Primordial Announce New Album ‘Exile Amongst The Ruins’

Here’s some exciting news for fans of Primordial. The Irish pagan metallers have announced that their new album Exile Amongst The Ruins will be released on 30th March 2018. And to accompany the announcement they have also released a new song and video entitled Stolen Years.

The album is available to pre-order via Metal Blade in the usual array of formats. Details are a bit sketchy as yet but it looks like the double CD version or the inevitable big deluxe vinyl box thingy are the editions to go for if you want bonus tracks.

As far as the new song goes, it strikes me more like a good deep album cut than a single. It’s a bit of an odd (brave?) choice in that respect and I like the atmosphere and aching quality. And they went all Wanted Dead Or Alive with the video too! It’s the type of song that sounds like it’ll take a few listens but I’m going to hold off from watching or listening any more until the album comes out. I’m looking forward to this album a lot and I like it all to be fresh when I finally get it.

Advertisements

UFO – Phenomenon (Review)

UFO – Phenomenon (1974)

With two studio albums behind them, UFO took off in 1974 with the recruitment of the German mad axeman Michael Schenker and the release of their excellent third album Phenomenon.

The spacey tendencies of the band’s earlier work remain in the cosmic balladry of tracks like Space Child and Crystal Light and vocalist Phil Mogg shines on these mellower tracks. But Schenker shows what he can do on the album’s rockers: peppering opener Oh My with fluid leads,  chugging infectiously on Doctor Doctor and offering up a veritable guitar goldmine on Rock Bottom. Side two is less memorable but contains two highlights in the majestic Queen Of The Deep and Too Young To Know: a great example of the kind of ultra-catchy storytelling rock that would become the band’s speciality.

More accomplished albums would follow and cement UFO’s place as classic rock giants but Phenomenon more than lives up to the promise of its titular billing with its raw and innocent mix of riffy, trippy boogie. It’s a big favourite of mine and has a uniquely proto-metal place in the UFO discography. Essential listening if you enjoy the early outings of Priest, Scorpions and Budgie and want to hear the development of a style that would be heard later, louder and heavier, in the output of NWOBHM bands such as Maiden, Saxon and Diamond Head.

HMO Rating: 4.5 out of 5

[UFO – Queen Of The Deep]

*note that older versions have ‘Oh My’ swap sides with ‘Too Young To Know’ (also occasionally mis-spelled as ‘Too Young To No’!)

R.I.P. “Fast” Eddie Clarke (1950 – 2018)

Total dude. Got a Saxon T-Shirt on as well… clearly a man of taste!

It’s already been a tough week in metal, with the passing of both Chris Tsangarides and Iron Man’s Alfred Morris III, but now I’m sad to report that Motörhead/Fastway guitar hero “Fast” Eddie Clarke has passed away aged 67 following a battle with pneumonia.

Clarke was the last surviving member of the classic Motörhead lineup that released indispensable and influential albums like Overkill and Ace Of Spades. Lemmy, Philthy Animal and Fast Eddie might have had No Class but Eddie always rode the band’s wild rhythmic maelstrom with style and taste: dishing out bluesy double-stops and windswept unison bends that lifted the din to another level of excitement.

Sad to think all three members of this legendary lineup are gone but at least the three amigos are now back together doing what they do best. Playing filthy, loud rock n’ roll.

It’s 2018 and the Priest is back!

Happy New Year everyone! What better way to get the 2018 HMO ball rolling than with some brand spanking new music? So here’s the new Judas Priest single Lightning Strike from their upcoming album Firepower.

You’ll no doubt have heard this already, so what do you think? I’ve listened to it a few times now and I’m pretty impressed. The co-production from Andy Sneap and the returning Tom Allom is a tremendous improvement over the previous album, the disappointing Redeemer Of Souls. Boaby Halford sounds totally rejuvenated too and signs with grit and power. It’s just got that classic Screaming For Vengeance era classic Priest vibe to it.

Whether the rest of the album lives up to the promise is another thing entirely but, based on the quality of this Lightning Strike, I’m way more excited about the release of Firepower than I expected to be.

Firepower is due out on 9th March 2018 and can be pre-ordered here.

The HMO Top Albums of 2017

Twelve whole months of your human time have passed. An entire year of metal releases that have all been building up to one thing: The HMO Top Albums of 2017!

And what a year it was. I reckon the overall standard in this year’s list is the highest since I started doing these, with albums in the lower reaches that would have ranked higher in a less competitive year. Consequently, there was also a bunch of very deserving albums that just missed the cut:

Formicarius – Black Mass Ritual, Contaminated – Final Man, Power Trip – Nightmare Logic, Full Of Hell – Trumpeting Ecstasy, Vampire – With Primeval Force, Demon Head – Thunder In The Fields, Spectral Voice – Eroded Corridors of Unbeing

All of these were favourites of mine that would very likely have made the list any other year and I’d heartily recommend all of them. But there can be only ten…

NUMBER TEN: Satyricon – Deep Calleth Upon Deep

The black metal duo returned with this powerful and deceptively simple set of cold, bleak, groovy and progressive black metal hymns. Following frontman Satyr’s recovery from illness, the album was heralded as “day one of a new chapter”.  But it’s no reinvention, just the sound of a band knuckling down with fresh dedication and commitment.

NUMBER NINE: The Obsessed – Sacred

Doom icon Wino returns with a new lineup of his old band The Obsessed and an album that lives up to their classics of old. Hefty biker doom riffs with ace songwriting, soulful maturity and vintage musicianship. Wino’s voice and guitar slinging are as badass as ever. He sings “I was born with my heart on my sleeve” and, 56 years later, he’s still wearing it well.

NUMBER EIGHT: Artificial Brain – Infrared Horizon

No AOTY list would be complete without some death metal in space and this year’s guttural cosmic travellers are Long Island’s Artificial Brain. Post-humanity, cyborgs ponder life and their predecessors and the wonderfully ambient blend of tech death, beautiful dissonance and filthy vocals suits the theme perfectly. Also… might be the only album in my collection that features the word “urinals”.

NUMBER SEVEN: The King Is Blind – We Are The Parasite, We Are The Cancer

The King Is Blind make the HMO Top Ten for the second year in a row. No mean feat. This sequel to their debut album Our Father, brings that album’s biblical tale into the modern day with harrowing results. The UK headbangers bash out an intelligent, raging and monolithic slab of metal that fuses a whole bunch of styles into a crushing, grooving whole that grows in stature with each listen.

NUMBER SIX: Immolation – Atonement

No big back-story, concept or narrative to talk about here. Just straight-up quality death metal from a veteran act that’s still hungry. As with other releases this year, it’s definitely got a whiff of the end-times about it. But instead of dishing out the political rage, Immolation deal out a restrained, ominous and dark indictment of our times. Crushing, twisted, authoritative and destructive from beginning to end.

NUMBER FIVE: Midnight – Sweet Death And Ecstasy

Hooded demon Athenar returns with his third full-length album of black thrash hooliganism. No zeitgeist-y vibes here: just Satan, shagging and Venom-worship. But there’s a lot of creativity crammed into this album’s short running time and its bookended by two epics that push the band’s stylistic (long)boat out: swashbuckling, scything mid-tempo metal that invokes the legends of old… the legends of Ye Olde Bathory and Manowar. It’s that good.

NUMBER FOUR: Cradle Of Filth – Cryptoriana: The Seductiveness Of Decay

The loved-or-loathed British institution continues a late-career renaissance that finds them tipping the balance firmly in the loved direction. Themed around the Victorian obsession with death, Cryptoriana… is a darkly fabulous romp of hard-hitting gothic metal delivered with expertise and passion. It’s atmospheric, cinematic, galloptastic and just tons of fun with a vocal turn from Dani Filth that cements his place as the veritable metal legend that he is.

NUMBER THREE: Memoriam – For The Fallen

Featuring ex-members of Bolt Thrower and Benediction, Memoriam were formed as a tribute to Bolt Thrower’s late drummer Martin ‘Kiddie’ Kearns and what a tribute it is: crusty, primitive old-school death metal with a sense of tragedy and loss. But it’s not a total downer, there’s enough carnage here to please Bolt Thrower fans. Vocalist Karl Willetts performs with charisma and heart while the band unleashes the kind of filthy, strafing riffage that’s guaranteed to have you running for cover.

NUMBER TWO: Paradise Lost – Medusa

2015’s The Plague Within was a welcome return to growlier death/doom fare but I don’t think anyone could have expected Paradise Lost to dredge the depths of misery like they have with this near-flawless album of gothic gloom. Anthemic hooks, crusty riffing, mournful harmonies and a fearless vocal performance from Nick Holmes put Medusa right up there with the band’s best work. No small feat, considering the number of innovative and essential albums that make up this legendary band’s discography.

NUMBER ONE: Akercocke – Renaissance In Extremis

The great comeback of 2017 was the return of these much-missed British Satanists with their most progressive, personal and accessible album to date. But the blackened malevolence of old remains and the fact that this album could well lure fans of more classic fare into a more extreme musical realm suggests these suave Londoners are still doing the devil’s work. The eclectic variety, complex structures and dreamy introspection make for a fascinating, rewarding listen and the intense, dynamic, neck-snapping skill of the band’s performance is the stuff of metal gods.

HMO TOP ALBUMS BY YEAR

2017: Akercocke – Renaissance In Extremis

2016: Darkthrone – Arctic Thunder

2015: My Dying Bride – Feel the Misery

2014: Voices – London

New Songs From Watain, Saxon, Portal and Tribulation

There have been a few new tracks premiered online recently and a few are from upcoming albums that I’ve reported on but didn’t have any music available to share at the time. So I thought I’d share them here now! Let me know what you think and, if you’ve heard any good new tracks yourself, please share in the comments.

Watain – Nuclear Alchemy

As statements of intent go, Watain’s new song and video takes some beating. They’ll never admit it but this comes across like they’re trying very hard to make up for their disappointing previous album The Wild Hunt with bile, chaos, blood, fire, explosions and a liberal sprinkling of evil. Their new album Trident Wolf Eclipse (due Jan 2018) will reveal if they’re overcompensating or not but this track is undeniably exciting.

Saxon – Thunderbolt

The HMO-faves introduce their upcoming album with the title track and it’s the kind of heavy and hooky Euro-metal that they’re known for now. The Accept-esque backing vocals are the only mildly surprising feature. I’m not so sure about those. But Saxon always pick safe, solid singles to promote their new albums and this is no exception. Choose from a bewilderingly-expensive selection of PledgeMusic offers here.

Portal – Phreqs

I’ve only got a couple of Portal albums and I have mixed feelings about them, veering from indifferent to enthralled. Sometimes in a single sitting. Sometimes in the course of a single song! I’m sure these weirdos wouldn’t want it any other way. Their new song Phreqs from upcoming album Ion (due Jan 2018) continues this tradition. A smothering swarm of buzzy bee riffs that’s fascinating and sickening all at once. I’m surprised they’re not aiming for the Xmas No. 1 with this, to be honest.

Tribulation – The Lament

I really enjoyed Tribulation’s last album and have been looking forward to more from them but new track The Lament is a bit underwhelming. The production is fantastic but there’s no real song in there and the riffs and melodies all sound a bit stock to my ears. Hopefully the album will have more substance.

Buying Round-Up: New Albums, Reissues, Box Sets and Vinyl!

Not done a collection post for a while so I thought I’d share some highlights from the last couple of months’ buying activity.

I might as well start with the most recent purchases. The big new one is Iron Maiden’s latest live album The Book Of Souls – Live Chapter. I love how the packaging matches the deluxe book format of the studio album, the two together make a lovely set. Musically, this is the most excited I’ve been about a Maiden live release for a while too: the cream of their last album, some really well chosen oldies that fit in well with the new stuff and a great job on the production and mixing.

I’m also very pleased to finally have a copy of The Obsessed’s S/T debut album. This is the only one of their albums that I’m missing in my collection so I’m well-chuffed to finally have a copy… and with a ton of ace bonus tracks too. And while I was picking that up I treated myself to Saxon’s 10 Years Of Denim & Leather too. This is a CD/DVD repackaging of the Greatest Hits Live! album and video so nothing new for me here. But it’s a nice package and… it’s Saxon innit.

Got two massively enjoyable box sets recently too. Whitesnake’s 1987 30th Anniversary Edition is superb value, stuffed with goodies, handsome booklets and loads of bonus tracks. The best of which is the 87 Evolutions disc which is worth the price of admission on its own: a fascinating insight into the early versions of each song and the progression from the initial writing sessions to the finished article. The only (minor) let down is the perfunctory DVD doc on the making of the album.

And I also got folk overload from the new Pentangle set The Albums: 1968-1972 which is one of the best things I’ve bought this year. Superb albums from a genuine supergroup, great sound, gazillions of wonderful bonus tracks and a lovely booklet too. I previously had The Time Has Come box set, which is good, but I much prefer hearing the albums as they were and this new set is a revelation. Can’t stop listening to it.

On the extreme metal front, I picked up the very limited CD edition of the new The King Is Blind album We Are The Parasite, We Are The Cancer and got a nice note from the singer Steve Tovey too! He’s a good lad. The new Satyricon album Deep Calleth Upon Deep was a must-buy and is another fine release from the black metal veterans. And, after picking up the recent Holy Terror box set that I posted about recently, I decided to round it off by finally picking up Guardians Of The Netherworld: A Tribute to Keith Deen. This collection of demo and live tracks makes for an excellent archive release and a wonderful memorial to the band’s late vocalist.

I’ve not been buying much vinyl lately but I’m very pleased to have grabbed the new vinyl edition of Paradise Lost’s Live At The Roundhouse. Recorded at the band’s 25th Anniversary show in London, this 2013 live album was originally released through the Abbey Road Live website but was a bit too pricey for my liking. This new live set is much better value and a lovely addition to my PL collection. I’m chuffed to finally have a copy and the set list is awesome!

Hope you enjoyed this look through these new additions to the HMO Vault! All of these releases come with the HMO goodness guarantee. Get involved.

… and classic rock too!