Their self-titled album Avatarium was one of 2013’s surprise delights and one of the strongest debuts of recent years. What I really want is a proper follow-up album but, in the meantime, All I Want will do nicely. With just two new songs and three live recordings, it’s essentially a stop-gap until the next full album. But this 2014 EP is well worth hearing in its own right, offering evidence of their evolving and gelling sound as the band hit a new richness of depth following their first live shows.
Formed by Candlemass’ Leif Edling, Avatarium hadn’t performed any live shows when they recorded their debut album so it’s interesting to hear how they deliver live. Taken from their spot at the Roadburn Festival, the three live tracks are all excellent. It’s especially impressive to hear Jennie-Ann Smith’s vocals in the live setting. She’s an incredible discovery: delicately soulful, ominously powerful and one of the best singers around today. The band ably replicates the studio versions, the crushing Dehumanizer-grade weight of Marcus Jidell’s riffs are just as potent live but the psychedelic side of the music is more apparent as Carl Westholm’s keyboard textures are allowed more room to breathe. And Jidell’s lead guitar is looser, more confident. His outstanding Blackmore-esque solo on Pandora’s Egg draws appreciative cheers and he takes the Tides of Telepathy solo into a Hendrix-inspired section that lifts the song to new classic heights.
But the main event is the two new songs. They continue in the same vein as the debut but the more expansive chemisty, evinced by the live tracks, feeds into both: they sound richer and more colourful than the tracks on Avatarium. All I Want is a groovy rocker, graced with Edling’s seemingly infinite supply of golden hooks and drenched with Hammond organ and a percussive passage right out of Zeppelin. Fittingly, Deep Well is a deeper, darker experience. The swampy vamp and soulful vocals lifts into a chilling chorus. The dread of the thick, heaving chords graced with the subtle, rising power of Wilson’s vocals is monumental in the way only the best Doom can be and one of Avatarium’s greatest triumphs to date.
So, while it is a stop-gap release, All I Want is a satisfying and enlightening listen in its own right. Existing fans will welcome the new songs and new flavour the live tracks add to the older material. And given that the new songs rank among the very best the band has yet recorded it serves as a potent introduction for newcomers. The EP deserves to draw new fans into Avatarium’s increasingly deep, dark well.