Category Archives: NWOBHM

Fist – Throwing In The Towel (Song Review)

“Speed gone, reflex missing”

Neat Records’ 1981 release Lead Weight was one of the best NWOBHM compilations, featuring a whole bunch of songs you couldn’t hear anywhere else. My favourite of the bunch is Fist’s Throwing In The Towel. It tells the tale of an ageing boxer lured into the ring for a comeback bout… only to realise his thunder-crapping days are behind him. It’s got a wonderfully downtrodden chorus and there’s real tension in the verses as the staccato vocals punch and jab. It’s brilliant, inventive stuff that holds its own amongst the compilation’s heavy-hitters like Raven and Venom. Unfortunately, Throwing In The Towel was the last song this lineup of Fist released which is a shame… they could have been contenders.

Hell – Darkhangel (Song Review)

“Read the rites, cast the spell, call the chaos lords of Hell”

I loved Hell’s 2013 album Curse & Chapter but Darkhangel cast a particularly strong spell over me. It reminds me of two of my favourite British bands, combining Sabbat’s medieval thrash with Cradle Of Filth’s theatrical horror. And it shifts from goosebumps catchy (“from thy kingdom will come”) to esoteric tongue-twisting (“whose might unmarred the maker’s mind unmade”) with intense flair. Best of all, when vocalist David Bower performed Darkhangel live he did it dressed as a 12ft-tall horned Pan on stilts while twirling a firework-spouting trident like a catherine wheel. He knew that a song this good deserves mad props.

[And the live version]

Midnight – Lust Filth And Sleaze (Song Review)

“I’m gonna bust when you’re down on your knees”

You’d think devil worship and debauchery went hand in hand but Satanic metallers rarely sing about shagging. Midnight are one of those rare bands that dare to put their log in the fiery place. Taken from their essential 2011 debut album Satanic Royalty, Midnight’s Lust, Filth And Sleaze is a prime NWOBHM-inspired rager with a savage speed metal attack and venomously delivered single-entendre lyrics. Total satisfaction guaranteed.

Raven – Rock Until You Drop (Review)

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Raven – Rock Until You Drop (1981)

Despite being dubbed “athletic rock”, Newcastle’s Raven were slow off the starting blocks. Their 1980 single Don’t Need Your Money was well-received but there was a big wait for their debut album to finally appear in October 1981. Not sure what took so long because Rock Until You Drop sounds like the power trio just rocked up to the studio and banged out their live set in one go. This is just one corker after another, crackling with raw energy and infectious enthusiasm (just check out John Gallagher’s crazed yelp at the end of Hell Patrol). And it’s loaded with classics too: from gonzo hard rockers Hard Ride, Over The Top and Don’t Need Your Money to superb Priest slashers like For The Future. I could do without the pair of Sweet covers though. They’re fun and add to the live gig vibe but I’d rather have had another Raven original or two. But it’s a minor gripe as Raven then proceed to wreck the place with the proto-thrash Lambs To The Slaughter and the mighty epic Tyrant Of The Airways. Raven might not need your money but you should fling some their way because you need this over-the-top NWOBHM madness in your life.

Alien – Could Have Done Better (Song Review)

“The road has disappeared behind me”

Could Have Done Better is one of just two songs that Alien left behind after their brief visit to a NWOBHM scene in the north east of England that was teeming with hairy life. It was recorded as a demo and selected by Neat Records to open their 1982 compilation EP One Take No Dubs. It’s a bit too simplistic and punky for comfort. Even with the wild guitar sound the full and strummy chords sound dated compared to the next generation riffing that many of their contemporaries were putting out. But you can instantly hear why it was picked. It’s a strong tune that instantly implants itself in your mind and it has the electricity and energy of pub-hardened performers. Even if it’s not quite the real deal, it’s the kind of fun obscurity that makes trawling the depths of the NWOBHM so rewarding.

Venom – Bloodlust (Song Review)

“Sparing no one, the meek and the mild”

I was thumbing through the booklet that came with Venom’s MMV box set today and a quote from their frontman Cronos jumped out. “In Venom we wanted to be the devil, we wanted to be the vampires!” Well, it doesn’t get more vampiric than their essential non-album single Bloodlust. In fact, the singer refers to himself in the song as “Count Cronos, vampire supreme”. Guitarist Mantas gets a shout out too (this time simply as “Mantas”). That leaves poor drummer Abaddon as the only Venom bloodsucker to not get a mention which is probably why he tries to get everyone’s attention by playing as many of his drums as he possibly can. As often as he can. It’s a chaotic, slightly-out-of-tune mess but it is glorious! Pure punk metal battery, deranged and in your face. Come on, turn it up!

(And because one Venom box set simply isn’t enough here’s the Bloodlust picture disc that came with their 2019 box set In Nomine Satanas)

Legend – Frontline (Review)

Legend – Frontline (1982)

Try as they might, Jersey’s Legend just couldn’t rise above the myriads of NWOBHM bands all competing for attention during the early 80s. It didn’t help that they were stuck out in the Channel Islands, removed from the scene’s industry hotspots and gigging circuit. But their proggy brand of metal was also intropspective, dark and dour. Great stuff for fans of gloomier fare; not the kind of music that was going to stand out alongside anthems like Angel Witch, Let It Loose, and Blitzkrieg.

Legend eventually gave up the ghost but on their final release, 1982’s Frontline EP, they went out in style: taking a more direct and melodic approach. The title track and Open Up The Skies are on the slight side in terms of song structure but are packed with catchy melodies and Peter Howarth’s masterful guitar work. The latter song in particular features the kind of axe heroics that would have gone down a storm if the band had been based in LA rather than Jersey. The ballad Sabra & Chatila gets back to the darkness of their previous work but its dreamy quality and lush Bill Nelson-esque textures make it a highlight.

But best of all is the awesome Stormers Of Heaven. It’s the kind of anthemic, hook-laden rock song that would have graced any compilation of the genre. If it had appeared on any. But sadly, it remains criminally overlooked. Legend might just have been in the wrong place at the wrong time all along.

 

Bathory – Sacrifice: 1st Version (Song Review)

“I spread eternal dark on Earth”

Taken from the 1984 compilation album Scandinavian Metal Attack, Sacrifice is the first recorded release from one of metal’s most revered and influential acts: Bathory.

It’s the first of two songs the Swedish band (led by mythic mastermind Quorthon) recorded for the compilation. And compared to the enjoyable trad metal performed by the other four Swedish and Finnish acts on the album, Sacrifice sounds like the next level in extremity. It’s a ballsy and chaotic rager in the style of Motorhead, Venom etc… with cavernous, noisy vocals and a catchy, evil ascending chorus riff. The label were inundated with letters demanding more from Bathory. And rightly so. This is great stuff for fans of the more punky, violent end of the NWOBHM and fans of early, primitive thrash.

But the song would go on to have a second, and even more important moment in history. The early version sounds positively conventional compared to the version that appeared later that same year when Sacrifice was re-recorded for Bathory’s seminal self-titled debut album. By that point the band were delivering all their music with grim, frostbitten harshness that was like nothing before it. The black metal sound was born.

Blitzkrieg – Buried Alive (Review)

Blitzkrieg – Buried Alive [CD Reissue from Skol Records]

Blitzkrieg only managed to release one official 7″ single before splitting up in late 1981. Otherwise, they had some demos in circulation and a song Inferno on the Lead Weight compilation. Luckily for Blitzkrieg, their solitary release was impressive enough that Metallica ended up covering its eponymous B-side. This bestowed infamy and cult credibility to the defunct band and ensured their return in 1985.

But luck didn’t really have much to do with it cause Blitzkrieg is superb. The unforgettable opening riff might have been purloined from the Focus classic Hocus Pocus but it doesn’t matter because Blitzkrieg conjure up their own metal magic here. The mega-chunk guitars, deadly hooks (“let us have peace, let us have life”) and a dynamic rifferama climax make this mandatory listening. And the less-famous A-side Buried Alive isn’t too shabby either. Stark, driving metal with a piercingly catchy chorus. Just ignore the Bolanesque nonsense lyrics “the Leather Prince, turned to mince”… I can see why Metallica steered clear of that one.

Saxon – Krakatoa (Song Review)

“Blasting chunks of magma into the atmosphere”

Saxon’s Krakatoa is an explosive B-Side from their 1985 single Rock N’ Roll Gypsy. It’s a lively old-school banger very much along the lines of their classic Power And The Glory. Probably a bit too much like it… which might explain why it never made it on to an album. But even if it is Saxon-by-numbers, it’s got more fire and grit than a lot of the stuff that made it on that year’s Innocence Is No Excuse. And if you’re one of those fans that found that album a bit too Def Lep for your liking, this track will be right up your alley.