Category Archives: Doom Metal

The King Is Blind – We Are The Parasite, We Are The Cancer (Review)

The King Is Blind’s previous album Our Father was a high-point of 2016 and it’s very pleasing to have them back with a follow-up so soon. And their second album We Are The Parasite, We Are The Cancer doesn’t just follow up their last release, it also follows on the imaginative and thorough God/Satan concept that has ran through all of the band’s music. This time the story brings us up to modern day: the pesky Satan pledging the destruction of mankind and, drawing power from our abuse of sin, sending seven plague princes to generally stir things up and give us all a hard time. Serves us right.

Like its predecessor, WATPWATC blends a bunch of extreme metal approaches – death, black, doom, grind – into a crushing, grooving whole. But this is a more threatening and foreboding outing: the rage and intensity is ramped up and the superb production adds layers of nightmarish, urban ambience. The highlights are many: Patriarch is a furious and discordant opener, Bolt Thrower/Memoriam frontman Karl Willetts lends his wonderful vocal thuggery to the filthily-anthemic Mantra XIII (Plague Avaritia) and Godfrost (Plague Invidia) is just pure carnage. And any album with a hidden Mano-quote is fine by me!

The band is on burly form throughout. Guitars and drums are hit thick and hard and Steve Tovey sells each song with intense and committed vocals. But the album is not without its flaws. I find the Gojira-esque harmonies on Like Gods Departed (Plague Acedia) a bit dull but the track’s awesome Candlemass riffing and its building excitement render that a minor complaint. And, although the increased brutality means that the album doesn’t quite sink its hooks in like Our Father did, the cathartic impact and the almost Floydian atmosphere of tracks like As Vermin Swarm (Plague Ira) and the acoustic-laden The Burden Of Their Scars leave a considerable impression.

With WATPWATC, The King Is Blind continue to impress: honing, intensifying and adding depth to their own brand of monolithic metal. It’s a bold statement of intent and I reckon this promising band still has more to offer. In the meantime, the latest chapter of The King Is Blind’s story will please old fans and attract new ones. And I guarantee a growing legion of devotees will be waiting to see what these British bruisers, and that Satan, get up to next.

HMO Rating: 4 out of 5

**We Are The Parasite, We Are The Cancer will be released on Oct 13th and can be purchased here**

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The Obsessed Announce New Reissue of S/T Debut

Some exciting reissue news courtesy of Relapse Records. The self-titled debut album from doom legends The Obsessed is set for a remastered re-release on November 17th 2017. It was originally released in 1990 and, despite occasional reissues here and there, has been out-of-print for years.

It’s a big gap in my collection and one of those albums that I periodically consider shelling out for online. So this reissue is hugely welcome and a must-buy for me. And, as if the album reissue wasn’t good enough on its own, it will also come with previously unreleased bonus tracks, including a live set as well as the highly sought-after Concrete Cancer demo. It will also feature expanded artwork, never-before-seen photos, and extended liner notes from frontman Scott “Wino” Weinrich.

The classic band recently returned with their fantastic new album Sacred and this reissue just seals the deal on an excellent year for fans of Wino and doom metal.

The Obsessed will be available on 2CD, LP, 2LP, and digital formats via Relapse Records. Physical bundles and digital pre-orders are available via Relapse Records here and streaming services at this location.

Paradise Lost – Medusa (Review)

Medusa – Out Sep 1st!

The recent reissue of 1997’s One Second harked back to Paradise Lost’s “experimental” electro-goth era but, although the band has since returned to metal, they are no less experimental today.  2015’s The Plague Within featured the surprise reintroduction of doom/death metal and growled vocals to the band’s modern style and on their latest album Medusa the veteran band continues their increasingly extreme trajectory. This is Paradise Lost’s sludgiest, trudgiest album since 1992’s Shades Of God.

The album kicks off with Fearless Sky, Gods Of Ancient and From The Gallows. All crushing slabs of epic misery with crusty riffing, mournful harmonies and Nick Holmes’ increasingly impressive vocal snarl. Anyone expecting the UK band’s traditional melody and immediacy might find this opening trio uninviting but repeat listens prove rewarding and reveal the kind of compelling emotional depth that is the hallmark of great doom. The entire album follows in this imposingly bleak vein but, as it progresses, the band factor in Type O-style clean vocals and anthemic, gloomy hooks in songs like the stunning title track, The Longest Winter and Blood And Chaos. The skillful pacing and variation preventing the album from buckling under its own miserable weight.

Fans of the band’s earliest albums and tracks like Beneath Broken Earth from The Plague Within will find Medusa very satisfying indeed. Fans of One Second are advised to be patient. Whereas that album offered easy and immediate songcraft, it has proven a shade disposable over the years. By comparison, Medusa is a difficult album to get on with but it’s an uncompromising work of substance that will continue to repay dedicated listeners. It’s another wonderful offering in the stellar career of these fearless, ancient gods.

HMO Rating: 4.5 out of 5

Avatarium – Hurricanes And Halos (Review)

Avatarium – Hurricanes And Halos (2017)

Avatarium were originally devised as a combination of crushing doom and 70s prog. But on their third album Hurricanes and Halos there’s very little doom left at all; the focus is now firmly on retro rock stylings of swirling Hammond organ and sultry psychedelia.

Into The Fire/Into The Storm is a bold opener that makes full use of Jennie-Ann Smith’s forceful, dramatic lung power and The Starless Sleep is a wonderful mix of dark fable and summery 60s pop. But there’s a sense of diminishing returns on album number three. Although it’s one of the doomier tracks, Medusa Child is overlong with cheesy child vocals. And the breezy, bluesy When Breath Turns To Air and the closing instrumental parp of the title track barely register. The album’s uneven second half is saved by the stomping Uriah Heep worship of The Sky At The Bottom Of The Sea and the ominous beauty of A Kiss (From The End Of The World), one of the band’s best tunes to date.

It’s another strong effort from the Swedes but it finds them veering away from my own taste. As the band dial down the doom I find myself less engaged. But the band’s charismatic and summery take on classic 70s rock will win them more fans and appreciation than they lose. And those listeners may well find this the band’s most accessible and enjoyable album so far.

HMO Rating: 3.5 out of 5

Paradise Lost – New Releases For 2017

There has been lots of exciting news coming out of the Paradise Lost camp lately with not just one new release on the horizon but two! So I thought I’d be super-efficient and just deal with both in one handy post.

First up is the main event, the band’s new album Medusa. It’ll be out on September 1st and promises to continue the band’s increasingly heavy direction. The cover has a very cool folk-horror vibe and the vinyl single Blood And Chaos (coming out on August 3rd) has great artwork too. Their last album made my yearly Top 10 and I’ll be surprised if Medusa doesn’t end up in this year’s list. It’s an exciting release from a veteran band that’s still in vital form.

And if all that wasn’t awesome enough Music For Nations have lined up a 20th Anniversary reissue of their 1997 album One Second. It was the album that followed the massively successful Draconian Times and, in the words of frontman Nick Holmes, marked “for better or worse the beginning of a very experimental stage for the band.” It’s maybe not what some people think of as classic PL but it was an interesting progression from the band at a point where they could easily have stagnated: a great album with some classic songs.

The new edition will come with the live audio of the 1998 Shepherd’s Bush gig that has previously only been available on the DVD Evolve. This means there are a few B-Sides from the era that are not represented here but the live disc is a value-for-money bonus that makes it worth another punt (not to mention the usual liner notes and all that stuff). You can finally just listen to it without the band’s haircuts putting you off.

It’s all good news for Paradise Lost fans. These two releases, not to mention the blistering Vallenfyre album Fear Those Who Fear Him, should keep all you miserable buggers happy for a while.

CD Haul: Danzig, Avatarium, Sólstafir and more!

Friday was a big new release day with a few new albums I’ve been looking forward to… so I had a bit of a buying extravaganza!

First up was the new Danzig album Black Laden Crown. I’ve been reading quite a lot of people talking about how “surprisingly good” this one is. Well, given that Deth Red Sabaoth was excellent, I’m one of the few people that thought Skeletons was good fun and… it’s GLENN F. DANZIG(!) I can’t say I’m all that surprised that this is good. The only thing that was causing me any doubt was the rather shite artwork. And even then, I’ve grown mysteriously fond of the fiery John Travolta on the back. Anyway, this is dark, moody and doomy with some killer grooves and riffs. Surprisingly good!

Next up, the new Avatarium album Hurricanes And Halos. This band has become a modern favourite of mine and, although it’s not fully sunk in yet, this album sounds like an interesting progression of their style. They’ve now dropped pretty much all of the Dehumanizer heft of the debut and gone full Uriah Heep, with tons of driving Hammond, heavy psychedelia and eeeasy livin’. Loads of stellar playing topped off with Jennie-Ann Smith’s wonderful voice.

I headed back from the record store happy and then remembered that the new Sólstafir album Berdreyminn was out too. So, I immediately rushed back out to Fopp to pick that up! It’s a lovely box set with umm… trinkets… and (more importantly) bonus tracks. It sounds like it’s going to be another winner from them, although it’ll take a few listens to fully reveal itself. Seems a bit more rocking than Ótta but still sweeping and lush. Not totally grabbing me yet though, more listens required.

While we’re on the subject of new arrivals I had a couple of cool releases delivered just a couple of days ago too. Hear No Evil have put out this new expanded remaster of the last (for now anyway) Ritchie Blackmore’s Rainbow album Stranger In Us All. This has always been a big gap in the collection so it’s great to finally have a copy.

And I also got this very exciting new Tygers Of Pan Tang box set The MCA Years which features the band’s NWOBHM-era albums (two of which star Thin Lizzy/Whitesnake axe legend John Sykes) and a bonus disc/booklet too. I’ve got a few albums on vinyl already but it’s nice to get the rest of the bands old albums. And there’s plenty of extra tracks and BBC stuff here to sweeten the deal. Caroline and Cherry Red both seem to have had the same idea to box up old NWOBHM albums lately. I heartily approve. Here are all the ones I’ve bought so far (I think this is all of them so far but let me know if I’ve missed any. They seem to be coming thick and fast!)

NWOBHM Galore! All the box sets I’ve picked up so far.

Well, that’s the lot. This was a great week of buying for me with three albums here that could all realistically appear on my AOTY list. I’m off to do some listening!

New Releases – 12th May 2017

It’s time, once again, for my weekly perusal of the new release schedules. I’m trying to streamline these posts a bit so, just to clarify, this is just my own personal picks from the day’s release schedules. I try to stick to albums that I genuinely think I might buy or at least listen to at some point. When I can be bothered I’ll throw in some albums that I think are notable even if they’re not my cup of tea.

Candlemass – Dark Are The Veils Of Death

Two rare and previously unreleased tracks from a 1987 rehearsal for their essential album Nightfall? OK that’ll be must-buy of the week then. This limited 7″ vinyl, is part of the ongoing Peaceville 30th anniversary celebrations and ties in with the 30th anniversary of Nightfall too. I’ll basically buy most anything that has Candlemass written on it so this is a no-brainer.

Wormwitch – Strike Mortal Soil

Every week needs some CanCon (it’s a legal requirement) so here’s the debut album from Wormwitch. If I’m being totally honest, the only reason this stood out to me is cause the cover is so thoroughly metal but then I checked out some songs and this is a very intriguing debut: black metal with a big filthy dose of rock n’ roll thrown in and some tasty riffs.

Ensnared – Dysangelium

Here’s another debut album, this time of the Swedish death metal variety. Hard to say based on one listen but this is promising stuff. Ensnared has a way with a riff. There’s some really sharp and inventive writing on this and it has an authentically murky and old-school death metal vibe. Fans of bands like Dead Congregation should give this a go.

Harem Scarem – United

I was just gonna include this as another CanCon joke but then I went and checked out the track Here Today, Gone Tomorrow and… hey! This is pretty good! I’ve been finding a lot of the older classic rock bands getting increasingly dicey so it’s nice to hear some slick melodic rock that actually delivers the goods. So, come on Canucks, what have I been missing out on and where should I start?

Elsewhere Sabbath Assembly’s Rites Of Passage should appeal to fans of female-fronted, psychedelic occult rock. I’m maybe just being too impatient but I don’t really get the appeal. It makes me all bored and twitchy. Fans of beery blues rock ala old Whitesnake or Bad Company might enjoy Second Skin, the second album (see what they did there?) from Snakecharmer. Warrant are back with Louder Harder Faster which, going by the title-track, sounds like it might be decent, anthemic 80s raunch. And while we’re in the 80s there are also Rock Candy remasters of two Lillian Axe albums, their S/T debut and Love & War. Not very familiar with them at all but both these albums seem well-liked and hard-to-find so these look like worthwhile reissues.

And that’s about it. Chip in if there’s anything I’ve missed and I’ll tell you whether a) I’ve made a terrible error b) couldn’t be arsed including it or c) I genuinely don’t have a scooby who/what you’re talking about.

Until next week, happy hunting!