Tag Archives: 1993

Album Of The Day, Classic Rock, Genre, Hard Rock, Heavy Metal

Album Of The Day: Blue Murder – Nothin’ But Trouble

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Blue Murder – Nothin But Trouble (Geffen Records 1993)

Blue Murder were starting to sounding hopelessly outdated on their second album, 1993’s Nothin’ But Trouble. But in 1993 my taste in music was hopelessly outdated so I gobbled it right up. Compared to their bold debut album, Nothin’ But Trouble is a more calculated, commercial effort and there’s some rote wimphem here like Love Child and Save My Love. But I didn’t mind… back then I would have listened to Mr. Blobby if John Sykes was his guitarist. And there are some blazing rockers here like We All Fall Down and Cry For Love that took me right back to the glory days of Whitesnake’s 1987 and Thin Lizzy’s Thunder And Lightning.

Classic Rock, Genre, Hard Rock, Song Posts

Robert Plant – Come Into My Life

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“Hopes drift in higher places”

On Come Into My Life, well-chosen guest musicians sprinkle tasteful, but magical, fairy dust over a great song and turn it into a sublime one. Taken from Robert Plant’s excellent 1993 album Fate Of Nations, this is a passionate celtic rock song with gentle, shimmering verses and a fully Ledded big chord chorus. But because Boaby is the kind of guy (I imagine) that can just pick up the phone and get anyone he wants, Clannad’s Máire Brennan adds her beautiful ethereal voice and folk-rock giant Richard Thompson adds his distinctive, delicate guitar bends making Come Into My Life even more elemental and sumptuous than it already was. Ideal dreamy listening for a hot summer’s day.

Death Metal, Genre, Progressive Rock, Song Posts

Cynic – The Eagle Nature

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“Don’t be shallow”

Not that I need a reason, but with the 30th anniversary and an imminent remixed, remastered reissue, it seems like a good time to give Cynic’s incredible 1993 debut Focus a spin. Here’s The Eagle Nature, one of my favourite tracks from the album. Knotty thrash riffing and growling vocals keep this in familiar brutal territory but King Crimson-esque interlocking guitars, weirdo vocoder effects, moody synthscapes and a general sense of wellbeing make this a bit of a space oddity in the death metal realm. Back in 1993 (just six years on from barbaric early death metal classics like Scream Bloody Gore) Focus must have sounded like it was from another planet. And 30 years later, tracks like The Eagle Nature still sound like they’re at the cosmic cutting edge.

Classic Rock, Genre, Hard Rock, Heavy Metal, Song Posts

Brian May – Resurrection

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“Got a whole new direction”

Brian may have been through a tough time with the breakup of his marriage and the deaths of both his father and Freddie Mercury but in 1993 he was back. And sounding rejuvenated on the soaring Resurrection, raising an erection with awesome guitar and the pounding drums of Cozy F. Powell – who was also back after being crushed by a horse in the early 90s! They both sound like they’re having the best time, May playing heavy and flashy but with a loose exuberance, driven on by an absolute arse-kicking from Powell that sends Resurrection into Sabbath Tyr territory. Fuck yes. Two rock legends, back with a bang.

Black Metal, Genre, Song Posts

Emperor – I Am The Black Wizards: EP Version

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“Before a mighty Emperor thereupon came”

The narrator of I Am The Black Wizards has been a ruler for eternities and is so mighty that the souls and spirits of numerous obedient wizards now belong to him. Or something like that. Whatever is going on, it’s metal as fuck. And it’s black metal 101 too, an essential track from a mandatory band. Taken from their debut 1993 EP Emperor, this is absolutely caustic stuff with an unforgettable guitar melody snaking through the furnace of noise. I Am The Black Wizards was recorded again for Emperor’s debut album In The Nightside Eclipse and that version is even better than this. But this version came first so it has a special importance and its cavernous cacophony has an appeal of its own.

Death Metal, Doom Metal, Genre

Anathema – Serenades (Review)

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Anathema – Serenades (1993)

Anathema closed out their career with an album called The Optimist but back in their early days they were pessimistic purveyors of purest woe. Their 1993 debut album Serenades is growling, grinding doom: all funeral drapes, dead loved-ones and weeping willows. It puts a smile on my face though cause I love misery-guts metal and this is a great album to wallow in. The Cathedral-esque Sweet Tears is top drawer and Sleepless‘ goth melody makes it an early favourite of the band’s career. Even the more forgettable tracks like Under A Veil (Of Black Lace) have their share of cool riffs and moreishly sorrowful harmonies. Avant-garde interludes and French lady voices keep things interesting and varied. The 23 minutes of ambient wallpaper music at the end is a bit try-hard and the why/cry lyrics have a naiveté that would persist throughout the band’s career. But these minor quibbles are nothing to get sad about. Serenades is an impressive debut from a band with plenty of reasons to be optimistic.

Doom Metal, Genre, Heavy Metal, Song Posts

Cathedral – Midnight Mountain

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“Oooohhhh… c’mon now”

Can you feel the groove? Doom metal doesn’t have to be heads-down misery all the time so Cathedral dial in some fun on the wonderful Midnight Mountain. Cathedral started their career by ploughing a miserable, glacial-paced furrow but they weren’t the kind of band to let themselves get pigeonholed for long. Their heroes like Sabbath and Pentagram had room for some swagger and boogie so Cathedral did too. Midnight Mountain‘s snake-hipped rhythm, hand claps and Lee Dorrian’s funky exhortations just never get old. And if that sounds a bit too disco for your liking, don’t forget it’s also thunderingly heavy. Check out the quaking riff four minutes into the song. Can you feel your bowels move?

Classic Rock, Doom Metal, Genre, Heavy Metal, Song Posts

Pentagram – Relentless

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“Take you to hell and won’t say hello”

Pentagram were formed in 1971 and are renowned as early doom pioneers but nearly 15 years passed before the cult US band was able to rise from the underground and put out their first album. It was worth the wait. The 1985 self-released debut was originally just called Pentagram but in 1993 it was reissued by Peaceville Records and renamed Relentless after this awesome track. Relentless was penned by charismatic guitarist Victor Griffin and has a walloping tone and simple, strident riff that fully lives up to the promise of the song’s title. The lyrics are a bit clunky but endearingly catchy and they’re a good vehicle for the ‘Ram’s wayward frontman Bobby Liebling to strut his swaggering, streetwise stuff. But the real joy here is the riffin’ of Griffin. His electric axe is gonna knock you on your back.

Genre, Heavy Metal, Thrash Metal

Skyclad – A Burnt Offering For The Bone Idol (Review)

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Skyclad – A Burnt Offering For The Bone Idol (1992)

A Burnt Offering For The Bone Idol is a grand medieval banquet full of succulent folk, juicy classic metal and meaty thrash. Skyclad’s 1992 album was a truly original and pioneering work that built on their debut album’s idiosyncratic promise. The addition of a full-time violinist Fritha Jenkins adds class and colour to a rich and varied set of pagan metal all graced by the gifted lyrics and charismatic vocals of Martin Walkyier. The lusty jig Spinning Jenny and the fist-pumping The Declaration Of Indifference are the enduring set-list faves but every track here is special. The mix of traditional metal mastery à la Maiden and Manowar coupled with the rage and darkness of the underground made this the album to beat in a year when proper epic metal seemed to be in short-supply. From the dystopian anger of Broken Promised Land to the historical tragedy of R’Vannith and the mellow moon-lit ley lines of Ring Stone Round, A Burnt Offering… is a treasure from start to finish.