There’s been a wee flurry of upcoming releases announced recently so I thought I’d round up the ones I’m most looking forward to.
The King Is Blind
The King Is Blind’s debut album Our Father was one of last year’s big hits round here and I’m pleased to see they are keeping the momentum going. Their second album seems set to be called We Are The Parasite, We Are The Cancer and is due out in October 2017 on the band’s own label Calva Records. All we have to go on at the moment is a tantalising teaser clip but it sounds like we’re in for some political rage on album number two, maybe even tipping into grindcore. Definitely a serious vibe about this one… I’m excited.
Never heard of this band before but I’ve saw their name popping up recently. Turns out they’re a Norwegian black metal duo that have just been signed to Peaceville (home of all sorts of good stuff) and are due to release their third album Eremittens Dal on the 13th October. I’ve had a listen to the track I Hornenes Bilde and it’s right up my street. Very reminiscent of old Darkthrone stuff like In The Shadow Of The Horns: properly icy and primitive with some great catchy riffing. And for added authenticity it has pencil artwork by Jannicke Wiese-Hansen who penned classic covers from the likes of Burzum and Satyricon. Speaking of whom…
The black metal legends are set to follow-up their self-titled 2013 album in September with Deep Calleth Upon Deep. The band reckon this album continues the musical reinvention and exploration they started with the previous album. That won’t please everybody but it works for me cause I’ve become quite fond of the last one. I thought it was a proper grower with some excellent, atmospheric stuff on it. So I’m intrigued to see where this classy, ever-evolving band goes with this new release. Love that Edward Munch cover too.
Not much to go on here but satanic terrors Watain have thrown some posters up on their Facebook page, announcing an imminent as-yet-unnamed album which will be due in January 2018. Seems like ages since they released their last album, the slightly disappointing The Wild Hunt. But that album has been the only blip in an otherwise-stellar discography so I’ve got high hopes for this band’s return.
There has been lots of exciting news coming out of the Paradise Lost camp lately with not just one new release on the horizon but two! So I thought I’d be super-efficient and just deal with both in one handy post.
First up is the main event, the band’s new album Medusa. It’ll be out on September 1st and promises to continue the band’s increasingly heavy direction. The cover has a very cool folk-horror vibe and the vinyl single Blood And Chaos (coming out on August 3rd) has great artwork too. Their last album made my yearly Top 10 and I’ll be surprised if Medusa doesn’t end up in this year’s list. It’s an exciting release from a veteran band that’s still in vital form.
And if all that wasn’t awesome enough Music For Nations have lined up a 20th Anniversary reissue of their 1997 album One Second. It was the album that followed the massively successful Draconian Times and, in the words of frontman Nick Holmes, marked “for better or worse the beginning of a very experimental stage for the band.” It’s maybe not what some people think of as classic PL but it was an interesting progression from the band at a point where they could easily have stagnated: a great album with some classic songs.
The new edition will come with the live audio of the 1998 Shepherd’s Bush gig that has previously only been available on the DVD Evolve. This means there are a few B-Sides from the era that are not represented here but the live disc is a value-for-money bonus that makes it worth another punt (not to mention the usual liner notes and all that stuff). You can finally just listen to it without the band’s haircuts putting you off.
It’s all good news for Paradise Lost fans. These two releases, not to mention the blistering Vallenfyre album Fear Those Who Fear Him, should keep all you miserable buggers happy for a while.
The return of eccentric extremists Akercocke in 2016 had me praising Satan like nobody’s business. Their new song Inner Sanctum was wonderful and I had a great time finally catching them live in Manchester.
Now they’ve announced the details of their upcoming new album Renaissance In Extremis and revealed the song Disappear that will open the highly-anticipated comebAK album.
It’s great stuff. Not as immediate as Inner Sanctum but it’s a tantalising taster for the album and proves that the band still has the knack for twisty-turny progressive death metal madness. Better yet, the pre-orders are up at Peaceville Records and the album will be available in a 3CD deluxe 60-page hardback with two bonus discs of rare recordings, demos, live tracks, cover versions and more!
Exciting news. The album is out on 25th August and promises to be a musical highlight of 2017. Hail Lucifer!
Venom Inc. have announced that they will release their debut album Avé on August 11th 2017 via Nuclear Blast Records. In case you need a catch-up, Venom Inc. features two original members of Venom (guitarist Jeff ‘Mantas’ Dunn and drummer Anthony ‘Abaddon’ Bray) along with vocalist/bassist Tony ‘Demolition Man’ Dolan. The trio released three albums together as Venom in the late 80s/early 90s, most notably the fantastic and overlooked Prime Evil.
Although original bassist/vocalist Cronos currently performs and records under the Venom name, these three ex-members have been touring a classic Venom set under the name Venom Inc. since 2015. Now they have announced this album of new material and released a NSFW video for their new song Dein Fleisch.
It’s not the kind of old-school metal I was hoping for from them. Its down-tuned chugging and theatrical vocals are more Rammstein than Motörhead. It’s also a bit too slick and tight for my liking. I prefer my Venom out-of-control and filthy! If the rest of the album is more reminiscent of classic Venom then this might make for an interesting odd-one-out song. But if the rest of the album is like this then I’ll probably ‘ave to pass. What do you reckon?
I’m very sad to hear the news tonight about the passing of Gregg Allman. The Allman Brothers Band have been a huge part of my musical life since I discovered them in the 90s. I got into them through my love of Pride & Glory-era Zakk Wylde and a keen interest to find out more about all that southern rock stuff that he was banging on about. And, with all due respect to Lynyrd Skynyrd, The Allman Brothers Band were the greatest southern rock act: the titans of the genre. My initial love was mainly based around the fabulous guitar jamming on albums like At Fillmore Eastand Brothers & Sisters but it didn’t take long to cotton on to the joys of the soulful vocals of Gregg and to develop a late night obsession with his sublime solo album Laid Back and an absolutely timeless catalogue of incredible songwriting. Ain’t Wastin’ Time No More, Please Call Home, Midnight Rider, Melissa, Dreams, Wasted Words, End Of The Line… and countless more. Time goes by like hurricanes but the circle will stay unbroken. People will be listening to his beautiful songs and voice forever. Thanks, Gregg.
[The Allman Brothers Band – Aint’ Wastin’ Time No More]
In addition to yesterday’s New Release round-up here’s one more thing you should spend some money on this weekend. The upcoming Bernie Tormé album Dublin Cowboy is available as a PledgeMusic offer and, with the offer ending on Mon 20th Feb 2017, this weekend is your last chance to get involved.
Bernie is the incredible axe wizard that played on the classic Gillan albums of the early 80s, Mr. Universe, Glory Road and Future Shock, and his playing on the Reading Festival live recordings is some of my very favourite guitar playing ever. It’s incendiary! And, if that wasn’t enough, he also played with Ozzy Osbourne and formed Desperado with Dee Snider and Clive Burr. Not to mention his excellent solo career.
And now he’s back with his latest solo album Dublin Cowboy, which is going to be a triple studio/live/acoustic release. Go to his PledgeMusic page to get your pledge in. There are a ton of options and, even if you only punt for the £12 digital version, you get access to a ton of great stuff. There are brilliant guitar playthrough videos of some awesome Gillan songs and solos. There are rare song downloads, gear breakdowns, and all sorts of memorabilia like tour itineraries and photos of him drinking Guinness and stuff like that. I’m sure the album will still be available later but it’s well worth getting involved at this Pledge stage as Bernie has really gone to town with the extras here.
You can usually rely on metal albums to have stunning, provocative artwork and, even in the age of iTunes and Spotify, this doesn’t seem to be changing. And now, thanks to Alex Milazzo, the world of metal has its first and only art magazine dedicated to its artwork and artists. It’s called Heavy Music Artwork and its first two issues are available to buy at the magazine’s Indiegogo page.
I received my issues last week and they are beautiful things. Each issue is themed. The first issue Dark Nouveau covers artists and performers such as Ghost, John Dyer Baizley, Matt Vickerstaff and Zbigniew M. Bielak that have embraced the Art Nouveau style. And the second issue Folklore covers themes of cultural identity and heritage: featuring relevant artists and acts such as Adam Burke, Enslaved, Costin Chioreanu and Primordial. This second issue also introduces more general essays on heritage and epic tales by Dayal Paterson and Gallen-Kallela respectively, with a smattering of live reviews and Top 10 articles in both issues too.
It’s an interesting, refreshing change to read interviews with the visual artists behind all these amazing covers and the band interviews have an artistic, creative slant that makes for fresh reading too. There has been a lot of love put into these: both are excellent reads and I imagine will become very collectable too.
The third issue Human is out in January 2017 and the pre-order for that is now live here (and the first two issues as well). This upcoming third issue will include an article on Grammy-winning creative agency Turner Duckworth, covering the making of the upcoming Metallica album, as well as articles on Dave McKean, Anaal Nathrakh, Opeth, Alter Bridge and loads more.