Tag Archives: Solo Albums

Tommy Bolin – Teaser (Song Review)

“Yeah, she’ll tempt ya ‘til ya fall”

Backed by an array of talented guests and session musicians, Tommy Bolin works through a dazzling array of musical styles and moods on his 1975 debut solo album Teaser. But on the album’s title track he gets down to the business of some straight-up, groovy hard rock. The bluesy main riff that kicks things off is one of those “why didn’t anyone come up with this before?” classic riffs, the chorus’s crashing chords and stabbing bends have a Hendrix-y flash and excitement and Bolin colours the whole song with all manner of jazzy licks, tasty slide and spacey Echoplex effects. As well as being a guitar masterclass, Bolin’s singing also has a under-achieving cool charisma too. Teaser is a class track from one of my most cherished, most listened-to albums and I never get tired of hearing it. His role in the demise of 70s Deep Purple tarnished his reputation and his drug-related death cut his career tragically short but Teaser (both the song and album) is the work of a young guy with more maturity, talent and flair than many musicians manage to access in their entire lives.

David Lee Roth – Big Trouble (Song Review)

“I feel like a yo-yo, I’ve been here too long”

Big Trouble‘s magical “I bet if you asked them, our heroes would say…” hook alone is enough to make it one of my favourite songs ever. But the track, from David Lee Roth’s 1986 album Eat ‘Em And Smile, also has a hypnotically groovy and sexy riff running all the way through it, a dazzling career-peak performance from guitarist Steve Vai, and Dave Lee Roth rapping away at his witty, quirky and evocative best. As always, he ain’t talking ’bout love, but Big Trouble is romantic and profound. Like a glimpse into Diamond Dave’s philosophy of life. Because Roth knows what our heroes would say. Somehow, he knows.

Gary Moore – Run For Cover (Album Review)

Gary Moore – Run For Cover (10/Virgin 1985)

Gary Moore had a good voice but never quite at the same level as his fiery guitar playing so on 1985’s Run For Cover he enlists two legendary, but troubled, vocalists to help out. “Voice Of Rock” Glenn Hughes lends his powerful, soulful singing to four songs, most notably the classy Reach For The Sky which could have fit right in on his superb 1982 album Hughes/Thrall. And then Moore’s old Lizzy pal Phil Lynott basically steals the show with his larger-than-life presence: duetting on bullet-strewn hit Out In The Fields and contributing his own thumpingly macho, but characteristically vulnerable, Military Man. I enjoy the whole album but it’s these guest appearances that make Run For Cover a favourite.

My copy is from this box set. Good music, crappy packaging!

Sammy Hagar And The Waboritas – Things’ve Changed (Song Review)

“Wondering, if you still got it in ya”

Here’s a feelgood classic rock song from a year that had very little of that going about. On Not 4 Sale Sammy Hagar And The Waboritas managed the rare feat (in 2002) of sounding like they were actually having a ton of fun bashing out songs like Things’ve Changed. It’s basic, familiar stuff but it’s also warm, catchy and delivered with infectiously easygoing charm. I love the mix of Who-like strummed acoustics and thick power chords and Hagar’s voice sounds great. Until this week I hadn’t listened to Things’ve Changed for over a decade so I can’t really say it’s essential but one listen was enough to have the song bouncing around happily in my head for days. It made me feel good. So no changes there.

Ozzy Osbourne – Dee (Song Review)

Following on from my post about Metallica’s Orion, here’s another instrumental that’s a showcase for a much-missed legend. Dee is a brief classical guitar piece that was written and performed by guitarist Randy Rhoads for Ozzy Osbourne’s 1980 album Blizzard Of Ozz. I can’t say that, in isolation, I find Dee particularly involving or moving. But the piece (written for the guitarist’s Mum, aww) is sensitive and pretty. Not words commonly associated with Ozzy Osbourne. And in the context of the full album it strengthens the overall musicality, variety and guitar hero-ness of a hugely enjoyable record. Countless aspiring guitarists (myself included) have tried to learn Dee and I’m sure they’ll continue to do so. That’s quite an impact for a 50 second interlude. His Mum must have been delighted beyond words.

Albert Bouchard – Girl That Love Made Blind (Song Review)

“At the party of astrologers, the Christmas tide was due.”

Albert Bouchard’s Re-Imaginos is not a Christmas album but I listened to it obsessively in the run up to Christmas of 2020 (when it was released) so it’s become a festive fave. It does have a Christmas song on it though… kind of. I say “kind of” because I have no idea what Girl That Love Made Blind is really about. It’s a reworked track from Bouchard’s days in Blue Öyster Cult and it’s the kind of mysterious, cryptic stuff that fans have been picking over for decades. What does “the Christmas of my life” mean? Is it a beginning, an ending, or is it a reference to Cliff House (the San Francisco building featured on the cover and once burned down on Christmas Day of 1894)? Who knows. But it is a lovely and memorable track that has all the quirks, charm and cosy warmth that has made Re-Imaginos my favourite album of the decade so far.

Bruce Dickinson – Tattooed Millionaire (Album Review)

Bruce Dickinson – Tattooed Millionaire (1990)

The release of Bruce Dickinson’s first solo album,1990’s Tattooed Millionaire, didn’t represent the fulfillment of some pent-up creative ambition. Instead, an offer to record a track for Nightmare On Elm Street 5 turned into an opportunity for the Iron Maiden frontman to have some simple fun recording an album with his drinking pal, jobless ex-Gillan guitarist Janick Gers. Unsurprisingly, it’s a bit of a throwaway effort. The title track is upbeat and infectious but pub rockers like Lickin’ The Gun and Zulu Lulu prove every bit as unremarkable as their titles and album nadir Dive! Dive! Dive! is just too silly (“no muff too tuff”). But the album gets evocative and personal on the excellent Born In ’58, the dusty Bad Company-esque opener Son Of A Gun is one of my favourite Bruce tracks and there’s a sense of fun and warmth in the band’s unpretentious approach. So, while far from a classic, time has been kind to Tattooed Millionaire, especially its stronger first half. I return to this album any time I want a bit of nostalgic summery fun.

My copy – Reissue CD with bonus disc