Category Archives: Thrash Metal

HMO Digest – 25th September 2022

It’s been two whole months since the last digest so let’s not waste time with idle banter! Here’s what’s been happening on the blog.

Recent Posts

Thin Lizzy – Thin Lizzy (Album Review)

Lynott and chums scatter their beans over different scenes on their eclectic, but sleepy, debut.

Stratovarius – Hunting High And Low (Song Review)
Helloween – Why? (Song Review)

Two power metal classics in a row. Why? Why the hell not.

KISS – Bang Bang You (Song Review)

Cause 80s KISS is the best! And you wanted the best.

Emerson, Lake & Palmer – Knife-Edge (Song Review)

This song rhymes seagull with eagle which is just one of the many reasons for its awesomeness.

Cream – Badge (Song Review)

A great example of lyrics not mattering as long as they sound the part.

Tankard – Mercenary (Song Review)

A great example of lyrics not mattering at all.

HMO Salutes

R.I.P Michael James Jackson, producer of my favourite two KISS albums (Creatures Of The Night and Lick It Up… 80s KISS again!)

Steve Grimmett, best known as lead throat of NWOBHMers Grim Reaper, who has died aged 62.

The exalted Piledriver (aka Gord Kirchin) who has died from cancer aged 60. I wrote about a great Piledriver tune here if you want to familiarise yourself. And their albums Metal Inquisition and Stay Ugly both got stellar reissues lately so get involved.

New Stuff

A good year for new releases continues with Megadeth’s The Sick, The Dead… And The Dying! and Behemoth’s Opvs Contra Natvram which are both enjoyable efforts. Not up with either band’s best work but better than I was expecting. Other notable purchases include Marillion’s Holidays In Eden box set (love!), KISS’s Des Moines set (wow!), a Steeleye Span box set (fol-de-rol!), Whiplash’s The Roadrunner Years (ermagerd! Thresh meddle)

Darkthrone

I also had a big blow out and bought all the Darkthrone albums I’m missing. Basically all the studio albums between Panzerfaust and F.O.A.D. I should really have bought all these long ago because Darkthrone, but the news of their upcoming Astral Fortress inspired me to finally bite the bullet. I can listen to the whole discography now before the new one comes out on the 28th October.

What I Was Listening To While I Wrote This Post

Cathedral’s The Carnival Bizarre from 1995. Monstrously heavy stuff with classic tracks like Vampire Sun and Hopkins (The Witchfinder General) as well as wonderful deep cuts like Inertia’s Cave and guest guitar from one Frank “Tony” Iommi on Utopian Blaster. Let’s get it on!

Coming Up

We’re getting in to the heavy release schedule months now. There are new releases and reissues galore on the horizon. Coming up in Oct there’s new albums from The Antichrist Imperium, Avatarium and Queensryche and on the reissue front there’s Diamond Head (expanded Lightning To The Nations), Danzig (the long out-of-print 666: Satan’s Child) and album boxes from Deicide and Blitzkrieg.

On the review front I have some Deep Purple, Brian May and Whitesnake posts in the works. And probably some Darkthrone cause that’s all I’m going to be listening to for the next month or so, let’s face it. Until next time… eternal hails!

Tankard – Mercenary (Song Review)

“Fleeing. Fleeing fastly”

I don’t think I’ve ever heard the word “careful” used this forcefully in a song before. Repeatedly. Here’s Tankard: generally renowned for songs about drinking beer and being a thrash metal ne’er-do-well. But on Mercenary (taken from 1986’s Zombie Attack) the Germans take on the subject of soldiers for hire in their endearing “English as a second language” way. It’s just great fun: a punky, speed metal mosh. And the chorus gang shout of “Mercenary! Be careful! Mercenary! Careful! Carefully, carefully! The mercenary, the mercenary” is unforgettably demented. You might enjoy it a little too much so… careful!

HMO Digest – 10th July 2022

I closed out the previous digest with a question: were KISS genuinely boring when they played Donington in 1996 or was I just too sunburned to enjoy them properly? Well, I’ve listened to the Off The Soundboard recording of the show now. It’s a bit sluggish and takes a few songs to get going but, in the comfort of my own darkened living room, it’s way more fun than I remember! I’m getting the classic KISS vibes. Verdict: too sunburned.

Recent Posts

Hell – Darkhangel (Song Review)

One of the best songs of the ’10s but sadly Hell haven’t released anything since. Last I saw of them was supporting Saxon at what can only be described as a very farty Glasgow gig. At least I got some fresh air at Donington.

Running Wild – Final Gates (Song Review)

Don’t walk the plank, spank it! It’s all about the bass on this insanely catchy instrumental.

Fist – Throwing In The Towel (Song Review)

Apollo Creed’s least favourite NWOBHM song.

Shrines – Ghost Notes (EP Review)

I never got a press release for this so I’m not sure what the pitch is. A wee music theory joke for you there.

HMO Salutes

Original Nazareth guitarist Manny Charlton has died aged 80. Brilliant musician, songwriter and producer on some of my favourite albums. Listen here for a great interview with the man himself, where he discusses his classic Nazareth albums and his involvement with Guns N’ Roses. Warning: Fife accent.

Artist Ken Kelly, the creator of some of my favourite album covers, has passed away aged 76. A framed poster of Love Gun graced my living room wall for many years. And where would Manowar be without his muscular and boobular artwork?

My long-running campaign to “BRING BACK ALEC” has come to a sad end with the death of ex-Bon Jovi bassist Alec John Such, aged 70. The campaign did at least achieve some closure when he reunited with the band at their 2018 Hall Of Fame induction.

New Stuff

My most exciting purchases from the last month were the new Kreator album Hate Über Alles which is really good (definitely better than advance reviews led me to believe) and Porcupine Tree’s Closure/Continuation (album of the year so far). On the reissue front, I got the Thin Lizzy package that pairs up the expanded Sydney show with the doc Songs For While I’m Away, which is essential viewing for Lynott fans. And I finally got the anniversary box set of Mayhem’s De Mysteriis Dom Sathanas which I’ve been looking forward to since pre-ordering it back in November 2021. It was worth the wait.

What I Was Listening To While I Wrote This Post

Enuff Z’Nuff’s 1985. It’s a strange one… a 1994 release that was technically their fourth album but is actually their 1985 demo recordings. I don’t really know the full story here. It’s sounds way too good to be a demo and sounds incredible for 1985 even. Re-recorded or touched up old material? Whatever it is, it’s brill and infectious glam rock.

Coming Up

I’m looking forward to the reissue of UFO’s High Stakes & Dangerous Men paired with Lights Out In Tokyo. Supposedly not the best era for the band but I’ve not heard either album before so I’ll judge for myself. Also Whiplash’s The Roadrunner Years set is an exciting prospect, I’ve wanted that stuff for ages but it’s always been too pricey.

On the review side I’ve got quite a mix coming up soon on the blog: thrash, power metal, black metal and classic prog. Stay tuned and expect no mercy!

Hell – Darkhangel (Song Review)

“Read the rites, cast the spell, call the chaos lords of Hell”

I loved Hell’s 2013 album Curse & Chapter but Darkhangel cast a particularly strong spell over me. It reminds me of two of my favourite British bands, combining Sabbat’s medieval thrash with Cradle Of Filth’s theatrical horror. And it shifts from goosebumps catchy (“from thy kingdom will come”) to esoteric tongue-twisting (“whose might unmarred the maker’s mind unmade”) with intense flair. Best of all, when vocalist David Bower performed Darkhangel live he did it dressed as a 12ft-tall horned Pan on stilts while twirling a firework-spouting trident like a catherine wheel. He knew that a song this good deserves mad props.

[And the live version]

Abbath – Dread Reaver (Review)

Abbath – Dread Reaver (2022)

Abbath’s third outing Dread Reaver is the most uniquely frustrating album I have heard in many, many moons. Not because it’s completely absymal. I’d take a disaster like Morbid Angel’s Illud Divinum Insanus over this any day. That was a hoot! The problem with Dread Reaver is that it’s stuck at this infuriating point of being solid but never exciting me or blowing me away. A noisy, thrashy, black metal album from one of the genre’s greats that takes in all sorts of brilliant influences (Manowar, Motörhead, Mayhem, lots of Bathory) should make me feel something. Either Abbath’s considerable craft and experience has taken over in lieu of genuine inspiration or passion or he’s overworked the thing to the point where any human factor has been ground out. Whatever’s happened, it leaves me cold. And not in a cool, “grim permafrost” way.

Midnight – Lust Filth And Sleaze (Song Review)

“I’m gonna bust when you’re down on your knees”

You’d think devil worship and debauchery went hand in hand but Satanic metallers rarely sing about shagging. Midnight are one of those rare bands that dare to put their log in the fiery place. Taken from their essential 2011 debut album Satanic Royalty, Midnight’s Lust, Filth And Sleaze is a prime NWOBHM-inspired rager with a savage speed metal attack and venomously delivered single-entendre lyrics. Total satisfaction guaranteed.

Helloween – How Many Tears: Live In The U.K. (Song Review)

“Unite! It’s not too late”

Back to 1989 for a song that puts the “power” into power metal. It’s German legends Helloween with a storming version of How Many Tears from their Live In The U.K. album. It’s a full-on assault of pounding vrrrs, grrrs and drrrs. The riffs are Scorpions-on-steroids, late drummer Ingo Schwichtenberg is on ferocious form and when the intro riff returns after a dreamy interlude it manages the impossible feat of being even more gigantic than before.

It’s also a thrill to hear Michael Kiske add his high-flying vocal stamp to a song originally sung by the grittier Kai Hansen (who just plays guitar here). And I believe this is the last recording to feature both Kiske and Hansen until they reunited with the band in 2017. Both are set to appear on the band’s new studio album Helloween, released 18th June. If the album is even half as good as this then I’ll be one happy pumpkin.

The Misfits – Wolf’s Blood (Song Review)

“And I know I’m not a man”

Back when I reviewed The Misfits’ Earth A.D. album you might have noticed the post’s full title was Earth A.D./Wolf’s Blood. The Misfits’ back catalogue is a bit complicated… the album as a whole is usually just referred to as Earth A.D. That’s what it’s called on the band’s official website and also in their box set (which is the copy I have). But when it was originally released on vinyl it was viewed more like two mini albums and each side had a different title. The first side was Earth A.D. which was loosely post-apocalyptic slasher kinda stuff and the second was called Wolf’s Blood and had a lycanthropic theme running through it. Here’s the title track from that side. It’s neither the craziest or the catchiest song on the album. The verses are generally incomprehensible shouting, like a fight outside a pub. But the chorus is more memorable and sounds deliciously ominous and threatening: very much in the vein of Glenn Danzig’s next band Samhain. I doubt you’ll be humming this one after the album’s finished but its lyrics and mood make it a dangerous deep cut that adds to Earth A.D./Wolf’s Blood‘s hellish and violent impact.

The Misfits – Earth A.D./Wolf’s Blood (Review)

The Misfits – Earth A.D./Wolf’s Blood (1983)

Backs blown out by shotgun blasts, skulls ripped out, eyes plucked from heads, hellhound dogs and warrior wasps. Welcome to Earth A.D. Released in 1983, this was the second and last album of The Misfits’ original run with Glenn Danzig at the helm. And they went out with a bang: ripping through eight songs in just under 15 minutes. The album is attacked with such ferocity that it’s often seen as inferior to their catchier debut album Walk Among Us. The 50’s horror and sci-fi fun of the debut had become dark, brutal and unhinged. And the hardcore speed, massive thrash metal guitar tones and shouted vocals all served to bludgeon the debut’s melody to a bloody pulp. But, while Earth A.D. doesn’t quite have any top-tier singalongs like Skulls or Astro Zombies, it still has plenty of hooks. You won’t be able to forget the bouncy chorus of Death Comes Ripping, the ominous croon of Bloodfeast or the gang vocals of the title track. And there’s a real glee in the album’s demented, vehement delivery. From Green Hell‘s muscular metal chugging to Devilock‘s slashing riff, this record gets the blood pumping like no other. In more ways than one. Earth A.D. is the musical equivalent of a killing spree. And if you think that sounds hellish… well, you’re really gonna like it here.

Bathory – Sacrifice: 1st Version (Song Review)

“I spread eternal dark on Earth”

Taken from the 1984 compilation album Scandinavian Metal Attack, Sacrifice is the first recorded release from one of metal’s most revered and influential acts: Bathory.

It’s the first of two songs the Swedish band (led by mythic mastermind Quorthon) recorded for the compilation. And compared to the enjoyable trad metal performed by the other four Swedish and Finnish acts on the album, Sacrifice sounds like the next level in extremity. It’s a ballsy and chaotic rager in the style of Motorhead, Venom etc… with cavernous, noisy vocals and a catchy, evil ascending chorus riff. The label were inundated with letters demanding more from Bathory. And rightly so. This is great stuff for fans of the more punky, violent end of the NWOBHM and fans of early, primitive thrash.

But the song would go on to have a second, and even more important moment in history. The early version sounds positively conventional compared to the version that appeared later that same year when Sacrifice was re-recorded for Bathory’s seminal self-titled debut album. By that point the band were delivering all their music with grim, frostbitten harshness that was like nothing before it. The black metal sound was born.