the burning question that’s been on all our lips for so long: “is a god to live in a dog?” But in addition to settling that issue once and for all, it’s also a pretty good metal song. It’s definitely one of the most memorable tracks from 2018s I Loved You At Your Darkest. Solid evil blasting paced out with dramatic and melodic black metal riffs. And don’t let the daft title put you off. There is thoughtful and arcane imagery in the lyrics and it’s the sort of layered, cryptic stuff that obsessives can er… obsess over endlessly. The use of children’s voices is a bit too cheesy for my liking and I think the songs finale would have been climatic enough without them. Probably more so. But overall, an enjoyable and catchy burst of blasphemy from Nergal and crew. Oh yeah, and the answer is “no”.

HMO Rating: 4 Out Of 5

Black Sabbath – God Is Dead? (Song Review)

“Give me more wine, I don’t need bread”

If you’re going to trudge through a slow doomfest you need quality riffs and lyrics, depth of feeling and strong atmosphere and Black Sabbath’s God Is Dead? falls flat on all fronts. It goes on way too long, the brickwalled production has zero atmosphere, the vocals are flat and the lyrics are either boring or clumsy light/night, doom/tomb stuff. The chorus is pretty good, especially the second time round where it is extended out in a moment of rousing emotion. But the band don’t capitalise on this flash of brilliance and the song continues with a series of unremarkable riffs and an unusually uninspired solo from Tony Iommi. Not sure if God has snuffed it or not but this song is disappointingly bereft of life.

HMO Rating: 2 Out Of 5

Alice In Chains – God Smack (Song Review)

“What in God’s name have you done?”

Alice In Chains’ 1992 album Dirt is widely associated with heroin addiction and features many great songs ridden with anguish, turmoil and death. But there are actually only three songs on it that specifically reference drug use. And you’re not getting any points for guessing that God Smack is one of them. It’s got the woozy, sick Layne Staley vocals and an upbeat wah-drenched chorus but musically it’s one of the album’s least remarkable tracks. However, the title and its unflinching portrayal of someone for whom heroin has become everything, gives it a thematic and lyrical importance that makes it a key deep cut on the album even if it’s no great shakes when listened to in isolation.

HMO Rating: 3 Out Of 5

Death – God Of Thunder (Song Review)

“I was raised by the demons”

In the early 90s, it seemed like everyone and their dog was recording covers of classic KISS. And death metal pioneers Death were no exception, taking a break from the complex technicality of their 1991 Human album to throw down a cover of God Of Thunder. Originally used as a Japanese bonus track, the cover was presumably intended more as a bit of fun than an important artistic statement as the band don’t do anything radical with the track. Outside of Chuck Schuldiner’s tortured vocals, the relentless double-bass drums and a flashier guitar solo, it’s all pretty faithful to the version on KISS’ Destroyer album. What I find interesting is that, despite the extreme metal growls and drumming, the KISS version remains darker, heavier and cooler. So, although it’s a fun listen in its own right, it also does a good job of reminding you just how powerful KISS were. I guess all those bands were covering their stuff for a reason.

HMO Rating: 3.5 Out Of 5

The HMO Top Albums of 2017

Twelve whole months of your human time have passed. An entire year of metal releases that have all been building up to one thing: The HMO Top Albums of 2017!

And what a year it was. I reckon the overall standard in this year’s list is the highest since I started doing these, with albums in the lower reaches that would have ranked higher in a less competitive year. Consequently, there was also a bunch of very deserving albums that just missed the cut:

Formicarius – Black Mass Ritual, Contaminated – Final Man, Power Trip – Nightmare Logic, Full Of Hell – Trumpeting Ecstasy, Vampire – With Primeval Force, Demon Head – Thunder In The Fields, Spectral Voice – Eroded Corridors of Unbeing

All of these were favourites of mine that would very likely have made the list any other year and I’d heartily recommend all of them. But there can be only ten…

NUMBER TEN: Satyricon – Deep Calleth Upon Deep

The black metal duo returned with this powerful and deceptively simple set of cold, bleak, groovy and progressive black metal hymns. Following frontman Satyr’s recovery from illness, the album was heralded as “day one of a new chapter”. But it’s no reinvention, just the sound of a band knuckling down with fresh dedication and commitment.

NUMBER NINE: The Obsessed – Sacred

Doom icon Wino returns with a new lineup of his old band The Obsessed and an album that lives up to their classics of old. Hefty biker doom riffs with ace songwriting, soulful maturity and vintage musicianship. Wino’s voice and guitar slinging are as badass as ever. He sings “I was born with my heart on my sleeve” and, 56 years later, he’s still wearing it well.

NUMBER EIGHT: Artificial Brain – Infrared Horizon

No AOTY list would be complete without some death metal in space and this year’s guttural cosmic travellers are Long Island’s Artificial Brain. Post-humanity, cyborgs ponder life and their predecessors and the wonderfully ambient blend of tech death, beautiful dissonance and filthy vocals suits the theme perfectly. Also… might be the only album in my collection that features the word “urinals”.

NUMBER SEVEN: The King Is Blind – We Are The Parasite, We Are The Cancer

The King Is Blind make the HMO Top Ten for the second year in a row. No mean feat. This sequel to their debut album Our Father, brings that album’s biblical tale into the modern day with harrowing results. The UK headbangers bash out an intelligent, raging and monolithic slab of metal that fuses a whole bunch of styles into a crushing, grooving whole that grows in stature with each listen.

NUMBER SIX: Immolation – Atonement

No big back-story, concept or narrative to talk about here. Just straight-up quality death metal from a veteran act that’s still hungry. As with other releases this year, it’s definitely got a whiff of the end-times about it. But instead of dishing out the political rage, Immolation deal out a restrained, ominous and dark indictment of our times. Crushing, twisted, authoritative and destructive from beginning to end.

NUMBER FIVE: Midnight – Sweet Death And Ecstasy

Hooded demon Athenar returns with his third full-length album of black thrash hooliganism. No zeitgeist-y vibes here: just Satan, shagging and Venom-worship. But there’s a lot of creativity crammed into this album’s short running time and its bookended by two epics that push the band’s stylistic (long)boat out: swashbuckling, scything mid-tempo metal that invokes the legends of old… the legends of Ye Olde Bathory and Manowar. It’s that good.

NUMBER FOUR: Cradle Of Filth – Cryptoriana: The Seductiveness Of Decay

The loved-or-loathed British institution continues a late-career renaissance that finds them tipping the balance firmly in the loved direction. Themed around the Victorian obsession with death, Cryptoriana… is a darkly fabulous romp of hard-hitting gothic metal delivered with expertise and passion. It’s atmospheric, cinematic, galloptastic and just tons of fun with a vocal turn from Dani Filth that cements his place as the veritable metal legend that he is.

NUMBER THREE: Memoriam – For The Fallen

Featuring ex-members of Bolt Thrower and Benediction, Memoriam were formed as a tribute to Bolt Thrower’s late drummer Martin ‘Kiddie’ Kearns and what a tribute it is: crusty, primitive old-school death metal with a sense of tragedy and loss. But it’s not a total downer, there’s enough carnage here to please Bolt Thrower fans. Vocalist Karl Willetts performs with charisma and heart while the band unleashes the kind of filthy, strafing riffage that’s guaranteed to have you running for cover.

NUMBER TWO: Paradise Lost – Medusa

2015’s The Plague Within was a welcome return to growlier death/doom fare but I don’t think anyone could have expected Paradise Lost to dredge the depths of misery like they have with this near-flawless album of gothic gloom. Anthemic hooks, crusty riffing, mournful harmonies and a fearless vocal performance from Nick Holmes put Medusa right up there with the band’s best work. No small feat, considering the number of innovative and essential albums that make up this legendary band’s discography.

NUMBER ONE: Akercocke – Renaissance In Extremis

The great comeback of 2017 was the return of these much-missed British Satanists with their most progressive, personal and accessible album to date. But the blackened malevolence of old remains and the fact that this album could well lure fans of more classic fare into a more extreme musical realm suggests these suave Londoners are still doing the devil’s work. The eclectic variety, complex structures and dreamy introspection make for a fascinating, rewarding listen and the intense, dynamic, neck-snapping skill of the band’s performance is the stuff of metal gods.

HMO TOP ALBUMS BY YEAR

2017: Akercocke – Renaissance In Extremis

2016: Darkthrone – Arctic Thunder

2015: My Dying Bride – Feel the Misery

2014: Voices – London

The HMO Top 5 Songs of 2016

No new releases to speak of today so here’s some bonus fun: the HMO Top 5 Songs of 2016. These are the five songs that stood out and stuck in my mind the most, and the ones that I think will most remind me of 2016 when I look back.

Abbath – To War! (from Abbath)

A classic black metal rampage that could have come straight off Immortal’s essential Sons of Northern Darkness album. And the opening riff! Total genius.

Akercocke – Inner Sanctum (from Speed Kills VII)

The return of the legendary Akercocke was proof that 2016 wasn’t all bad. Just classic Ak through and through, raising my excitement for their 2017 comeback album to fever pitch.

Gojira – Stranded (from Magma)

Magma wasn’t a totally consistent release but it made my Top 10 albums on the strength of some especially brilliant songs. And this audaciously simple instant-classic was the best of the lot.

Anaal Nathrakh – Hold Your Children Close and Pray for Oblivion (from The Whole of the Law)

The chorus of the year right here. Enjoy it cause the rest of the track is insanely violent. But with a title like that, you can’t say you weren’t warned.

But the HMO Song of the Year 2016 award goes to…

The King is Blind – Mesmeric Furnace (from Our Father)

This is a deep cut and we’re firmly in goosebump territory here. This track just oozes class. Epic, euphoric, monolithic, climatic. THIS is how you close an album.

And that rounds up 2016 for HMO. Thanks for reading and best wishes to you all for 2017!