The 90s were a challenging time for classic metal acts but, for Saxon, the decade got off to a promising start. The “10 Years of Denim & Leather” back-to-basics tour rejuvenated the band. Aiming to carry the momentum into the studio, the band signed with Virgin Records and headed to Germany to record their comeback album Solid Ball of Rock.
Released in 1991, Solid Ball of Rock finds Saxon returning to a heavier, err… ballsier style. It opens with its title-track and most enduring classic: the band taking Bram Tchaikovsky’s Jerry-Lee Lewis inspired rock n’ roller and giving it an AC/DC-grade kick up the arse (with a cool nod to The Sensational Alex Harvey Band in its Faith Healer-esque intro). It’s followed by the equally thrilling Altar of the Gods. Bolstered by the writing contribution* and forceful playing of new bassist Nibbs Carter, it’s a belter of a track with an aggressive, metallic approach that recalls the classic days of Power & the Glory while also pointing the way forward to the band’s future power metal leanings.
It’s an encouraging opening but doubt sets in with Requiem (We Will Remember). The album’s only single, it maintains the feel-good vibe but its sentimentality, U2 jangle and “whoa-ohs” don’t sit well with me. But it proves to be the album’s only real wobble: the remaining tracks alternating between straightforward, open-chord rock n’ roll like I Just Can’t Get Enough and I’m On Fire and top-notch galloping Priest-y metal like Lights in the Sky and Baptism of Fire. The rock n’ roll tracks are a bit disposable by Saxon standards but have an enjoyably bouncy vitality while the metal tracks add crucial depth and grit with the epic, enigmatic Refugee adding class to the album’s late stages. It’s a strong combination of styles and a cohesive collection.
The overall sense with Solid Ball of Rock is of a band rediscovering their spark and spirit. Sticking to the basics but simultaneously mapping out new directions. The album did great business for the band and, although there were still challenging times ahead, Solid Ball of Rock is a pivotal Saxon album: a joyous, rocking reboot.
*Nibbs’ remarkable dominance of the writing credits here turns out to be an exaggeration. With litigious former managers breathing down Saxon’s neck they protected their royalties by crediting most of the songs to Nibbs: the only member of the band with no links to their past contracts. Crafty buggers.