Been on a proper Dokken kick lately so here’s the ace moody rokker When Heaven Comes Down, taken from their classic second album Tooth And Nail. Don’t really need to say much about this one do I? It’s all there: epic Kashmir-esque drama, big riffs, classy and tasteful vocals from Don Dokken and a guitar solo from George Lynch that is equally classy and tasteful too (with a smidgen of widdly thrown in for good measure). Shokkenly good.
Tired of crushing your enemies, seeing them driven before you and all that? Why not let off some steam with Omen’s Be My Wench? This is top metal cobblers, it’s got a chorus that you’ll never get out of your head and it’s also got the kind of raunchy lyrics that most po-faced modern bands wouldn’t touch with a bargepole. But if you’re going to do Conan metal there needs to be some shagging in there. It’s the barbarian way.
I know most metal fans prefer the Dio-fronted Rainbow but round these parts Joe Lynn Turner rules. So here’s a superb version of the classic Rainbow track I Surrender. It’s taken from the Live in Japan 1984 double live album that was made available recently as bonus discs with the Ritchie Blackmore Story box set. It’s a bonus extra that outstrips the main feature easily. Listening to Ritchie Blackmore reminiscing about his career is one thing: listening to him play is another entirely. And if you’ve never listened to The Man in Black’s live playing, you’ve never really heard him at all. No criticism of his studio output – it’s adorned with legendary guitar work – but this is a man that likens studio recording to “being at the dentists”. Unshackled from the studio, his playing reaches a transcendent level of inspiration and excitement. The whole band is on great form here, especially Joe Lynn Turner who sings with passion and commitment. But Blackmore grabs this great AOR track by the balls, lifting it to another level with one of his ingeniously messy, improvisational and thrilling solos. There’s a tag I use on this site: The World’s Greatest Guitarist. It’s reserved for The Man in Black and performances like this are why.