Backed by a band of skilful Swedes (including Mic Michaeli and John Leven of Europe fame) the rehab-ed and rejuvenated “Voice Of Rock” delivered an engaging set of hard and groovy AOR with 1994’s From Now On… The album wasted no time getting Purple fans onboard with the rousing, Hammond-led opener Pickin’ Up The Pieces and the superb blues metal of Lay Your Body Down. But it also pointed the way forward with the moody funk of Walking On The Water, soulful rocker The Liar and the trippy Into The Void. It gets too middle-of-the-road for comfort at points and there’s some dated bloat in the album’s later stages but the closing title-track and a couple of ace Purple covers are worth holding out for. Stronger and more confident from here on in, Glenn would get more adventurous and exciting with subsequent releases. But this album was a strong building block for his comeback and also a great place for new fans to discover his talents.
If you’re a fan of Ritchie Blackmore you get used to band members coming and going. But for fans of Rainbow, the departure of Ronnie James Dio in 1978 was a tough pill to swallow. The mighty castle metal of the Dio years was replaced with the AOR hit Since You’ve Been Gone and the proto-Miami Vice vision of new vocalist Graham Bonnet.
But don’t pull your drawbridge up just yet. 1979’s Down To Earth is one of Rainbow’s best albums. Since You’ve Been Gone might be too slick for some, but it’s a classic rock track: deceptively sophisticated and impeccably delivered with a Blackmore guitar solo made out of sheer joy. And if the new frontman was more James Dean than James Dio, his powerful and versatile lungs allow the band to get raunchier and bluesier, bringing to mind revered Deep Purple albums like Machine Head and Burn. The driving All Night Long has brilliant Smoke On The Water style riffs and Love’s No Friend is a superbly moody sequel to Mistreated. Better still, the grandiose proto-power metal of the previous Rainbow remains in the thumping Eyes Of The World and the medieval tinges of Makin’ Love. The closest the album comes to filler is the generic No Time To Lose but even that adds some welcome up-tempo energy, as does the lively closing track Lost In Hollywood.
Inevitably, the coming and going continued with the departure of both Bonnet and drummer Cozy Powell. Which means Down To Earth becomes a transitional album in the Rainbow catalogue: steering the band from Ye Olde Rainbow to the slicker Joe Lynn Turner era. But with shades of both styles and a timeless hue of Deep Purple too, it’s a stone-cold classic in its own right. Could I be wrong? No.
I know most metal fans prefer the Dio-fronted Rainbow but round these parts Joe Lynn Turner rules. So here’s a superb version of the classic Rainbow track I Surrender. It’s taken from the Live in Japan 1984 double live album that was made available recently as bonus discs with the Ritchie Blackmore Story box set. It’s a bonus extra that outstrips the main feature easily. Listening to Ritchie Blackmore reminiscing about his career is one thing: listening to him play is another entirely. And if you’ve never listened to The Man in Black’s live playing, you’ve never really heard him at all. No criticism of his studio output – it’s adorned with legendary guitar work – but this is a man that likens studio recording to “being at the dentists”. Unshackled from the studio, his playing reaches a transcendent level of inspiration and excitement. The whole band is on great form here, especially Joe Lynn Turner who sings with passion and commitment. But Blackmore grabs this great AOR track by the balls, lifting it to another level with one of his ingeniously messy, improvisational and thrilling solos. There’s a tag I use on this site: The World’s Greatest Guitarist. It’s reserved for The Man in Black and performances like this are why.