Tag Archives: Debut Albums

UPCOMING ALBUMS: Cradle Of Filth, Enslaved, Samael and more

It’s time for another nosey through the release schedule. Here’s a selection of some upcoming albums that are taking my fancy.

Cradle Of Filth – Cryptoriana: The Seductiveness Of Decay

I’m properly out of touch with Cradle Of Filth’s career but their newer material has been getting a lot of praise and I’m in a Filth-y mood lately so it’s about time I got bally well caught up. Good timing too as their latest album is due on September 22nd 2017 and their new track Heartbreak And Séance is an insanely likeable taster. I wasn’t expecting to be looking forward to this one so much.

Enslaved – E

New Enslaved albums are always noteable but I’ve not been totally diverted by any of their albums since Vertebrae (which I totally love). I’ve bought all the subsequent releases but I tend not to get much more out of them than a couple of good tracks. I hope that Es are indeed good and this album bucks that trend but, on the basis of new track Storm Son, I’m not expecting much.

Samael – Hegemony

I’m new to this band and I’ve only heard their (superb) earlier material. I gather their style has come a long way since then so wasn’t sure what to expect from their current stuff. The new track Angel Of Wrath has got me right onboard though. A bit like modern Satyricon, it seems uninteresting initially and then BAM. I’m hooked. And the more I hear it the more I like it.

Fleurety – The White Death

The avant-garde Norweirdos return with their first album in an age. Fleurety feature former members of Mayhem and Dødheimsgard while Czral-Michael Eide of Virus/Aura Noir is now in the band too. If that’s not enough to get your attention, check out new song Lament Of The Optimist. Compelling, eccentric, addictive stuff. Release date: 27th October.

Spectral Voice – Eroded Corridors Of Unbeing

Unfamiliar with this band’s music but know their name from their connection with Blood Incantation, whose album Starspawn made my Top 10 last year. And it seems like Spectral Voice’s debut album (released on 13th October) might be this year’s equivalent: filthy, guttural, otherworldy death metal. My kind of thing.

Europe – Walk The Earth

The Swedes are one of a dwindling number of classic rock acts that I still give a fuck about. The last album War Of Kings was a pretty sterling effort with a few monster tunes. And the new single has the epic feel of that album’s best stuff so I’m up for this. It’s out on 20th October and the digibook features a bonus documentary on DVD.

And that’s quite enough for one post. There are other exciting albums due but I’ll hold off on those until there are songs available to sample.

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Venom Inc. – Avé (Review)

While the actual Venom continue under the leadership of infamous bassist/vocalist Conrad ‘Cronos’ Lant, the return of the band’s classic guitarist Jeff ‘Mantas’ Dunn and drummer Tony ‘Abaddon’ Bray as Venom Inc. has caused quite a stir. Surely two thirds of the band’s massively influential and legendary formation is better than one? And to cap it all off, the band has been rounded out appropriately and authentically with Prime Evil-era bassist/vocalist Tony ‘Demolition Man’ Dolan. It’s an exciting unit and the band has been going down a storm touring a classic Venom set. But playing live oldies is a no-brainer. Now the real test comes as the band offer up their first new material with their debut album Avé.

Venom Inc. perform like heroic metal veterans throughout. Mantas in particularly impressive form, peeling out genuinely thrilling guitar solos like it’s a piece of piss. They’re too seasoned to play with the filthy, bulldozer energy of old but as gutsy, trad metal goes much of this is hard to beat. It’s also hard to stick with. Songs like Avé Satanas and Preacher Man are average songs stretched way beyond their breaking point and, while it works better as an album track than as a single, Dein Fleisch causes a hefty lull at a crucial point.

With those three totally removed Avé could have been easily and massively improved, while coming in at the golden running time of 40min too. Ace biker metal tracks like Forged In Hell and The Evil Dead would get old heads banging again and raging thrashers like Metal We Bleed and Time To Die would give young Venom-worshipping upstarts like Midnight a run for their money too. But, as a complete listening experience, Avé is overlong, uneven and frustrating: the two thirds of Venom Inc. proving that it is possible to ‘ave too much of a good thing.

HMO Rating: 3 out of 5

Possession – Exorkizein (Review)

Following an impressive demo and mini-album, I was expecting to be more impressed by Possession’s debut full-length album. The Belgians dish out impressively clear and concise black/death with plenty of evil atmosphere but they never really lift themselves out of the solid zone. Despite some strong riffs, the songs in the first half all blur into one. Exorkizein gradually improves, and is at its best in its closing stages with tracks like In Vain and Take the Oath being standouts. Possession have an appealing Watain-like delivery and catchiness but there’s not enough of that band’s threatening audacity and ambition here. Exorkizein is far from execrable but not exactly exciting either.

New Releases – 12th May 2017

It’s time, once again, for my weekly perusal of the new release schedules. I’m trying to streamline these posts a bit so, just to clarify, this is just my own personal picks from the day’s release schedules. I try to stick to albums that I genuinely think I might buy or at least listen to at some point. When I can be bothered I’ll throw in some albums that I think are notable even if they’re not my cup of tea.

Candlemass – Dark Are The Veils Of Death

Two rare and previously unreleased tracks from a 1987 rehearsal for their essential album Nightfall? OK that’ll be must-buy of the week then. This limited 7″ vinyl, is part of the ongoing Peaceville 30th anniversary celebrations and ties in with the 30th anniversary of Nightfall too. I’ll basically buy most anything that has Candlemass written on it so this is a no-brainer.

Wormwitch – Strike Mortal Soil

Every week needs some CanCon (it’s a legal requirement) so here’s the debut album from Wormwitch. If I’m being totally honest, the only reason this stood out to me is cause the cover is so thoroughly metal but then I checked out some songs and this is a very intriguing debut: black metal with a big filthy dose of rock n’ roll thrown in and some tasty riffs.

Ensnared – Dysangelium

Here’s another debut album, this time of the Swedish death metal variety. Hard to say based on one listen but this is promising stuff. Ensnared has a way with a riff. There’s some really sharp and inventive writing on this and it has an authentically murky and old-school death metal vibe. Fans of bands like Dead Congregation should give this a go.

Harem Scarem – United

I was just gonna include this as another CanCon joke but then I went and checked out the track Here Today, Gone Tomorrow and… hey! This is pretty good! I’ve been finding a lot of the older classic rock bands getting increasingly dicey so it’s nice to hear some slick melodic rock that actually delivers the goods. So, come on Canucks, what have I been missing out on and where should I start?

Elsewhere Sabbath Assembly’s Rites Of Passage should appeal to fans of female-fronted, psychedelic occult rock. I’m maybe just being too impatient but I don’t really get the appeal. It makes me all bored and twitchy. Fans of beery blues rock ala old Whitesnake or Bad Company might enjoy Second Skin, the second album (see what they did there?) from Snakecharmer. Warrant are back with Louder Harder Faster which, going by the title-track, sounds like it might be decent, anthemic 80s raunch. And while we’re in the 80s there are also Rock Candy remasters of two Lillian Axe albums, their S/T debut and Love & War. Not very familiar with them at all but both these albums seem well-liked and hard-to-find so these look like worthwhile reissues.

And that’s about it. Chip in if there’s anything I’ve missed and I’ll tell you whether a) I’ve made a terrible error b) couldn’t be arsed including it or c) I genuinely don’t have a scooby who/what you’re talking about.

Until next week, happy hunting!

Holocaust – The Nightcomers (Review)

Holocaust – The Nightcomers + 9 Reissue (Metal Nation)

It’s immediately evident from the Chuck Berry double-stops that kick off Holocaust’s 1981 debut album that this isn’t going to be as totally dark and metallic as the spooky cover and jagged band logo suggests. Only four songs on The Nightcomers fully live up to the nefarious promise of the front sleeve. Second track Death Or Glory has a chunky, stomping riff of evil, gurning magnificence. The title-track and Mavrock are excellent sludgy, doomy affairs with creepy, reverb-laden vocals and guitar lines. And the fourth is the album’s standout track, the metal-worshipping anthem Heavy Metal Mania. If you like metal at all then this song is simply impossible to resist.

Excluding those songs and the lively Nuge/UFO-style heavy boogie of opener Smokin’ Valves, what you’re left with isn’t quite as good… but it doesn’t matter. The riffs and solos are excellent throughout and the Edinburgh band has a knack with a catchy chorus so potentially uneventful tracks like Cryin’ Shame and Push It Around just manage to avoid being total filler (even if they are strangely feel-good next to the album’s heavier tracks). Even the often wobbly vocals of Gary Lettice have a naive charm and intriguingly pre-Hetfield tone and phrasing.

If you’re new to these guys you’re in luck as Metal Nation have just reissued the album on CD with the songs from three 12″ singles as bonus tracks. It’s a great package and superb example of the promising talent, youthful energy and total lack of contrivance that keeps people going back to the NWOBHM bands. Even if it’s not quite a top-tier entry from the genre, it’s not far off. An enjoyable and memorable hard rocker with a batch of tracks that are nothing less than stone-cold metal classics.

HMO Rating: 4 out of 5

[Holocaust – Heavy Metal Mania]

Rotting Christ – Thy Mighty Contract

Rotting Christ – Thy Mighty Contract (1993)

I’m not sure I could have picked a less Easter-y album to listen to tonight. Then again, I’m fairly sure that vast swathes of my music collection aren’t exactly appropriate for most religious holidays. There’s never a bad time to listen to Thy Mighty Contract though. It’s brilliant early black metal with remarkably restrained and melodic riffs, impassioned warrior shouts and dark force. It’s often pleasingly dreary and gothic in a Paradise Lost/My Dying Bride vein and it has that influential and unique sun-baked atmosphere that Greek black metal has become known for. It’s atmospheric, accessible and totally classic: a great entry point for anyone new to the genre and an eternal favourite for long-time devotees.

[Rotting Christ – The Fourth Knight Of Revelation]

New Releases – 7th April 2017

Good news! It’s new release day… and there’s a metric shit-ton of amazing stuff out today.

Deep Purple – InFinite

The legendary rockers return with the follow-up to the well-received Now What?! The Purps are one of my favourite bands, but I can’t say I’ve had much use for any of their albums since Purpendicular. That said, I’ve still bought them all so I might as well just keep going. The bonus documentary does look pretty enlightening though so that’s a temptation. There’s also a big box version with the second volume of the Now What Live Tapes and the usual deluxe bits and bobs too. But I reckon I’ll just hold my horses until I can get a cheap copy.

The Obsessed – Sacred

Here’s another legendary band, the Wino-led doom metallers hitting the comeback trail with this exciting new album. This is such a slam-dunk that I didn’t even want to hear any of the songs in advance, just wait till I have the whole album. But then curiosity got the better of me and I had a wee listen to Punk Crusher. I say “wee” because, after 30 seconds I just thought “fuck yes, that’ll do” and switched it off. Looks like the deluxe 2LP vinyl edition is the one to go for, featuring three bonus tunes.

The Doomsday Kingdom – The Doomsday Kingdom

More doom as Candlemass main-dude Leif Edling releases the debut album from his latest project. I was pretty impressed by the previous demo EP so this is another no-brainer. Again, I’ve avoided listening to any advance tracks. I know I’m going to buy this so why spoil the surprise? I’m hoping that this album is going to tickle the epic doom parts that the last few Candlemass releases failed to reach.

Bernie Tormé – Dublin Cowboy

I posted about the pledge of this a while back. If you pledged you’ll already been treated to the full triple album but the tardy among you can now buy the 3CD set the normal way! And you really should. Stonesy, punky, bluesy goodness with Bernie’s inimitable guitar lashing on the first disc, evocative fireside folkiness on the acoustic disc and a live disc too! Should be available at his Bandcamp page too.

Possession – Exorkizein

Here’s this week’s top tip for lovers of proper infernal extreme metal. This Belgian band has already released a demo and a mini-album and both releases were truly exciting, if frustratingly short. There’s been a bit of a personnel shuffle since those earlier releases but, based on what I’ve heard so far, this sounds like it’s going to be a malevolent mix of black, death and doom from a band to watch.

Demon Head – Thunder On The Fields

This band has been a recent discovery for me. I’ve been enjoying their last album Ride The Wilderness a lot and looking forward to this follow-up. Demon Head play humongously catchy occult rock with awesome Danzig-y vocals and a refreshingly clean, vintage sound. Not sure what the distribution is going to be like though so the best bet might be to check out the band’s Bandcamp page.

Royal Thunder – Wick

A lot of fuss was made over this band’s last release Crooked Doors but I wasn’t really feeling it. I really liked one song but when I tried the whole album it just didn’t grab me. Now I’ve checked out their new song April Showers and liked it a lot, brilliant melodies, sound and vocals, so I’m going to give them another go and I hope they click with me this time. I’ll try before I buy though, just in case.

Elsewhere, Ulver release The Assassination Of Julius Caesar. I know lots of folk love this band but I’ve not been all that enamoured with their latter-day stuff. I’m sure this release will be very welcome news to lots of you though. Instrumental post-whatever band Russian Circles release Live at Dunk! Fest 2016. I heard their last studio album playing in Fopp a few times and it sounded pretty decent. I keep meaning to check them out but I doubt I’d start here though. Trad-metallers Trial release Motherless on Metal Blade. Their last album got lots of praise but I don’t really hear the appeal myself, can’t get on with the vocals at all. UK death-metallers Basement Torture Killings’ second album There’s Something About Beryl should definitely appeal to fans of gore, death, grind and serial killers. That’s most people, right? And last, but certainly not least, Ghost Horizon release their new EP The Erotics Of Disgust. Bit wary of post-black metal but this looks fairly intriguing. And as an added bonus it’s got a cool title and an awesome Gustav Dore cover. Well played.

And that’s all the releases that stand out for me. Very varied selection today, there’s surely something here for everyone! Let me know if there’s anything I’ve not mentioned that you have your evil eye on. Until next week… happy hunting.

(I’m not going to be continuing with the weekly album cover polls anymore but, if you were enjoying that, please don’t be alarmed! Just shoot the shit about your favourites in the comments and at the end of the month I’m going to compile the covers that have got the most attention and do a “Best Album Cover of the Month” instead.)