Tag Archives: 2006

Song of the Week: I – Warriors


You’d expect a black metal supergroup featuring members of Immortal, Enslaved and Gorgoroth to be an all-out blaster. But, instead, their 2006 album Between Two Worlds was a more traditional affair: the band using the new project to celebrate their pre-2nd Wave influences and indulge in a bit of hero worship. Pre-2nd Wave heroes don’t get much bigger than Bathory and their mastermind Quorthon had died just two years earlier so many of the tracks here have a Bathory influence all over them. Of those, this is my favourite. It’s an epic lament which finds the world-weary Vikings riding their tired horses out “from the mountainous regions” to “where great warriors sleep”. Pillaging can be such a grind. But Warriors’ mix of bold defiance (“It’s a great day for fire”) and raging sadness is always stirring.

[I – Warriors]

Celtic Frost – Monotheist

Two Monotheists... a Duotheist?
Two Monotheists… a Duotheist?

One day a theatre critic had been invited for dinner. He hinted that, having watched a play in which [Klaus] Kinski had a small role, he would mention him as outstanding and extraordinary. At once, Kinski threw two hot potatoes and the cutlery into his face. He jumped up and screamed: I was not outstanding! I was not extraordinary! I was monumental! I was epochal!

– Werner Herzog, My Best Fiend

Every time I think about Monotheist I think about Herzog’s story about the actor Klaus Kinski. Celtic Frost’s 2006 comeback album is not simply outstanding. Or excellent. It is monumental! It is epochal!

It’s also pulverising, esoteric, gothic, grand, terrifying, seductive and totally dark. Monotheist doesn’t let up until its Nuremberg Rally climax in Synagoga Satanae gives way to the beautiful strings of Winter: Requiem.

I’ve been listening to it again as I just bought the new reissue on vinyl. It sounds great and, as an added bonus, it features a different bonus track to my old CD version. The CD had a track called Temple of Depression and this edition replaces that with Incantation Against You. The vinyl version has a better, more varied, flow. Temple of Depression was always a touch samey to me, creating a mid-album lull. But, even then, Monotheist is so monumental etc… that I want every track I can get my hands on from it. It’s the best album released this millennium. You don’t get much more epochal than that.

[Celtic Frost – Ain Elohim]