Tag Archives: 1987

Candlemass – Dark Are The Veils Of Death: Single (Review)

Candlemass – Dark Are The Veils Of Death (2017)

The Dark Are The Veils Of Death 7″ was released in 2017 to celebrate 30 years of Peaceville Records and features two rare working versions of tracks from Candlemass’ classic 1988 album Nightfall. But although Dark Are The Veils Of Death would become one of the band’s greatest tunes, they hadn’t quite nailed it down here. Messiah Marcolin sounds great but seems to be making the lyrics up and throws the song title in at a different spot than it appears in the final version. Also, short-lived guitarist Mike Wead appears, which is historically interesting, but you can also hear why his noodly playing didn’t quite fit the bill in comparison to Lars Johansson’s molten soloing on the album. The B-Side features the funereal instrumental Codex Gigax: decent enough music but pointless as a standalone side of vinyl.

Recorded on a ghetto blaster, it’s lo-fi stuff but it has a blustery power. It’s just odd material for a single as you will rarely listen to this, if at all. And if you’re into Candlemass enough to buy this then you will have bought the later 3CD reissue of Nightfall that included these recordings (and much more). So this single was worth owning for about seven months. Dark are the travails of the music collector.

HMO Rating: 2 Out Of 5

Mayhem – Deathcrush (Review)

Released back in 1987, before lineup changes led to a chain of events that would make them infamous, Mayhem’s debut EP Deathcrush achieved notoriety on the strength of its music alone. It’s 18 minutes of metal that’s as primal and abrasive as it gets. With neither black or death metal codified as separate musical styles yet, Deathcrush is a mercurial mix of both. The rumbling riffs and crude lyrics (“her guts were boiling out of her butt”) lean towards the fledgling death genre. But the necro production, bulldozer guitar tones and punk mentality follow in the footsteps of early Bathory, Hellhammer, Sodom et al: a course that would eventually to lead to the birth of black metal in the band’s native Norway. The howling, stubbed-toe vocals of Maniac, the harsh Quorthon-like vocals of Messiah and the spooky unease created by the avant-garde instrumentals Silvester Anfang and Weird (Manheim) all add to the palpable sense of darkness and evil that make Deathcrush a crucial evolutionary step in the black metal story. Pure Fucking Armageddon from start to finish. And the band was just getting started…

HMO Rating: 4.5 Out Of 5