Tag Archives: New Releases

Paradise Lost – New Releases For 2017

There has been lots of exciting news coming out of the Paradise Lost camp lately with not just one new release on the horizon but two! So I thought I’d be super-efficient and just deal with both in one handy post.

First up is the main event, the band’s new album Medusa. It’ll be out on September 1st and promises to continue the band’s increasingly heavy direction. The cover has a very cool folk-horror vibe and the vinyl single Blood And Chaos (coming out on August 3rd) has great artwork too. Their last album made my yearly Top 10 and I’ll be surprised if Medusa doesn’t end up in this year’s list. It’s an exciting release from a veteran band that’s still in vital form.

And if all that wasn’t awesome enough Music For Nations have lined up a 20th Anniversary reissue of their 1997 album One Second. It was the album that followed the massively successful Draconian Times and, in the words of frontman Nick Holmes, marked “for better or worse the beginning of a very experimental stage for the band.” It’s maybe not what some people think of as classic PL but it was an interesting progression from the band at a point where they could easily have stagnated: a great album with some classic songs.

The new edition will come with the live audio of the 1998 Shepherd’s Bush gig that has previously only been available on the DVD Evolve. This means there are a few B-Sides from the era that are not represented here but the live disc is a value-for-money bonus that makes it worth another punt (not to mention the usual liner notes and all that stuff). You can finally just listen to it without the band’s haircuts putting you off.

It’s all good news for Paradise Lost fans. These two releases, not to mention the blistering Vallenfyre album Fear Those Who Fear Him, should keep all you miserable buggers happy for a while.

New Akercocke Album Renaissance In Extremis Due In August

The return of eccentric extremists Akercocke in 2016 had me praising Satan like nobody’s business. Their new song Inner Sanctum was wonderful and I had a great time finally catching them live in Manchester.

Now they’ve announced the details of their upcoming new album Renaissance In Extremis and revealed the song Disappear that will open the highly-anticipated comebAK album.

It’s great stuff. Not as immediate as Inner Sanctum but it’s a tantalising taster for the album and proves that the band still has the knack for twisty-turny progressive death metal madness. Better yet, the pre-orders are up at Peaceville Records and the album will be available in a 3CD deluxe 60-page hardback with two bonus discs of rare recordings, demos, live tracks, cover versions and more!

Exciting news. The album is out on 25th August and promises to be a musical highlight of 2017. Hail Lucifer!

Venom Inc. Announce New Album Avé

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Venom Inc. have announced that they will release their debut album Aon August 11th 2017 via Nuclear Blast Records. In case you need a catch-up, Venom Inc. features two original members of Venom (guitarist Jeff ‘Mantas’ Dunn and drummer Anthony ‘Abaddon’ Bray) along with vocalist/bassist Tony ‘Demolition Man’ Dolan. The trio released three albums together as Venom in the late 80s/early 90s, most notably the fantastic and overlooked Prime Evil.

Although original bassist/vocalist Cronos currently performs and records under the Venom name, these three ex-members have been touring a classic Venom set under the name Venom Inc. since 2015. Now they have announced this album of new material and released a NSFW video for their new song Dein Fleisch.

It’s not the kind of old-school metal I was hoping for from them. Its down-tuned chugging and theatrical vocals are more Rammstein than Motörhead. It’s also a bit too slick and tight for my liking. I prefer my Venom out-of-control and filthy! If the rest of the album is more reminiscent of classic Venom then this might make for an interesting odd-one-out song. But if the rest of the album is like this then I’ll probably ‘ave to pass. What do you reckon?

Ritchie Blackmore’s Rainbow – Land Of Hope And Glory/I Surrender

Ritchie Blackmore’s return to rock action was one of the most welcome surprises of recent years. I’ve got tickets to see him in June. I’m massively excited about it and nothing’s going to change that. Which is probably just as well because Ritchie Blackmore’s Rainbow have now released their first new studio recordings in 20 years and the results are far from thrilling.

Land Of Hope And Glory is a band version of the classical piece that they’ve been using as the intro tape to their shows. It’s got a nice pastoral, laid-back Hank Marvin vibe going on and some tasteful playing from Ritchie. It’s… nice?

Next up is a new version of I Surrender with Ronnie Romero at the mic. The Joe Lynn Turner-era classic was notable by its absence in the Memories Of Rock: Live In Germany set so it’s interesting to finally hear what Romero does with it. The whole band delivers the song capably enough to imagine it going down well live but it’s not particularly exciting as a listening experience. And Romero is not at his best with the sexier end of Blackmore’s output. His performance here has little of JLT’s seductive bombast.

It’s tentative and disposable stuff from The World’s Greatest Guitarist®. I’m still looking forward to finally seeing The Man In Black live but if Ritchie and Rainbow are planning to put out more new music, it’ll need to be more exciting than this.

CD Haul: Danzig, Avatarium, Sólstafir and more!

Friday was a big new release day with a few new albums I’ve been looking forward to… so I had a bit of a buying extravaganza!

First up was the new Danzig album Black Laden Crown. I’ve been reading quite a lot of people talking about how “surprisingly good” this one is. Well, given that Deth Red Sabaoth was excellent, I’m one of the few people that thought Skeletons was good fun and… it’s GLENN F. DANZIG(!) I can’t say I’m all that surprised that this is good. The only thing that was causing me any doubt was the rather shite artwork. And even then, I’ve grown mysteriously fond of the fiery John Travolta on the back. Anyway, this is dark, moody and doomy with some killer grooves and riffs. Surprisingly good!

Next up, the new Avatarium album Hurricanes And Halos. This band has become a modern favourite of mine and, although it’s not fully sunk in yet, this album sounds like an interesting progression of their style. They’ve now dropped pretty much all of the Dehumanizer heft of the debut and gone full Uriah Heep, with tons of driving Hammond, heavy psychedelia and eeeasy livin’. Loads of stellar playing topped off with Jennie-Ann Smith’s wonderful voice.

I headed back from the record store happy and then remembered that the new Sólstafir album Berdreyminn was out too. So, I immediately rushed back out to Fopp to pick that up! It’s a lovely box set with umm… trinkets… and (more importantly) bonus tracks. It sounds like it’s going to be another winner from them, although it’ll take a few listens to fully reveal itself. Seems a bit more rocking than Ótta but still sweeping and lush. Not totally grabbing me yet though, more listens required.

While we’re on the subject of new arrivals I had a couple of cool releases delivered just a couple of days ago too. Hear No Evil have put out this new expanded remaster of the last (for now anyway) Ritchie Blackmore’s Rainbow album Stranger In Us All. This has always been a big gap in the collection so it’s great to finally have a copy.

And I also got this very exciting new Tygers Of Pan Tang box set The MCA Years which features the band’s NWOBHM-era albums (two of which star Thin Lizzy/Whitesnake axe legend John Sykes) and a bonus disc/booklet too. I’ve got a few albums on vinyl already but it’s nice to get the rest of the bands old albums. And there’s plenty of extra tracks and BBC stuff here to sweeten the deal. Caroline and Cherry Red both seem to have had the same idea to box up old NWOBHM albums lately. I heartily approve. Here are all the ones I’ve bought so far (I think this is all of them so far but let me know if I’ve missed any. They seem to be coming thick and fast!)

NWOBHM Galore! All the box sets I’ve picked up so far.

Well, that’s the lot. This was a great week of buying for me with three albums here that could all realistically appear on my AOTY list. I’m off to do some listening!

Craven Idol – The Shackles Of Mammon

With its stunning artwork and a concept covering themes of power, avarice and corruption, Craven Idol’s The Shackles Of Mammon promises to be a scathing, angry and cohesive statement. And for the first four tracks Craven Idol certainly sound spitting mad. Pyromancer and A Ripping Strike are absolutely raging black thrash of the old Kreator/Destruction variety, Black Flame Divination is awesome Venom-style hooliganism and The Trudge is epic Bathory-worship. But cohesion proves to be a problem as the rumbling Dashed To Death and Mammon Est prove largely forgettable and, although they are decent enough tracks, Hunger and the doomy album-closer Tottering Cities Of Men struggle to regain the listeners attention. Fans of crusty venomous metal will find lots to like here but the album frustratingly fails to capitalise on the in-your-face intensity of its first half. Overall, The Shackles Of Mammon scrapes above average but there’s a shitload of promise here if the band can deliver with more consistency.

Vampire – With Primeval Force

This has become a surprise favourite in recent weeks. I had suspected it would be a middling retro genre effort but Vampire have totally surpassed my expectations with their second album With Primeval Force. It’s not original and doesn’t linger in the mind after listening so it doesn’t quite have the makings of a classic… but it’s still one of most enjoyable albums I’ve heard so far this year. And if the band continues in this promising vein, hellish greatness awaits. The ghoulish vocals and melodic riffs bring to mind Tribulation’s album from last year, the myth and magic vibe recalls Dissection and the savage thrash and bash reminds me of Teutonic terrors like Kreator. In fact, if you thought Kreator’s Gods Of Violence album from earlier in the year was a shade too polished then this will be right up your street.