Tag Archives: New Releases

Avatarium – Hurricanes And Halos

Avatarium – Hurricanes And Halos (2017)

Avatarium were originally devised as a combination of crushing doom and 70s prog. But on their third album Hurricanes and Halos there’s very little doom left at all; the focus is now firmly on retro rock stylings of swirling Hammond organ and sultry psychedelia.

Into The Fire/Into The Storm is a bold opener that makes full use of Jennie-Ann Smith’s forceful, dramatic lung power and The Starless Sleep is a wonderful mix of dark fable and summery 60s pop. But there’s a sense of diminishing returns on album number three. Although it’s one of the doomier tracks, Medusa Child is overlong with cheesy child vocals. And the breezy, bluesy When Breath Turns To Air and the closing instrumental parp of the title track barely register. The album’s uneven second half is saved by the stomping Uriah Heep worship of The Sky At The Bottom Of The Sea and the ominous beauty of A Kiss (From The End Of The World), one of the band’s best tunes to date.

It’s another strong effort from the Swedes but it finds them veering away from my own taste. As the band dial down the doom I find myself less engaged. But the band’s charismatic and summery take on classic 70s rock will win them more fans and appreciation than they lose. And those listeners may well find this the band’s most accessible and enjoyable album so far.

HMO Rating: 3.5 out of 5

Venom Inc. – Avé

While the actual Venom continue under the leadership of infamous bassist/vocalist Conrad ‘Cronos’ Lant, the return of the band’s classic guitarist Jeff ‘Mantas’ Dunn and drummer Tony ‘Abaddon’ Bray as Venom Inc. has caused quite a stir. Surely two thirds of the band’s massively influential and legendary formation is better than one? And to cap it all off, the band has been rounded out appropriately and authentically with Prime Evil-era bassist/vocalist Tony ‘Demolition Man’ Dolan. It’s an exciting unit and the band has been going down a storm touring a classic Venom set. But playing live oldies is a no-brainer. Now the real test comes as the band offer up their first new material with their debut album Avé.

Venom Inc. perform like heroic metal veterans throughout. Mantas in particularly impressive form, peeling out genuinely thrilling guitar solos like it’s a piece of piss. They’re too seasoned to play with the filthy, bulldozer energy of old but as gutsy, trad metal goes much of this is hard to beat. It’s also hard to stick with. Songs like Avé Satanas and Preacher Man are average songs stretched way beyond their breaking point and, while it works better as an album track than as a single, Dein Fleisch causes a hefty lull at a crucial point.

With those three totally removed Avé could have been easily and massively improved, while coming in at the golden running time of 40min too. Ace biker metal tracks like Forged In Hell and The Evil Dead would get old heads banging again and raging thrashers like Metal We Bleed and Time To Die would give young Venom-worshipping upstarts like Midnight a run for their money too. But, as a complete listening experience, Avé is overlong, uneven and frustrating: the two thirds of Venom Inc. proving that it is possible to ‘ave too much of a good thing.

HMO Rating: 3 out of 5

Possession – Exorkizein

Following an impressive demo and mini-album, I was expecting to be more impressed by Possession’s debut full-length album. The Belgians dish out impressively clear and concise black/death with plenty of evil atmosphere but they never really lift themselves out of the solid zone. Despite some strong riffs, the songs in the first half all blur into one. Exorkizein gradually improves, and is at its best in its closing stages with tracks like In Vain and Take the Oath being standouts. Possession have an appealing Watain-like delivery and catchiness but there’s not enough of that band’s threatening audacity and ambition here. Exorkizein is far from execrable but not exactly exciting either.

Formicarius – Black Mass Ritual

The last time I encountered the UK’s Formicarius was back in December when they contributed a track Lake of the Dead to the excellent compilation Speed Kills VII. Back then I called them “very promising” and I’m glad to report that, with Black Mass Ritual, they have delivered on that promise and then some.

Formicarius go medievil on your ass with their debut album, dishing out Cradle of Filth-style symphonic metal with power metal exuberance. The whirling atmosphere, rib-cracking riffs and exotic solos sound like Mustaine and Friedman jamming with Emperor, the potent speed metal velocity, galloping bass and catchy choruses bring to mind early Helloween and there’s a folky bent to the riffs and instrumentation that reminds me of the classic Skyclad albums.

All the performances are outstanding, from Lord Saunders’ articulate Abbath-esque croak to Morath’s grand and eloquent keyboard embellishments and solos (check out the excellent outro piano on Overlord, a standout moment). The songwriting is also uniformly excellent. An overly jaunty riff in Abhorrent Feast of Minds is the only thing close to a mis-step and it’s soon forgiven as Master of Past and Present closes the album on a dark, dramatic high.

It’s a fantastic debut: rampaging, grand black metal with a healthy dose of epic tradition and fearless creativity. In a year where I’ve been mainly knocked out by death metal albums, Formicarius have struck a decisive blow for black metal. And they’ve done it with an album that is all kinds of metal fun for all kinds of metal fans. The Black Mass Ritual begins on July 21st, don’t miss out.

Paradise Lost – New Releases For 2017

There has been lots of exciting news coming out of the Paradise Lost camp lately with not just one new release on the horizon but two! So I thought I’d be super-efficient and just deal with both in one handy post.

First up is the main event, the band’s new album Medusa. It’ll be out on September 1st and promises to continue the band’s increasingly heavy direction. The cover has a very cool folk-horror vibe and the vinyl single Blood And Chaos (coming out on August 3rd) has great artwork too. Their last album made my yearly Top 10 and I’ll be surprised if Medusa doesn’t end up in this year’s list. It’s an exciting release from a veteran band that’s still in vital form.

And if all that wasn’t awesome enough Music For Nations have lined up a 20th Anniversary reissue of their 1997 album One Second. It was the album that followed the massively successful Draconian Times and, in the words of frontman Nick Holmes, marked “for better or worse the beginning of a very experimental stage for the band.” It’s maybe not what some people think of as classic PL but it was an interesting progression from the band at a point where they could easily have stagnated: a great album with some classic songs.

The new edition will come with the live audio of the 1998 Shepherd’s Bush gig that has previously only been available on the DVD Evolve. This means there are a few B-Sides from the era that are not represented here but the live disc is a value-for-money bonus that makes it worth another punt (not to mention the usual liner notes and all that stuff). You can finally just listen to it without the band’s haircuts putting you off.

It’s all good news for Paradise Lost fans. These two releases, not to mention the blistering Vallenfyre album Fear Those Who Fear Him, should keep all you miserable buggers happy for a while.

New Akercocke Album Renaissance In Extremis Due In August

The return of eccentric extremists Akercocke in 2016 had me praising Satan like nobody’s business. Their new song Inner Sanctum was wonderful and I had a great time finally catching them live in Manchester.

Now they’ve announced the details of their upcoming new album Renaissance In Extremis and revealed the song Disappear that will open the highly-anticipated comebAK album.

It’s great stuff. Not as immediate as Inner Sanctum but it’s a tantalising taster for the album and proves that the band still has the knack for twisty-turny progressive death metal madness. Better yet, the pre-orders are up at Peaceville Records and the album will be available in a 3CD deluxe 60-page hardback with two bonus discs of rare recordings, demos, live tracks, cover versions and more!

Exciting news. The album is out on 25th August and promises to be a musical highlight of 2017. Hail Lucifer!

Venom Inc. Announce New Album Avé

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Venom Inc. have announced that they will release their debut album Aon August 11th 2017 via Nuclear Blast Records. In case you need a catch-up, Venom Inc. features two original members of Venom (guitarist Jeff ‘Mantas’ Dunn and drummer Anthony ‘Abaddon’ Bray) along with vocalist/bassist Tony ‘Demolition Man’ Dolan. The trio released three albums together as Venom in the late 80s/early 90s, most notably the fantastic and overlooked Prime Evil.

Although original bassist/vocalist Cronos currently performs and records under the Venom name, these three ex-members have been touring a classic Venom set under the name Venom Inc. since 2015. Now they have announced this album of new material and released a NSFW video for their new song Dein Fleisch.

It’s not the kind of old-school metal I was hoping for from them. Its down-tuned chugging and theatrical vocals are more Rammstein than Motörhead. It’s also a bit too slick and tight for my liking. I prefer my Venom out-of-control and filthy! If the rest of the album is more reminiscent of classic Venom then this might make for an interesting odd-one-out song. But if the rest of the album is like this then I’ll probably ‘ave to pass. What do you reckon?