Tormentor – Elisabeth Bathory (Song Review)

“Oh how I love to feel your breath”

Due to the challenges of being an extreme metal band in Communist Hungary, Tormentor’s 1989 debut album Anno Domini didn’t see the light of day as an official release. But a tape of the record soon found its way into the global tape-trading network and it became a big influence on the burgeoning black metal scene of the 90s. A key factor in this influence was the brilliantly prescient track Elisabeth Bathory. Like a lot of black metal the track is rooted in place and history: a love-letter to the notorious Hungarian noblewoman and alleged serial killer rumoured to have bathed in the blood of virgins to retain her youth. It’s cold, hypnotic stuff with relentless mid-pace, eerie arpeggios and a theatrical, vampiric performance from vocalist Attila Csihar. The impressive Csihar was later recruited by the infamous Mayhem to record vocals for their genre-defining classic De Mysteriis Dom Sathanas, which sent many black metal fans (like me) scurrying back to investigate his previous work with Tormentor. But it doesn’t matter whether you encounter this song in 1989 or 1999… or ten years from now. Elisabeth Bathory is quintessential, fervid, eternal black metal.

Bad Company – Bad Company (Album Review)

Bad Company – Bad Company (Island/Swan Song – 1974)

When I think of the term “supergroup”, Bad Company are one of the first bands that spring to mind. With their 1974 self-titled debut album, they absolutely lived up to that billing. The British group featured two former members of Free and their unfussy, soulful rock picks up where Free left off but in a more feelgood, riff-based, rock ‘n’ roll mode courtesy of ex-Mott The Hoople guitarist Mick Ralphs. And Ralphs ensured they achieved mega success by penning the ingeniously simple single Can’t Get Enough, a cruising and carefree radio staple. Not to be outdone, vocalist Paul Rodgers chipped in the album’s masterful title track, a thoroughly stirring mix of ghostly atmosphere and outlaw manliness. Other highlights include the priapic proto-Whitesnake Rock Steady and a sublimely classy remake of Mott’s Ready For Love. Bad Company were having too good a time to infuse the album’s ballads with anything near the emotional heavy load that Free conjured but tracks like The Way I Choose have proven to be growers over decades of listening and are great vehicles for Rodgers’ smooth vocals. The whole album sounds ballsy and beautiful, especially Ralphs’ creamy guitar tones. Bad Company is the cool, confident and timeless sound of talented musicians revelling in a newfound personal and creative chemistry. When I think of the term “classic rock” Bad Company is one of the first albums that springs to mind.

HMO salutes Mick Ralphs who recently passed away, aged 81.

(Bad Company 2CD deluxe edition from 2015)

You can get this album and more on this box set too!