Category Archives: Black Metal

Venom – Seven Gates Of Hell: Live 1985

“And man and beast are one”

Chaotic, train wreck live shows are a big part of Venom’s notoriety and their live album Eine Kleine Nachtmusik lives up to that legend. That said, the Geordie trio do a pretty good job of holding it together on this live version of Seven Gates Of Hell. It’s one of my favourite Venom tracks and one of their more controlled, brooding efforts. And while this live outing adds a wallop of cavernous excitement and brute force, the song’s charm remains. The moody mid-section is especially captivating as Cronos’ bass bulldozes over Mantas’ enigmatic chords. Sadly, by the time Eine Kleine Nachtmusik hit the shelves in 1986, the band’s classic lineup was no more. But the Venom legions could console themselves by listening to their beloved black metallers knocking seven shades of shite out of Seven Gates Of Hell.

Tribulation – Winds

“Through the music’s violence I bare my soul”

Tribulation’s third album The Children Of The Night was a breath of fresh air when it was released in 2015, injecting some much-needed excitement into a fairly dull year for metal. Every song on the album is absolutely killer but Winds was an immediate favourite of mine. Like the rest of the album, it’s a veritable “Best of Sweden” with the anthemic horror of Ghost, Dissection’s cold kvltness, In Solitude’s gothic darkness and Watain’s blackened, gurgly vocal attack. But the main thing I want to single is out the song’s chorus riff. It’s one of those brilliant “why wasn’t this written before?” moments. It’s an absolute show-stopper and the main reason that Winds instantly blew me away.

HMO Digest – 13th March 2023

I ended up moving house at the end of February. It’s been an exciting time in terms of getting a nice new place and loads of extra space, but it’s been a complete pain in the arse in terms of having to actually move. But it’s done now. Only one CD bit the dust during the move, the inlay torn in half by a tumbling shelf: the 2CD Ear Music reissue of Pride & Glory’s self-titled album. Luckily it was still available and easily replaced.

Yee Haw

My music collection is now unpacked, organised and looking sexier than ever so it’s time to get back to the old blogging shenanigans. Fresh horses!

Recent Posts

I only managed two posts in February before real life got in the way. Opeth’s twisty, turny The Twilight Is My Robe, which may well leave you wondering “where am I now?” and Love/Hate’s She’s An Angel, which features an extremely rare instance of strings being taken off a bass guitar! Surely not.

New Stuff

I mentioned three upcoming releases in February’s digest and those have all been bought. The excellent IX from Paradise Lost side-project Host, a reissue of Danzig’s Circle Of Snakes and a reissue (that I totally don’t need but bought anyway) of Darkthrone’s Goatlord. I also got a few box sets: Porcupine Tree’s deluxe reissue of their underrated Deadwing album; a set of Scottish NWOBHMers Holocaust; and the BBC Broadcasts set from Genesis. Oh yeah, and that copy of Pride & Glory… to replace the one damaged in the move.

What I Was Listening To While I Wrote This Post

T-Rex’s The Slider from 1972. For my money the best T-Rex album. It’s got some of his darkest, weightiest rockers (Buick Mackane is class), his best singles (Telegram Sam) and choice deep cuts like Spaceball Ricochet and Baby Strange. It’s a magical album of rock ‘n’ roll at its simple, inspired best.

Upcoming

March has some tantalising new stuff coming out: Hanoi Rocks are bringing out a re(al)mix of their Oriental Beat album to celebrate its 40th anniversary; Saxon are bringing out another covers album (still haven’t listened to the last one); Behemoth continue their plush reissues of their early albums with a deluxe edition of Grom and there is even more Danzig! The imminent reissue of the out-of-print 777: I Luciferi will give me the opportunity to finally own all the Danzig studio albums.

Other than that, normal blog service will be resumed shortly. Watch this space. And hopefully I won’t have to move house again for a very long time.

Opeth – The Twilight Is My Robe

“You are the embodiment of pure freedom”

The lengthy, linear songs, relentless changes and a lack of repetition make Opeth’s debut album Orchid a tough nut to crack but it’s well worth the effort. Here’s one of the album’s best and most accessible tracks, The Twilight Is My Robe. It’s brilliant questing stuff that gallops across rolling Maidenesque hills, ventures through bleak forests of gothic doom and rests its weary head in a dingly dell of acoustic enchantment. It’s astonishing to think this band hadn’t been in a proper studio before they recorded this. It’s audacious, ambitious stuff from an adventurous band that was clearly going places.

HMO Digest – 2nd February 2023

With pesky January out of the way, it seems like a good time to have a wee catch-up on all things HMO.

Recent Posts

2023 got off to a galloping good start with Tyrant and their righteous NWOBHM single Hold Back The Lightning. On the softer rock side, I’ve been talking about Marillion and Journey. Marillion’s Holidays In Eden got me wondering about albums with shite title tracks… can you think of any? And the comment scuttlebutt seems to be that Wheel In The Sky is the best Journey song. It’s official!

On the more extreme end of things I’ve selected songs from Napalm Death and Testament and I’ve talked about a couple of my favourite tracks from 2022 as well: Artificial Brain’s Celestial Cyst and Avatarium’s Death, Where Is Your Sting.

HMO Salutes

Jeff Beck – the legendary and innovative guitarist, who has died aged 78.

Dan McCafferty – the leather-lunged Nazareth vocalist, who has died aged 76. And so soon after the death of Manny Charlton too!

Bob Nalbandian has died aged just 58. He was a crucial figure in the US metal scene but has a special place in my heart due to his old podcast ‘The Shockwaves Skullsessions’. As I was writing this, it was announced that a special tribute run of ‘The Shockwave Skullsessions’ is in the works along with uploads of the original episodes! Great news because I had them all on a hard drive but can’t seem to find them anymore. Follow their FB Page for info/updates. His podcast was a big inspiration to me in the early days of starting this blog so a big thank you to Bob for being such an absolute legend.

New Stuff

Following the usual Christmas spendathon, it’s quietened down a bit in January. The big purchase has been the excellent new Thin Lizzy Live And Dangerous box set. And I’ve also picked up the reissue of UFO’s overlooked No Heavy Petting album, a cool Deicide reissue and the purchase of Smear Campaign and Inside The Torn Apart completes my collection of Napalm Death studio releases! I bet you’re well jell.

What I Was Listening To While I Wrote This Post

Svart Records have done superb work with Slice Of Doom, the recent box set of Reverend Bizarre’s early demos and recordings. I was listening to the first disc and it’s brilliant: the Finnish doom upstarts at the top of their game. How can you not love a band that started their career with a cover of the Dr. Who theme tune and have a song called Fucking Wizard?

Coming Up

I’ve got posts about top tunes from the likes of Opeth, Iron Maiden and Whitesnake on the way. As far as new releases: I’m looking forward to IX, the new album from Paradise Lost side-project Host; Circle Of Snakes is one of the few Danzig albums I don’t have so I’m pleased to see that getting reissued; and I already have two versions of Darkthrone’s Goatlord but… OK, let’s make it three!

And that’s about enough for now. I think the plan will be to do this at the start of every month from now on so… see you in March!

Artificial Brain – Celestial Cyst

“A map to a constellation out in space”

As Xmas and New Year approach I’ve managed to drag myself away from my usual festive fare (KISS, Magnum, Steeleye Span) and revisit some of my favourite albums of the 2022. Artificial Brain’s self-titled album has been the most-played of the bunch in December and is definitely a front-runner for the year’s top spot. Here’s one of its best tracks, Celestial Cyst. It’s turbulent and rumbling death metal with relentless blastbeats and subterranean vocals but topped with spacey layers of guitars and keyboards that give it a tranquil, melancholic mood more associated with black metal. It’s a brutal and enthralling combo. Artificial Brain is the third album in the band’s stellar career (and the last in a dystopian sci-fi trilogy) and they are at their absolute peak. Metal fans in search of strange new worlds should get onboard.

Abbath – Make My Day

“Can’t scare you if you can’t be scared”

Abbath’s Dread Reaver failed to make my day with its frustrating lack of oomph. But on the album’s bonus track, a cover of Motörhead’s Make My Day, the band give it some extra welly and conjure up the kind of excitement that’s missing on the main album. The chorus is anthemic enough to poke through the band’s wallop of noise and Abbath does a good karaoke Lemmy. Normally, he sounds like the kinda guy that does battle with mountain lions but here he sounds more like he makes love to them. If he can start capturing some of this swagger in his own material then he might be on to something.

HMO Digest – 25th September 2022

It’s been two whole months since the last digest so let’s not waste time with idle banter! Here’s what’s been happening on the blog.

Recent Posts

Thin Lizzy – Thin Lizzy (Album Review)

Lynott and chums scatter their beans over different scenes on their eclectic, but sleepy, debut.

Stratovarius – Hunting High And Low (Song Review)
Helloween – Why? (Song Review)

Two power metal classics in a row. Why? Why the hell not.

KISS – Bang Bang You (Song Review)

Cause 80s KISS is the best! And you wanted the best.

Emerson, Lake & Palmer – Knife-Edge (Song Review)

This song rhymes seagull with eagle which is just one of the many reasons for its awesomeness.

Cream – Badge (Song Review)

A great example of lyrics not mattering as long as they sound the part.

Tankard – Mercenary (Song Review)

A great example of lyrics not mattering at all.

HMO Salutes

R.I.P Michael James Jackson, producer of my favourite two KISS albums (Creatures Of The Night and Lick It Up… 80s KISS again!)

Steve Grimmett, best known as lead throat of NWOBHMers Grim Reaper, who has died aged 62.

The exalted Piledriver (aka Gord Kirchin) who has died from cancer aged 60. I wrote about a great Piledriver tune here if you want to familiarise yourself. And their albums Metal Inquisition and Stay Ugly both got stellar reissues lately so get involved.

New Stuff

A good year for new releases continues with Megadeth’s The Sick, The Dead… And The Dying! and Behemoth’s Opvs Contra Natvram which are both enjoyable efforts. Not up with either band’s best work but better than I was expecting. Other notable purchases include Marillion’s Holidays In Eden box set (love!), KISS’s Des Moines set (wow!), a Steeleye Span box set (fol-de-rol!), Whiplash’s The Roadrunner Years (ermagerd! Thresh meddle)

Darkthrone

I also had a big blow out and bought all the Darkthrone albums I’m missing. Basically all the studio albums between Panzerfaust and F.O.A.D. I should really have bought all these long ago because Darkthrone, but the news of their upcoming Astral Fortress inspired me to finally bite the bullet. I can listen to the whole discography now before the new one comes out on the 28th October.

What I Was Listening To While I Wrote This Post

Cathedral’s The Carnival Bizarre from 1995. Monstrously heavy stuff with classic tracks like Vampire Sun and Hopkins (The Witchfinder General) as well as wonderful deep cuts like Inertia’s Cave and guest guitar from one Frank “Tony” Iommi on Utopian Blaster. Let’s get it on!

Coming Up

We’re getting in to the heavy release schedule months now. There are new releases and reissues galore on the horizon. Coming up in Oct there’s new albums from The Antichrist Imperium, Avatarium and Queensryche and on the reissue front there’s Diamond Head (expanded Lightning To The Nations), Danzig (the long out-of-print 666: Satan’s Child) and album boxes from Deicide and Blitzkrieg.

On the review front I have some Deep Purple, Brian May and Whitesnake posts in the works. And probably some Darkthrone cause that’s all I’m going to be listening to for the next month or so, let’s face it. Until next time… eternal hails!

HMO Digest – 10th July 2022

I closed out the previous digest with a question: were KISS genuinely boring when they played Donington in 1996 or was I just too sunburned to enjoy them properly? Well, I’ve listened to the Off The Soundboard recording of the show now. It’s a bit sluggish and takes a few songs to get going but, in the comfort of my own darkened living room, it’s way more fun than I remember! I’m getting the classic KISS vibes. Verdict: too sunburned.

Recent Posts

Hell – Darkhangel (Song Review)

One of the best songs of the ’10s but sadly Hell haven’t released anything since. Last I saw of them was supporting Saxon at what can only be described as a very farty Glasgow gig. At least I got some fresh air at Donington.

Running Wild – Final Gates (Song Review)

Don’t walk the plank, spank it! It’s all about the bass on this insanely catchy instrumental.

Fist – Throwing In The Towel (Song Review)

Apollo Creed’s least favourite NWOBHM song.

Shrines – Ghost Notes (EP Review)

I never got a press release for this so I’m not sure what the pitch is. A wee music theory joke for you there.

HMO Salutes

Original Nazareth guitarist Manny Charlton has died aged 80. Brilliant musician, songwriter and producer on some of my favourite albums. Listen here for a great interview with the man himself, where he discusses his classic Nazareth albums and his involvement with Guns N’ Roses. Warning: Fife accent.

Artist Ken Kelly, the creator of some of my favourite album covers, has passed away aged 76. A framed poster of Love Gun graced my living room wall for many years. And where would Manowar be without his muscular and boobular artwork?

My long-running campaign to “BRING BACK ALEC” has come to a sad end with the death of ex-Bon Jovi bassist Alec John Such, aged 70. The campaign did at least achieve some closure when he reunited with the band at their 2018 Hall Of Fame induction.

New Stuff

My most exciting purchases from the last month were the new Kreator album Hate Über Alles which is really good (definitely better than advance reviews led me to believe) and Porcupine Tree’s Closure/Continuation (album of the year so far). On the reissue front, I got the Thin Lizzy package that pairs up the expanded Sydney show with the doc Songs For While I’m Away, which is essential viewing for Lynott fans. And I finally got the anniversary box set of Mayhem’s De Mysteriis Dom Sathanas which I’ve been looking forward to since pre-ordering it back in November 2021. It was worth the wait.

What I Was Listening To While I Wrote This Post

Enuff Z’Nuff’s 1985. It’s a strange one… a 1994 release that was technically their fourth album but is actually their 1985 demo recordings. I don’t really know the full story here. It’s sounds way too good to be a demo and sounds incredible for 1985 even. Re-recorded or touched up old material? Whatever it is, it’s brill and infectious glam rock.

Coming Up

I’m looking forward to the reissue of UFO’s High Stakes & Dangerous Men paired with Lights Out In Tokyo. Supposedly not the best era for the band but I’ve not heard either album before so I’ll judge for myself. Also Whiplash’s The Roadrunner Years set is an exciting prospect, I’ve wanted that stuff for ages but it’s always been too pricey.

On the review side I’ve got quite a mix coming up soon on the blog: thrash, power metal, black metal and classic prog. Stay tuned and expect no mercy!

Shrines – Ghost Notes (Review)

Shrines – Ghost Notes (2021)

Given that their frontman Sam Loynes also keeps busy with Akercocke, The Antichrist Imperium, and Voices I can’t blame Shrines for taking six years to follow up their 2015 debut album with a four-song EP. But it helps that the EP, 2021’s Ghost Notes, is good: angular, dissonant progressive metal with pristine guitar tones, killer riffs and Loynes’ unique, melancholic voice and harmonies. While I miss the eclectic creativity and plaintive atmosphere of the debut, its good to have Shrines back and they sound like they have found a strong direction and purpose with Ghost Notes. Hopefully they won’t take so long to make their next move this time. Of all the bands in Loynes’ impressive CV this is the one I’d most like to hear more of.