Category Archives: Thrash Metal

New Releases – 5th October 2018

The release schedule is definitely hotting up now… lots of cool stuff out today.

Behemoth – I Loved You At Your Darkest

Behemoth’s last album The Satanist is a modern classic so no pressure on them to follow it up. None whatsoever no siree. Reading quite mixed and underwhelming reports about this but I’ll want to hear it for myself anyway, and so will you. I’ve avoided all advance tracks so far cause I just want to hear the whole thing.

Anthrax – State Of Euphoria (Deluxe Edition)

I’ve been on a tremungous Anthrax kick lately so this deluxe edition of the underrated State Of Euphoria will do me nicely. Remastered with era B-Sides, booklet and a bonus disc called “Charlie’s Archive” which is work-in-progress recordings of the album’s songs. Puts you right in the room with the band apparently. Bet Scott Ian ignores you.

Steve Perry – Traces

Whoops, almost forgot this one! The Journey vocal legend returns with this surprise solo album. Been looking forward to this and the single No Erasin’ was great so… yes. Look out for editions with bonus tracks too.

High On Fire – Electric Messiah

Matt Pike’s a busy lad. Not content with the excellent new Sleep album he’s also got a new High On Fire one out too. I’ve got most of this band’s stuff but they’re not a big fave and I slept on their last album. Might give this a go though, cause I feel like Pike is just on form lately… and they’re not on Third Man Records so that’s a plus!

Deathhammer – Chained To Hell

Fun black thrash from Norway. New track Rabid Maniac Force is total Destruction worship which is absolutely fine by me. And tell me you don’t want a copy of this for that cover alone! And it’s not on Third Man Records because Jack White is a pure plum.

Riot – Archives Volume 1: 1976-1981

Amazing looking archival release from High Roller that covers the bands early years with vocalist Guy Speranza. Available as a CD/DVD set or a DLP/DVD set, this features 18 unreleased tracks including pre-Rock City stuff, early versions of Narita tracks and a live show from 1981 on the DVD. Want.

Cirith Ungol – Witch’s Game

The returned Cirith Ungol dropped this superb new song on Bandcamp a wee while back and now’s your chance to get their first new song in 27 years on vinyl. It will also feature a live version of Doomed Planet as the B-side, taken from their performance at Germany’s Hammer of Doom festival in 2017.

And that’s about it for another week. See you next week for more new release bunkum.

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New Releases – 21st September 2018

It’s new release time. Let’s do this. UUGHH.

Voivod – The Wake

Got to hand it to Voivod, still credible and banging out highly-rated albums even after losing two original and important members. They’re not a big band for me but I still like checking out their stuff. Could be tempted to pick this up… deluxe edition also has a bonus disc with the Post Society EP and some live tracks too.

Dragonlord – Dominion

Testament’s Eric Peterson gets back on the happy black metal trail with his side project Dragonlord. Listened to a bit of it cause I’ve never heard them but I’m not that fussed. And I don’t even like Testament that much! Guess this isn’t really aimed at me… that cover though.

Classic rockers might want to check out the new releases from Billy Gibbons, Joe Bonamassa and Slash but I think thats the lot for me this week. Until next time… UUGHH.

Now Playing: Anthrax – For All Kings

Some albums are so OK you have to buy them twice.

Funnily enough, after reading an article about Anthrax’s Scott Ian (reportedly) behaving like an arsehole, I ended up going on a big Anthrax kick and buying another copy of their last album For All Kings. Goes to show all publicity is good publicity!

I wasn’t all that impressed by For All Kings when it was released back in 2016 but after hearing some of the songs live on the recent Kings Among Scotland release, I felt like revisiting it.  And ended up not only listening to it again but enjoying it enough to add the ‘Tour Edition’ to my collection (for its extra disc of demo versions). Some great tracks here like You Gotta Believe, Suzerain, Evil Twin and the title track. I’d prefer the sound to have more attack and I find songs like Breathing Lightning and This Battle Chose Us a bit too slick for comfort but, judged on its own merits as a We’ve Come For You All kinda album, it’s a solid and memorable release. Just don’t ask Scott Ian to sign it for you.

New Releases – 24th August 2018

Time for some more new releases chat.

Alice In Chains – Rainier Fog

Third album for the post-Staley lineup of AIC. I did enjoy the first outing Black Gives Way To Blue but it didn’t get me hankering for more exactly. Quite liked the new song Never Fade but not that fussed about some of the other stuff I’ve heard. Still haven’t bought their last album so I can’t see myself rushing out to get this.

Mantar – The Modern Art Of Setting Ablaze

I never bothered with this German punk sludge duo because… punk sludge! But I gave their new song Taurus an arms-folded “impress me” kinda listen and I actually got quite into it. Top quality punk sludge. I love that stuff. I’m gonna just call it pudge though cause I’m super efficient.

Solitary – Nothing Changes (20th Anniversary Edition)

The UK thrashers (recently featured on the Contract In Blood box set) caught my attention with 2017’s rather good The Diseased Heart Of Society and keep the momentum going by reissuing their 1998 debut album with extra demos. Definitely want to hear more of this band’s stuff and, if you like thrash, you should too.

Skull – No Bones About It

Double helping of boaby here! Skull’s 1991 debut album, their only album, gets an absolutely bonus-laden 2CD reissue. Features Boaby Kulick (ex-just about everybody) and Boaby Rock (ex-Vinnie Vincent Invasion). Don’t know about these guys at all but you can’t beat a bit of boaby.

And that’s about the lot, a week dominated by pudge and boaby. Let me know what you’re tempted by today and let me know if you’ve heard of Skull! Were they as good as Blackthorne, that’s what I want to know.

New Releases – 10th August 2018

Finally, some good new releases! It’s been quite a while since we’ve had as fun-filled a week as this. And it’s mostly all new stuff too, none of your deluxe box thingies and vinyl reissue “remastered” gubbins. Just NEW METAL.

Haunt – Burst Into Flame

Retro-styled true metal has become quite the rage in the last few years but I’m usually unconvinced. The bands always have the sound down but the songwriting often falls short. Having listened to the title track from this album, I reckon this US band might have the goods though. It’s strident, catchy stuff. Definitely worth checking out.

Night Demon – Live Darkness

Speaking of retro metal… Night Demon have become quite the rage in the last few years but they haven’t caught on with the HMOverlord yet. Always feel like I just haven’t given them a fair shake of the stick though so maybe this new live album will finally win me over. Athenar from HMO-favourites Midnight makes an appearance so that’s a promising sign.

The Spirit – Sounds From The Vortex

Here’s some intriguing sounding black/death shenanigans from Nuclear Blast. The tracks I’ve heard remind me of Tribulation stuff or the Vampire record from last year… quite a bit like Dissection too. Got that waltzy thing going on. And with a list of comparisons like that, this has to be a must-hear.

Ill Omen – The Grande Usurper EP

Don’t know much about this band, I believe it’s an Australian one-man black metal act of the murky and cavernous variety. I’m a bit of a hard sell with that kind of stuff but I listened to a track from this at work and got right into it. I’ll grab this one on Bandcamp.

Gloam/Obscure Evil – Split EP

New to me but the cover caught my eye. Only one track from each band but I bet it’s quality over quantity. I heard the Gloam track Black Swords Of Desecration and it thrashed about all over the place. Brilliant. And the other band is called Obscure Evil which means they must be good. Surely?! Another one for Bandcamp.

And that’s about it for me. Anything else you’re looking for today? Anything you’re avoiding like the plague? Let me know in the comments. Happy hunting.

Mercyful Fate – Mercyful Fate EP (Review)

Released in 1982, Mercyful Fate’s self-titled debut is often referred to as the “Nuns Have No Fun” EP but I reckon even Mother Theresa would be hard-pressed to not get a kick out of this. The Danish band battered out a high-energy update on the pace-shifting, riff-laden approach of bands like Diamond Head and Priest but earned recognition as one of the “first wave” black metal bands by virtue of being extremely, extremely evil. While their style is fairly traditional, Hank Shermann’s riffs and solos are pure malevolence and the unique range of corpse-painted vocalist King Diamond is alternately threatening and ghostly, hitting high notes only Rob Halford can hear on Devil Eyes. A Corpse Without Soul and Doomed By The Living Dead are thrashing, twisting workouts with wonderful vocal hooks. Try not singing along with “I’m a corpse, I’m a corpse, I’m a corpse without soul”. The band’s seminal albums would be more cerebral and progressive occult offerings, but the four songs here have a more boisterous and naïve sense of blasphemy. The graveyard scares, pentagram pants, “fucking angels” and a C-word laden ode to religious sisters make Mercyful Fate a uniquely diabolical, gleeful and headbanging entry in their impressive career. None more fun.

HMO Rating: 5 out of 5

[Mercyful Fate – A Corpse Without Soul]

*Buying Note: This EP is also available in its entirety as part of the compilation The Beginning, which is a must-buy too.

Pestilence – Malleus Maleficarum (Review)

Pestilence are now known as death metal masters but on their 1988 debut album the Dutchmen were still in the process of pushing the Kreator-style thrash of their demos to increasingly aggressive extremes. The crunchy riffs, violent tempos, moshing breakdowns and vocal phrasing are pure thrash but the sickening bludgeon of the delivery and the Schuldiner-esque bark of Martin Van Drunen put the band on a collision course with the emergent death metal of the era. The lyrics aren’t much of a read but obsessions with science, atrocity and surgery also push things deathward (“bifurcation of the tumour”) and provide great vocal hooks for Van Drunen’s authoritative vocals in tracks like Parricide and Chemotherapy. Although they had yet to mature stylistically, Pestilence’s formidable songwriting and precision brutality makes this a must for fans of death and thrash. It’s named after the infamous “Hammer Of The Witches” treatise, yet Malleus Maleficarum is so magical from front to back that you could well suspect this band of sorcery.

HMO Rating: 4.5 Out Of 5

[Pestilence – Chemotherapy]