Category Archives: Reviews

W.A.S.P. – Live… in the Raw (Review)

 

Live… in the Raw 1997 Reissue

Many of the great live albums functioned as “end of an era” releases. They documented a period of a band’s career and placed a full-stop on it before evolving into something new.

Ever since the release of their debut single (Animal) Fuck Like a Beast, controversy had dogged W.A.S.P. and they soon became a prime target for the PMRC, while also experiencing death threats and even assassination attempts. The stress had tired the band, causing tensions in the ranks but also galvanising band leader Blackie Lawless who felt that the focus on the band’s image and antics had meant their musical merits were under-estimated.

Live… in the Raw was recorded over three dates on their successful world tour promoting their third album, Inside The Electric Circus. Opener Inside The Electric Circus is thrilling and has some great sawing guitar riffs. The band proceeds to tear through a taut, muscular set that mixes classics and new tracks alike. In fact there are three tracks on here that would have previously been unavailable: two excellent live tracks Harder Faster and The Manimal and one studio track Scream Until You Like It recorded to promote the Horror sequel Ghoulies II.

2011 reissue of Inside the Electric Circus relegates Live… in the Raw to mere bonus disc.

Like many of the best live albums, some of the songs here enjoy their definitive performances on this album. Inside The Electric Circus, L.O.V.E Machine, Wild Child and 9.5.-N.A.S.T.Y. are all superb. The only thing that stops Live… in the Raw being all the W.A.S.P. you’ll ever need is the notable omission of (Animal) Fuck Like a Beast (although they would atone for this with the release, in 1988, of the Live Animal EP).

Live… in the Raw would prove pivotal to the band’s career. It boosted the profile and legitimacy of their catalogue and functioned as a historically important “end of an era” release. The album would provide a full-stop on the sex, parties and gore period of their career. From now on, W.A.S.P. were going to get serious!

HMO Rating: 4.5 out of 5

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Ihsahn – Eremita (Review)

I resisted buying this for a surprisingly long time. Eremita has been picking up some great reviews since its release and has been compared very favourably with its 2010 predecessor, After, which I enjoyed very much. Despite all this, every time I picked it up in the shops I just couldn’t be arsed. Weird.

Eventually I just had to force myself to buy it and I’m glad I did because this has the edge on its predecessor and is one of the most enjoyable releases of the year so far.

Opener Arrival gets things off to an exciting start with a Dream-Theater style rampaging riff. It’s also immediately noticeable that the vocal performance is more nuanced than on After and there are some pleasingly soulful Kings X style harmonies which are a nice touch (Arrival guest vocalist Einar Solberg certainly brings to mind Kings X vocalist Doug Pinnick). The guitars are also allowed some free reign from Ihsahn’s usual orchestrated approach and the result is some great shredding solos, in particular from Jeff Loomis on The Eagle and the Snake (one of the album’s centrepieces).

Emperor fans will be in more familiar territory with the track Something Out There which hits you in the face like an icy gale. Although the album’s overall feel is quite Avant-Garde (check out The Eagle and the Snake’s Jazz Café opening and orchestral interlude Grief) there is still enough evidence of Ihsahn’s Black Metal roots for this album to appeal to Emperor fans.

For an album that’s title translates as “Hermit” Eremita is surprisingly collaborative and impressively cohesive. It maybe doesn’t have the same peaks as After but it is more consistent and more fully-formed. I hadn’t been in the mood for this but it won me over and that’s an accomplishment in itself.

HMO Rating: 4 out of 5