The recent reissue of 1997’s One Second harked back to Paradise Lost’s “experimental” electro-goth era but, although the band has since returned to metal, they are no less experimental today. 2015’s The Plague Within featured the surprise reintroduction of doom/death metal and growled vocals to the band’s modern style and on their latest album Medusa the veteran band continues their increasingly extreme trajectory. This is Paradise Lost’s sludgiest, trudgiest album since 1992’s Shades Of God.
The album kicks off with Fearless Sky, Gods Of Ancient and From The Gallows. All crushing slabs of epic misery with crusty riffing, mournful harmonies and Nick Holmes’ increasingly impressive vocal snarl. Anyone expecting the UK band’s traditional melody and immediacy might find this opening trio uninviting but repeat listens prove rewarding and reveal the kind of compelling emotional depth that is the hallmark of great doom. The entire album follows in this imposingly bleak vein but, as it progresses, the band factor in Type O-style clean vocals and anthemic, gloomy hooks in songs like the stunning title track, The Longest Winter and Blood And Chaos. The skillful pacing and variation preventing the album from buckling under its own miserable weight.
Fans of the band’s earliest albums and tracks like Beneath Broken Earth from The Plague Within will find Medusa very satisfying indeed. Fans of One Second are advised to be patient. Whereas that album offered easy and immediate songcraft, it has proven a shade disposable over the years. By comparison, Medusa is a difficult album to get on with but it’s an uncompromising work of substance that will continue to repay dedicated listeners. It’s another wonderful offering in the stellar career of these fearless, ancient gods.