Category Archives: Progressive Rock

Classic Rock, Genre, Progressive Rock, Song Posts

Jethro Tull – The Witch’s Promise

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“Lend me your ear while I call you a fool”

I’ve always been a sucker for a bit of folk and fantasy in my rock so I instantly fell in love with The Witch’s Promise the moment I saw Jethro Tull’s 1970 performance of it on Top Of The Pops (as part of the 1993 BBC series Sounds Of The Seventies). It took me years to find it on an album but luckily I videotaped the show so I could continue to partake of the song’s wonderful vocal melodies and lush layers of acoustic guitars, flute and keyboards. It had the swinging, hippy pop style of the band’s early material but The Witch’s Promise also pointed the way forward to the folkier, singer/songwriter focus and lush orchestrations of Jethro Tull’s future work. It was a watershed track that introduced me to one of my favourite bands and, by extension, the wider world of folk and prog rock. And it still bewitches me to this day.

Album Of The Day, Classic Rock, Genre, Hard Rock, Progressive Rock

Album Of The Day: Hawkwind – Hall Of The Mountain Grill

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Hawkwind – Hall Of The Mountain Grill (United Artists Records 1974)

Despite being a mellower and more conventionally “prog” album, with a soundscape reminiscent of Pink Floyd and mellotron-laden King Crimson, 1974’s Hall Of The Mountain Grill is one of my favourite Hawkwind albums and a great place to start if you’re new to these dystopian space rockers. Psychedelic Warlords (Disappear In Smoke) is worth the price of admission alone: the band at their anarchic, street-level best. And Lemmy fans will enjoy hearing an early, pub-rocking take on future Motörhead tune Lost Johnny.

Album Of The Day, Black Metal, Genre, Heavy Metal, Progressive Rock

Album Of The Day: Enslaved – Vertebrae

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Enslaved – Vertebrae [2008 – Indie Recordings]
Enslaved have a ton of impressive albums to choose from, and I own them all, but 2008’s underrated Vertebrae has always been my favourite. It’s a genuinely brilliant mix of mellow prog and black metal frost. It also doesn’t hurt that it was the first album of theirs that I heard. The Norwegian band’s discography is varied and challenging so it’s always tempting to just return to the album I’ve listened to the most and know best. It’s also the Enslaved album that I have bought the most copies of. In order of purchase I’ve picked up the fold-out digipak version, a box set with a bonus live disc and also the 2019 reissue with bonus covers of Rush and King Crimson tunes (a meh Earthshine and a pretty good Red, in case you’re wondering). If you like both of those bands and fancy adding a bit of extremity to your listening then Vertebrae is a great place to start.

The 2009 Box Set with essential patch and lanyard!
The 2019 remaster/reissue

Genre, Progressive Rock, Song Posts

King Crimson – Larks’ Tongues In Aspic, Part One

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Metalheads shouldn’t be discouraged that I’m ending my instrumental series with some progressive rock. On Larks’ Tongues In Aspic, Part One, King Crimson unleash the kind of demonic power that your average black metaller would gladly sacrifice their corpse-painted left bollock to have access to. Being a prog track, there are also plenty of other tangents and moods here, from muscular jazz funk to bucolic classical and a climax of ghostly voices and spellbinding lead bass from the late John Wetton. But the way the sung erupts from its twinkly opening and ominous violin into that diabolical, violent riff… there are no words.

Album Of The Day, Classic Rock, Genre, Hard Rock, Heavy Metal, Progressive Rock

Album Of The Day: Budgie – Never Turn Your Back On A Friend

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Budgie – Never Turn Your Back On A Friend (MCA 1973)

Budgie’s third album is a classic of early metal, mostly on the strength of its bookending tracks. The speedy, rifftastic opener (and future Metallicover) Breadfan and the monumental closer Parents make Never Turn Your Back On A Friend a must-hear and a great gateway into the Welsh band. My main gripe is the shite album title. I reckon that with that artwork they should have called it “Smuggler”. A wasted opportunity.

Classic Rock, Genre, Hard Rock, Progressive Rock, Song Posts

Angel – Mariner

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“Sailed the straights alone my ship and me”

I’m a complete sucker for songs that evoke the sea or the coast and that’s exactly what I love about today’s song pick: Mariner from US pomp rockers Angel. Taken from their S/T 1975 debut, it’s not the wateriest song in terms of guitar effects and there are no atmospheric waves and seagull sounds. But the music and performance takes you on a wistful, dreamy journey that reminds me a lot of another seafaring classic, Procul Harum’s Salty Dog. Vocalist Frank DiMino is in particularly fine form, delivering the soaring and gentle tune like he’s got a faraway look in his eyes. But the best bit is an incongruous burst of piano that sounds like it’s straight out of the Rocky soundtrack. I guess you can take Angel out of the city, but you can’t take the city out of Angel.

Black Metal, Genre, Progressive Rock, Song Posts

Dødheimsgard – Tankespinnerens Smerte

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“Where everything feels damn good”

Now we’re into the second half of 2023, I thought I’d share a track from my favourite album of the year so far. Here’s Tankespinnerens Smerte from Black Medium Current, the new album from Norwegian weirdos Dødheimsgard. It’s atmospheric black metal that blasts off with layered grandeur and a captivating mix of croaks and croons from DHG frontman Vicotnik. Then it heads off, brilliantly, into an eclectic mix of quiet, sinister and ominously discordant sections and also features the most blissful, uplifting vocal hook I’ve heard in ages. If anyone thinks they can release better music than this before the year is through, they avant-garde a chance!

Classic Rock, Genre, Hard Rock, Progressive Rock, Song Posts

Kansas – Belexes

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“And gather together the best of your kind”

A highlight from Kansas’ self-titled 1974 debut, Belexes wears its influences very obviously on its sleeve but does a great job of showcasing the talent and forceful chops of the American proggers. There’s some exciting Purple-style wringing of guitar necks, the stomping rhythms and vocal harmonies are right out of classic Heep and then the keyboards go all Sinbad, sabres rattling like Emerson, Lake and Palmer. It’s a formidable performance and, in the spirit of the bands that influenced it, has a live, hot-off-the-press urgency. Originality is always a big plus, especially if you expect your progressive rockers to actually… you know… progress. But sometimes it’s good enough to just be shit hot. Like Kansas.

Genre, Hard Rock, Heavy Metal, Progressive Rock, Song Posts

Guns N’ Roses – Estranged

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“I’ll never find anyone to replace you”

I’ve never been the biggest Guns N’ Roses fan but I really enjoyed watching their recent Glastonbury set on TV and I was especially pleased to be reacquainted with Estranged. Listening to the studio version now, I find I love it more than ever. Taken from the second of their two 1991 Use Your Illusion albums, it’s a wonderful ballad of epic introspection with a heartfelt, searching performance from Axl Rose and sensational melodic guitar lines from Slash, as well as two classy guitar solos. It has the kind of emotional crescendo that I think Axl Rose is particularly good at writing, and that feature in most of my favourite songs of his. If I was whittling the two sprawling Use Your Illusion albums down to a perfect single record, Estranged is one song that would always make the cut.

Death Metal, Genre, Progressive Rock, Song Posts

Cynic – The Eagle Nature

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“Don’t be shallow”

Not that I need a reason, but with the 30th anniversary and an imminent remixed, remastered reissue, it seems like a good time to give Cynic’s incredible 1993 debut Focus a spin. Here’s The Eagle Nature, one of my favourite tracks from the album. Knotty thrash riffing and growling vocals keep this in familiar brutal territory but King Crimson-esque interlocking guitars, weirdo vocoder effects, moody synthscapes and a general sense of wellbeing make this a bit of a space oddity in the death metal realm. Back in 1993 (just six years on from barbaric early death metal classics like Scream Bloody Gore) Focus must have sounded like it was from another planet. And 30 years later, tracks like The Eagle Nature still sound like they’re at the cosmic cutting edge.