Tag Archives: Classic Albums

The Obsessed Announce New Reissue of S/T Debut

Some exciting reissue news courtesy of Relapse Records. The self-titled debut album from doom legends The Obsessed is set for a remastered re-release on November 17th 2017. It was originally released in 1990 and, despite occasional reissues here and there, has been out-of-print for years.

It’s a big gap in my collection and one of those albums that I periodically consider shelling out for online. So this reissue is hugely welcome and a must-buy for me. And, as if the album reissue wasn’t good enough on its own, it will also come with previously unreleased bonus tracks, including a live set as well as the highly sought-after Concrete Cancer demo. It will also feature expanded artwork, never-before-seen photos, and extended liner notes from frontman Scott “Wino” Weinrich.

The classic band recently returned with their fantastic new album Sacred and this reissue just seals the deal on an excellent year for fans of Wino and doom metal.

The Obsessed will be available on 2CD, LP, 2LP, and digital formats via Relapse Records. Physical bundles and digital pre-orders are available via Relapse Records here and streaming services at this location.

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Scorpions – In Trance (Review)

Original cover image – with boob!

In Trance was the Scorpions’ third album, their first of many with producer Dieter Dierks and their first proper hard rocker. But we’re still back in the Uli Roth years here so there’s a strange mix of styles and moods. There are real driving, hard-hitters like Dark Lady and Top Of The Bill but there are also many songs like Life’s Like A River and Living And Dying that are mystical, almost-psychedelic and loaded with melancholy. Two different kinds of heavy, basically. Scorpions’ circa 1975 show off a complex mix of styles and influences: Uli Roth’s post-Hendrix, pre-Malmsteen guitar mastery; the mellow wistfulness of UFO’s Phenomenon; the epic scope, bludgeon and layered vocal harmonies of Uriah Heep and Queen and a distinctly European/power metal vibe. The combination of Rudolf Schenker’s granite riffs and Uli Roth’s scorching leads create real sparks and edge that never appeared in other incarnations of the band. There’s so just so much to love here and tracks like the bombastic pomp-rocker In Trance and the bonkers cyber-metaller Robot Man just never get old. The Scorpions would score big later with a simpler, streamlined metal style so this strange and formative early effort isn’t in the hallmark Scorps style but it is one of their best and the album, and era, I return to the most. By a long way. And that’s why it’s the first of the Germans’ albums to make it into the HMO Hall Of Fame.

HMO Rating: 4.5 out of 5

[Scorpions – Robot Man]

My copy – paired with the also-incredible Virgin Killer

Paradise Lost – New Releases For 2017

There has been lots of exciting news coming out of the Paradise Lost camp lately with not just one new release on the horizon but two! So I thought I’d be super-efficient and just deal with both in one handy post.

First up is the main event, the band’s new album Medusa. It’ll be out on September 1st and promises to continue the band’s increasingly heavy direction. The cover has a very cool folk-horror vibe and the vinyl single Blood And Chaos (coming out on August 3rd) has great artwork too. Their last album made my yearly Top 10 and I’ll be surprised if Medusa doesn’t end up in this year’s list. It’s an exciting release from a veteran band that’s still in vital form.

And if all that wasn’t awesome enough Music For Nations have lined up a 20th Anniversary reissue of their 1997 album One Second. It was the album that followed the massively successful Draconian Times and, in the words of frontman Nick Holmes, marked “for better or worse the beginning of a very experimental stage for the band.” It’s maybe not what some people think of as classic PL but it was an interesting progression from the band at a point where they could easily have stagnated: a great album with some classic songs.

The new edition will come with the live audio of the 1998 Shepherd’s Bush gig that has previously only been available on the DVD Evolve. This means there are a few B-Sides from the era that are not represented here but the live disc is a value-for-money bonus that makes it worth another punt (not to mention the usual liner notes and all that stuff). You can finally just listen to it without the band’s haircuts putting you off.

It’s all good news for Paradise Lost fans. These two releases, not to mention the blistering Vallenfyre album Fear Those Who Fear Him, should keep all you miserable buggers happy for a while.

Holocaust – The Nightcomers (Review)

Holocaust – The Nightcomers + 9 Reissue (Metal Nation)

It’s immediately evident from the Chuck Berry double-stops that kick off Holocaust’s 1981 debut album that this isn’t going to be as totally dark and metallic as the spooky cover and jagged band logo suggests. Only four songs on The Nightcomers fully live up to the nefarious promise of the front sleeve. Second track Death Or Glory has a chunky, stomping riff of evil, gurning magnificence. The title-track and Mavrock are excellent sludgy, doomy affairs with creepy, reverb-laden vocals and guitar lines. And the fourth is the album’s standout track, the metal-worshipping anthem Heavy Metal Mania. If you like metal at all then this song is simply impossible to resist.

Excluding those songs and the lively Nuge/UFO-style heavy boogie of opener Smokin’ Valves, what you’re left with isn’t quite as good… but it doesn’t matter. The riffs and solos are excellent throughout and the Edinburgh band has a knack with a catchy chorus so potentially uneventful tracks like Cryin’ Shame and Push It Around just manage to avoid being total filler (even if they are strangely feel-good next to the album’s heavier tracks). Even the often wobbly vocals of Gary Lettice have a naive charm and intriguingly pre-Hetfield tone and phrasing.

If you’re new to these guys you’re in luck as Metal Nation have just reissued the album on CD with the songs from three 12″ singles as bonus tracks. It’s a great package and superb example of the promising talent, youthful energy and total lack of contrivance that keeps people going back to the NWOBHM bands. Even if it’s not quite a top-tier entry from the genre, it’s not far off. An enjoyable and memorable hard rocker with a batch of tracks that are nothing less than stone-cold metal classics.

HMO Rating: 4 out of 5

[Holocaust – Heavy Metal Mania]

Rotting Christ – Thy Mighty Contract

Rotting Christ – Thy Mighty Contract (1993)

I’m not sure I could have picked a less Easter-y album to listen to tonight. Then again, I’m fairly sure that vast swathes of my music collection aren’t exactly appropriate for most religious holidays. There’s never a bad time to listen to Thy Mighty Contract though. It’s brilliant early black metal with remarkably restrained and melodic riffs, impassioned warrior shouts and dark force. It’s often pleasingly dreary and gothic in a Paradise Lost/My Dying Bride vein and it has that influential and unique sun-baked atmosphere that Greek black metal has become known for. It’s atmospheric, accessible and totally classic: a great entry point for anyone new to the genre and an eternal favourite for long-time devotees.

[Rotting Christ – The Fourth Knight Of Revelation]

Song of the Week: Coroner – Son of Lilith

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The Swiss power trio Coroner has often been called the “Rush of Thrash” for their progressive bent and formidable performances. And their albums don’t get much more progressive and formidable than their fourth, 1991’s Mental Vortex. Here’s one of my favourite tracks from it, Son of Lilith. It’s still got enough crunch and neck-snapping intensity to please thrashers but this song is more about precision and groove. It’s got an earworm of a chorus and a guitar solo to die for. Total class.

[Coroner – Son of Lilith]

New Releases – 17th February 2017

There’s not a huge amount of stuff out today so this’ll be short. Some good classic metal reissues out today though.

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Virgin Steele – Visions of Eden

David DeFeis and Co. continue their excellent series of reissues with this deluxe edition of their “Barbaric-Romantic Movie of the Mind”. The 2006 album gets a remix on the first disc and the original album is remastered on disc two. Visions of Eden is a rich, complex album but it never quite reaches the heights of the band’s classic work (apart from the bit where he tells Adam and Eve to eff off). But there’s strong potential for improvement with the remix so I’m intrigued to see how this one works out. And you’ve got to love the pure phallic power of that cover.

Omen – Reissues

Some more classic trad-metal reissues here. Omen’s first three albums on Metal Blade, Battle Cry, Warning of Danger and The Curse, getting newly remastered and repackaged editions on digipak CD and vinyl. The CDs will have some bonus tracks, most notably the Nightmares EP which will be added to The Curse CD, but if you’re buying the vinyl versions you’ll just get the album tracks. The only thing I’m missing here (inc. bonus tracks) is The Curse so I reckon I’ll pick that up cause their other stuff is jolly good. If you like your metal NWOBHM-y and don’t know Omen, now’s your chance… be their wench tonight!

benightedartwork-500x500

Benighted – Necrobreed

**UPDATE** Thanks to Nick for the heads-up about this one. Big brutal deathgrind release from France that’s been getting plenty of review praise lately. Not strictly my cup of tea style-wise but I’m intrigued enough to want to hear more, given the praise. And the awesome packaging from Season of Mist doesn’t hurt either. Fans should note that the deluxe box CD version has two bonus cover versions (of Sepultura and Marduk).

Elsewhere we have The Forty Five by black metal combo Cnoc An Tursa. Scenic, folky stuff with tons of Scottishness. Less Trve Kvlt, more Trve Kilt. And if I’m the first person to make that joke surely I deserve some sort of reward. Death metal veterans Morta Skuld return with Wounds Deeper Than Time (one of those bands where I’d rather go back and check them out from the beginning though). And last, and definitely least, Anthrax release the umpteenth version of their “new” album For All Kings. This time it’s the “Tour Edition” with a bonus EP of demos. Don’t encourage them.

Not a particularly stellar week but I’ve been looking forward to the Virgin Steele reissue and I’m up for adding Omen’s The Curse to the collection too so those are my personal picks. Fans of brutal death will want to make a beeline for Benighted though. Until next week, happy hunting!