Tag Archives: Obituary

HMO Digest – 10th July 2022

I closed out the previous digest with a question: were KISS genuinely boring when they played Donington in 1996 or was I just too sunburned to enjoy them properly? Well, I’ve listened to the Off The Soundboard recording of the show now. It’s a bit sluggish and takes a few songs to get going but, in the comfort of my own darkened living room, it’s way more fun than I remember! I’m getting the classic KISS vibes. Verdict: too sunburned.

Recent Posts

Hell – Darkhangel (Song Review)

One of the best songs of the ’10s but sadly Hell haven’t released anything since. Last I saw of them was supporting Saxon at what can only be described as a very farty Glasgow gig. At least I got some fresh air at Donington.

Running Wild – Final Gates (Song Review)

Don’t walk the plank, spank it! It’s all about the bass on this insanely catchy instrumental.

Fist – Throwing In The Towel (Song Review)

Apollo Creed’s least favourite NWOBHM song.

Shrines – Ghost Notes (EP Review)

I never got a press release for this so I’m not sure what the pitch is. A wee music theory joke for you there.

HMO Salutes

Original Nazareth guitarist Manny Charlton has died aged 80. Brilliant musician, songwriter and producer on some of my favourite albums. Listen here for a great interview with the man himself, where he discusses his classic Nazareth albums and his involvement with Guns N’ Roses. Warning: Fife accent.

Artist Ken Kelly, the creator of some of my favourite album covers, has passed away aged 76. A framed poster of Love Gun graced my living room wall for many years. And where would Manowar be without his muscular and boobular artwork?

My long-running campaign to “BRING BACK ALEC” has come to a sad end with the death of ex-Bon Jovi bassist Alec John Such, aged 70. The campaign did at least achieve some closure when he reunited with the band at their 2018 Hall Of Fame induction.

New Stuff

My most exciting purchases from the last month were the new Kreator album Hate Über Alles which is really good (definitely better than advance reviews led me to believe) and Porcupine Tree’s Closure/Continuation (album of the year so far). On the reissue front, I got the Thin Lizzy package that pairs up the expanded Sydney show with the doc Songs For While I’m Away, which is essential viewing for Lynott fans. And I finally got the anniversary box set of Mayhem’s De Mysteriis Dom Sathanas which I’ve been looking forward to since pre-ordering it back in November 2021. It was worth the wait.

What I Was Listening To While I Wrote This Post

Enuff Z’Nuff’s 1985. It’s a strange one… a 1994 release that was technically their fourth album but is actually their 1985 demo recordings. I don’t really know the full story here. It’s sounds way too good to be a demo and sounds incredible for 1985 even. Re-recorded or touched up old material? Whatever it is, it’s brill and infectious glam rock.

Coming Up

I’m looking forward to the reissue of UFO’s High Stakes & Dangerous Men paired with Lights Out In Tokyo. Supposedly not the best era for the band but I’ve not heard either album before so I’ll judge for myself. Also Whiplash’s The Roadrunner Years set is an exciting prospect, I’ve wanted that stuff for ages but it’s always been too pricey.

On the review side I’ve got quite a mix coming up soon on the blog: thrash, power metal, black metal and classic prog. Stay tuned and expect no mercy!

ZZ Top – I’m Bad, I’m Nationwide (Song Review)

“Nobody give me trouble, cause they know I got it made”

HMO salutes Dusty Hill who has passed away aged 72. The first album I spun today to celebrate his life was my favourite ZZ Top album Degüello. And I’m Bad, I’m Nationwide is one of my very favourite ZZ Top tunes. It’s the kind of cruising, carefree rock they did so well. Stonesy chords, gutsy guitar and the coolest lyrics: “a bluesman in the back and a beautician at the wheel”. And best of all, Dusty powering the song to a close with a bottom end of monstrously filthy proportions. He was the baddest and waaay more than merely nationwide. A phenomenal bassist, singer and songwriter with a classic career of over 50 years and the owner of one of music’s most famous beards, Dusty was absolutely global.

UFO – Too Much Of Nothing (Song Review)

“One of life’s delinquents”

HMO salutes Pete Way who has sadly just passed away aged 69. He’d played in a few different acts and as a solo artist but round these parts he’ll always be the iconic, polka-dotted delinquent in UFO. I’d usually use a post like this to highlight some sort of instrumental prowess but he wasn’t really that kind of player. His main thing was being larger than life. Cool as fuck outfits. Cool as fuck posing. But that’s not to put down his musical abilities. His playing gave UFO’s songs a good kick up the arse and he was a talented writer too. Check out Too Much Of Nothing. It’s a rare example of a UFO tune that was solely written by Way. Taken from their 1975 album Force It, it’s a dirty down-trodden rocker with a carefree lift in its chorus. And there’s a good bit of the Way persona in the lyrics: overdoses, habits, just rolling along. It’s not one of the band’s standout moments but it’s a great deep cut and it holds its own on an album that is stacked to the gills with classics. So there was more to Way than just throwing shapes. But still… there’s a reason I own a Firebird bass. Because Pete Way was cool as fuck.

Fleetwood Mac – The Green Manalishi: Live 1970 (Song Review)

“Come sneaking around, trying to drive me mad”

HMO salutes Peter Green, who has died aged 73. There are many superb tunes I could pick as a tribute to the gifted guitarist, vocalist and founder of Fleetwood Mac. I toyed with Sandy Mary, Oh Well, Jumping At Shadows, Man Of The World and I Loved Another Woman: all personal faves. But given this is a metal site I’m going to go with The Green Manalishi (With The Two-Pronged Crown). Even if you’re not familiar with Fleetwood Mac, I’m sure you all know this song from Judas Priest’s cover versions on Hell Bent For Leather and Unleashed In The East. They turned it into a great souped-up rocker and their interpretation is very enjoyable. But I don’t think this song was really intended to be enjoyable. It was written during a period of LSD-induced mental health struggles and was inspired by a particularly vivid nightmare which Green interpreted as being about the evil of money and success. The Mac version is as dark, ominous and anguished as its subject matter. Doubly so on this extended live take recorded in Boston in 1970. It’s a musical dark night of the soul. Enjoy!

UFO – Rock Bottom: BBC Live ‘In Concert’ 1974 (Song Review)

HMO salutes Paul ‘Tonka’ Chapman who recently passed away aged 66. The Welsh guitarist had played with the Irish Skid Row, Lone Star, Waysted and others but he was most famous as the guitarist that replaced Michael Schenker in UFO. An unforgivable task that Tonka proved more than equal to: recording albums like The Wild, The Willing And The Innocent that remain fan favourites.

I was tempted to pick one of that album’s songs as a tribute but I decided to go for an older, and geekier, recording. After Schenker debuted with UFO on 1974’s Phenomenon the band decided to draft in a second guitarist for live duties and, for a brief period that year, the band featured both Schenker and Tonka on lead guitar! This fascinating and short-lived lineup can be heard on this BBC live recording from London. Rock Bottom was always a live centrepiece due to its extended soloing and here you get to hear both Schenker and Tonka trading wonderful solos. Chapman kicks his off at the 4:25min mark. It’s a cool, wah-tinged solo that makes jazzy use of the passage’s Dorian tonality and there’s a real chemistry between the two guitarists. Chapman was nicknamed ‘Tonka’ because, like the steel toys, he was thought to be indestructible, and he certainly sounded it here.

KISS – Nowhere To Run (Song Review)

“I was there with a shoulder to lean on”

HMO salutes Bob Kulick who recently passed away, aged 70. He was a veteran session musician who played with tons of great artists and was also known as a producer of star-studded tribute albums. But my main knowledge of him comes from his stint in the short-lived Blackthorne (with vocalist Graham Bonnet) and his involvement with KISS.

Bob was almost recruited to be the original KISS guitarist in 1973 before a certain Ace Frehley staggered in and snatched the job from him. But due to Ace’s rock n’ roll unreliability and wavering levels of commitment to the band, KISS occasionally invited Bob into the studio to replace Ace. Kulick was talented enough to not just mimic Frehley’s playing but also make it sound like Ace was at the top of his game!

Nowhere To Run is my favourite KISS song Bob appeared on. And one of my favourite KISS songs full stop. One of four new songs recorded for the 1982 compilation album Killers, it’s a classic example of Paul Stanley at his rocking and romantic best. The main riff and chorus is totally anthemic, the verses are heroic and impassioned and Stanley sings at the top of his range, giving his voice a cracked sound and vibrato that is just one of my favourite sounds ever. And Bob Kulick helps put the song right over the edge into absolute bliss with his lead playing. By now he was being given more freedom to play his own way but he still attacks this song like Ace would: with tasty, cool, exciting and unforgettable guitar playing.

KISS always said “you wanted the best, and you got the best”. Well, Bob was one of the best.

Little Richard – Tutti Frutti (Song Review)

“Awopbopaloobop Alopbamboom”

HMO salutes the pioneer and architect of rock n’ roll Little Richard. I found it almost impossible to decide which song to select for a tribute, since to pick one is to imply that it’s the greatest. But in the mid-to-late 50s Speciality Records era, he released so many classic songs it’s ridiculous. Even narrowing down the selection to songs from his debut album Here’s Little Richard, I’d still have to choose between Ready Teddy, Rip It Up, Slippin’ And Slidin’, Long Tall Sally, Jenny Jenny, and She’s Got It.

What if I narrowed it down to songs with a link with hard rock and metal? There’s the lyrics from Rip It Up and Good Golly Miss Molly winding up in Deep Purple’s seminal Speed King; the drum intro from Keep A Knockin’ that kicks off Led Zep’s Rock N’ Roll; and the cover of Get Down And Get With It that launched Slade’s run of UK hits. “Little Richard,” Lemmy said in a 1994 interview. “That was the first guy I saw where I knew that was what I wanted to do.”

So let’s just start at the beginning of everything: Tutti Frutti. As AC/DC’s Brian Johnson said “there was nothing, and then there was this”. The big bang of rock n’ roll. Souped-up twelve bar boogie woogie, energy, hollering, sex, excitement, outrageousness. It’s timeless. But I could say that about any of the other songs I’ve mentioned in this post.