Tag Archives: Power Metal

Gamma Ray – Lust For Life (Song Review)

“Let us fly away, let us praise the days”

The joyous glory of the middle eight. Is there anything better? I’m talking about the section, usually 8-bars in length and two thirds of the way into the song, that introduces a new element and adds a new layer of feeling and meaning. One famous example would be the “looks like nothing’s gonna change” vocal part in (Sitting On) The Dock Of The Bay.

Metal artists will often use guitar solos, rifferamas and mosh-friendly breakdowns to get that variety and shifting intensity into their songs and we all know our favourite examples of those. But what about the classic vocal middle eights in metal? Here’s a great one: Gamma Ray’s Lust For Life. Taken from their debut album Heading For Tomorrow, it’s a definitive power metal track with all the happy hallmarks of the genre. It’s already intense stuff but, following a superb and sprawling guitar solo, vocalist Ralf Scheepers whooooaas into a middle eight that takes the track into a transcendent area of giant awesomeness. It’s the best part of the song and it just wouldn’t be the same without it. Maybe it’s that uplifting or transcendent feeling that isn’t always a great fit for metal songs, especially as you get into the more extreme echelons. But on a track called Lust For Life it’s just what the doctor ordered.

I’m instantly thinking of other great ones (like the “take my hand” section in Maiden’s Heaven Can Wait) but what are your favourites? Let me know in the comments.

HMO Rating: 4.5 Out Of 5

[Gamma Ray – Lust For Life]

Saxon – Metalhead (Review)

Saxon – Metalhead (1999)

Saxon concluded their 90s catalogue in robust fashion with the aptly-titled Metalhead. It continued the dark, heavy vein of 1997’s Unleash The Beast but with a vigour and confidence bolstered by a traditional metal renaissance in Europe.

The crushing metal chugs and ominous tones of tracks like Metalhead and Are We Travellers In Time have a contemporary edge but also a technicality to the riffage that bulldozers away the boozier, spritlier charm of the band’s early days. But Saxon’s spirit and songcraft remains. Even at its heaviest, the album sports durable melodies and there’s a welcome lighter touch and variety on songs like the bouncy Prisoner, grooving What Goes Around and the proggy Sea Of Life. It’s not all gleaming and modern: the Saxon traditions of headbanging and tales of olde are upheld in the thrilling All Guns Blazing and the rousing Conquistador.

Some inevitable clunkers (Piss Off and the forgettable Watching You) and a sense of solid proficiency prevent it ranking alongside inspired classics like Power & The Glory. But with Metalhead Saxon made their stongest, timeliest statement of the decade and this is where the modern lineup* really clicks, finding a new reason to be. I’ll bang my head to that.

HMO Rating: 4 Out Of 5

*Worth pointing out that Nigel Glockler had left (again) due to injury, replaced by Fritz Randow. But you won’t notice the difference.

[Saxon – Conquistador]

 

Twilight Of The Gods – Fire On The Mountain (Review)

Twilight Of The Gods – Fire On The Mountain (2013)

Twilight Of The Gods were formed as an all-star Bathory tribute act featuring the likes of Mayhem’s Blasphemer, Primordial’s Alan Averill and blast legend Nick Barker. In 2013 they took the plunge and released their own album of irony-free epic metal Fire On The Mountain.

It’s a treat to hear a black metal veteran take on the chest-beating, anthemic style of Manowar, Manilla Road, Omen and the like but it’s all a bit too sincere. There’s a pervading doom-laden vibe that works well on the moodier tracks like the Primordial-like Children Of Cain and the apocalyptic Sword Of Damocles, but the more anthemic efforts like Preacher Man and Destiny Forged In Blood prove a bit too stiff for comfort.

Alan Averill’s unique voice adds much-needed charisma, his lyrics are a lot of fun (“Van Stahrenberg stands with the Holy See of the Roman Empire”) and the band does a sterling job of launching into Maiden-style instrumental jousts, most notably on the rousing title track.

Fire On The Mountain places pretty low in the pantheon when stacked up against the classic bands that inspired it but there are enough great moments here to make it disappointing that they haven’t followed it up with a second album. It’s a solid effort for fans of the main players and for anyone that likes their metal with a bit of hair on its chest.

HMO Rating: 3 Out Of 5

[Twilight Of The Gods – Children Of Cain]

Virgin Steele – Nocturnes Of Hellfire & Damnation (Review)

Virgin Steele – Nocturnes Of Hellfire & Damnation (2015)

I’m not a big fan of the most recent Virgin Steele album Nocturnes Of Hellfire & Damnation but I still occasionally hanker for it. The opener Lucifer’s Hammer is classic chest-beating metal and Persephone is a grand retelling of the Greek myth that ranks up with the band’s best material. And do any of you remember the mysteriously anonymous 80s speed metal band Exorcist? Well, it turns out they were Virgin Steele all along and on this album they finally own up to it, reworking two Exorcist songs Queen Of The Dead and Black Mass in power metal fashion. It’s great stuff and a lot more rifftastic than the preceding VS album The Black Light Bacchanalia. But that album had a romantic, overblown grandiosity that proved fascinating and rewarding and Nocturnes Of Hellfire & Damnation has none of that richness or consistency. The shifts from the Exorcist tracks to piano balladry like Hymns To Damnation to bizarre raunch metal like Demolition Queen and Glamour make for a disjointed listen and the overlong arrangements and dark, moody atmosphere means promising tracks like Delirium and Devilhead come across as dreary. If you’re a Virgin Steele acolyte like me there are just enough bright spots here to make it worth your time but everyone else will find Nocturnes a long, colourless night that will most likely send them to sleep.

HMO Rating: 2 out of 5

[Virgin Steele – Devilhead]

Deluxe Edition with bonus CD

Riot V – Armor Of Light (Review)

Riot V – Armor Of Light (2018)

Riot’s history as a band is the stuff of metal legend, thanks to decades of perseverance through bad breaks and tragedy. But musically I’ve been largely unfamiliar with the band’s career beyond the early Guy Speranza-fronted albums of the late 70s/early 80s. With the passing of founding guitarist Mark Reale in 2012 there is now no-one left from those early days. But the US band, respectfully renamed Riot V due to Reale’s passing, have vowed to carry on his good work.

And on their latest album Armor Of Light they do a pretty good job of it. Like a more polished version of 1988’s Thundersteel, it’s upbeat melodic power metal akin to Gamma Ray or Dragonforce. Todd Michael Hall’s soaring Kiske-esque vocals deliver some instantly memorable choruses with high-flying aplomb. Songs like Victory, End Of The World, Heart Of A Lion and Angel’s Thunder, Devil’s Reign sound like the sort of warring, singalong stuff that will go over a storm at festivals. The guitar soloing is superb too: jousting, harmonized Helloween-type stuff.

But there isn’t quite enough killer riffing here, and it all starts to go through the motions in the second half. The band is too content to chug along with the double-kicks, and many potentially interesting parts are drowned out by the relentless drums. But there’s good pure metal fun to be had here. The first side is a blast, I guarantee you a good two or three songs that will instantly embed in your brain and warrant further listens. A solid effort rather than a great one; but if the goal is to uphold the legacy of Reale and Riot then it achieves its aim. I definitely want to catch up and hear more.

HMO Rating: 3 Out Of 5

Saxon – Unleash The Beast (Review)

Saxon – Unleash The Beast (1997)

Unleash The Beast, Saxon’s thirteenth studio album and the first to feature the band’s current line-up, finds the band dialling up the kind of heaviness previously hinted at on older tracks like Altar Of The Gods, Battle Cry and Dogs Of War.

As usual for Saxon, this 1997 album’s big classic is the title-track: a brilliant thrasher with a chorus hewn from pure gold. But the harder edge comes at the expense of the band’s usual chemistry and charisma. The serious mood fits songs like the dark, grooving Cut Out The Disease and the moody, slow-burner The Preacher. But songs like Ministry Of Fools and The Thin Red Line fall strangely flat when they should be uplifting. The driving Terminal Velocity, uncannily catchy Circle Of Light and vigorously rowdy All Hell’s Breaking Loose inject much-needed sparks of excitement but can’t quite lift the album into the classic zone.

Its po-faced proficiency makes it one to appreciate rather than love but Saxon’s consistency and focus impresses and this was a crucial album for them. As well as unleashing the beast, they ushered in a new era, finding a style and purpose that would restore their credibility and serve them well for years to come. The story of modern Saxon starts here.

HMO Rating: 3 Out Of 5

[Saxon – Unleash The Beast]

Gamma Ray – Land Of The Free (Review)

Gamma Ray – Land Of The Free (1995)

With vocalist Ralf Scheepers out the band, hell bent on joining Judas Priest, Gamma Ray guitarist (and former Helloween guitarist/lead vocalist) Kai Hansen decided to make a surprise, and welcome, return to the mic. The re-jigged German band found a renewed sense of vitality and their fourth album, 1995’s Land Of The Free, proved to be their best yet. It’s a definitive power metal classic: humungous, anthemic heavy metal goods properly delivered by a band on a mission.

2017 Anniversary Edition with 7 bonus tracks

The opening track Rebellion In Dreamland is metal at its gloriously epic best and tracks like Man On A Mission and All Of The Damned feature precision hooks. The band’s earlier albums often stumbled into silliness but this is a more serious and consistent effort. The only overly jolly moment comes when, yet another former Helloween vocalist, Michael Kiske joins the band for Time To Break Free. But it’s a very minor grumble and, for the most part, this has all the stately riffage, wild soloing, singalong choruses, fairy feller interludes and last-ale balladry you could possibly want. Gamma Ray achieve hero status for persevering with bombastic trad metal at a time when it was totally out of fashion and their musical bravado found the perfect home in Land Of The Free.

HMO Rating: 4.5 Out Of 5

[Gamma Ray – Man On A Mission]