Category Archives: Classic Rock

Gary Moore – Run For Cover (Album Review)

Gary Moore – Run For Cover (10/Virgin 1985)

Gary Moore had a good voice but never quite at the same level as his fiery guitar playing so on 1985’s Run For Cover he enlists two legendary, but troubled, vocalists to help out. “Voice Of Rock” Glenn Hughes lends his powerful, soulful singing to four songs, most notably the classy Reach For The Sky which could have fit right in on his superb 1982 album Hughes/Thrall. And then Moore’s old Lizzy pal Phil Lynott basically steals the show with his larger-than-life presence: duetting on bullet-strewn hit Out In The Fields and contributing his own thumpingly macho, but characteristically vulnerable, Military Man. I enjoy the whole album but it’s these guest appearances that make Run For Cover a favourite.

My copy is from this box set. Good music, crappy packaging!

Van Halen – Hear About It Later (Song Review)

“But I ain’t home… at night!”

Van Halen’s fourth album, 1981’s Fair Warning, was one of their toughest, edgiest records but on Hear About It Later the band sound more like their old party-hearty selves. The bouncy main riff and the happy harmonies of the chorus are all classic feelgood VH. But, unhappy with band and producer interference, Eddie Van Halen was sneaking into the studio overnight to get his guitar parts just the way he wanted them. And the extra layers of dives, bends and swirling open chords gives the song a nocturnal, neon atmosphere. Pesky frontlegend David Lee Roth ends up stealing the song all the same. His performance is alluringly stand-offish until he offers an emotional olive branch in the middle-eight (“you can try me at home”) that ends up being the song’s, and maybe even his, greatest moment. And he didn’t even have to work any night shifts.

Winger – Purple Haze (Song Review)

“Lately things don’t seem the same”

Winger’s glam metal re-imagining of Hendrix’s Purple Haze was doomed to fail, considering the relative positions of Hendrix and Winger on the Cool-o-meter Of Rock. I’ll give Kip and pals kudos for being brave/cocky enough to put their own spin on such an untouchable classic but the end result leaves me neither happy or in misery. It’s not so awful that I’m thinking “scuse me while I skip this shite” but in bringing the song in line with their own brand of 80s virtuoso sleaze, Winger also manage to bash out all of the dark, lysergic funk that made the original so intoxicating in the first place. Which is probably why…*points at Cool-o-meter* Winger down here, Hendrix up here.

Black Sabbath – Black Sabbath (Album Review)

Black Sabbath – Black Sabbath (Vertigo 1970)

Each one of the first six Black Sabbath albums has enjoyed a spell as my favourite Sabs record. At the moment though, it’s the groundbreaking 1970 debut that takes the top spot. The evil riffing is timeless, Ozzy’s voice sounds uniquely mournful and I love every note of Tony Iommi jamming away on The Warning while everyone else has nipped to the pub. And, in case the cover’s upside-down cross, haunted watermill and iconic magical, mystical woman aren’t Hammer Horror enough for you, Black Sabbath captures the Brummies at their most atmospheric and spooky musically too. Making it my Sabs of choice this Winter.

Back cover of my copy – the Sanctuary 2009 deluxe vinyl edition

The gatefold with upside-down cross!

Sammy Hagar And The Waboritas – Things’ve Changed (Song Review)

“Wondering, if you still got it in ya”

Here’s a feelgood classic rock song from a year that had very little of that going about. On Not 4 Sale Sammy Hagar And The Waboritas managed the rare feat (in 2002) of sounding like they were actually having a ton of fun bashing out songs like Things’ve Changed. It’s basic, familiar stuff but it’s also warm, catchy and delivered with infectiously easygoing charm. I love the mix of Who-like strummed acoustics and thick power chords and Hagar’s voice sounds great. Until this week I hadn’t listened to Things’ve Changed for over a decade so I can’t really say it’s essential but one listen was enough to have the song bouncing around happily in my head for days. It made me feel good. So no changes there.

Enuff Z’Nuff – In Crowd (Song Review)

“My favorite songs everybody says are lame”

In 1991, the rock “in crowd” was looking increasingly like a bunch of grunge numpties. So miserable. Much better to throw your lot in with glam outsiders Enuff Z’Nuff who released their pop metal masterpiece Strength that same year. It never scored the commercial breakthrough it was tipped to achieve but, never mind, it still holds up today. In fact, I listen to it and enjoy it more than ever. Here’s one of the album’s best tracks, In Crowd. It’s a brilliant sleazy rocker with a killer riff, Cheap Trick-grade hooks and smart, self-deprecating lyrics. Despite using the phrase “so miserable” seven times, In Crowd is a ton of fun.

Magnum – Vigilante (Album Review)

Magnum – Vigilante (1986 – Polydor)

The “My Little Unicorn” artwork isn’t the only thing about Magnum’s Vigilante that will have you exclaiming “ermagherd!” There’s a whole bunch of the band’s best tunes here: the hard-rocking title track; the passionate Midnight (You Won’t Be Sleeping); the sublime anti-war ballad Need A Lot Of Love; and When The World Comes Down, the winter warmer single that should have been a Xmas number one! Shame it was released in February. Queen’s Roger Taylor produced this 1986 album and his 80s pop sheen might not be for everyone, but the songs are pomp rock heaven.

Aerosmith – Make It (Song Review)

“What have you got to lose?”

I remember buying Aerosmith’s Columbia years compilation Box Of Fire back in the mid 90s. I didn’t know a lot of the band’s 70s stuff and I was worried I’d risked too much cash on 13 CDs worth of albums I might not like that much. But the moment I heard the first riff of Make It, the opening song on their 1973 debut album, I knew it was going to be ok. Make It is a great, gutsy opener and a decent song but it’s the guitars that really umm… make it. It’s chock full of dirty drop-D riffing and colourfully wonky soloing. And that intro riff, with its goosebump-inducing suspended chord and mini-gallop, still knocks me out as much today as it did back in 1994. Money well spent.

The Wildhearts – The Wildhearts (Album Review)

The Wildhearts – The Wildhearts (Round Records – 2018 Deluxe 2CD Reissue)

The thing I enjoy the most about The Wildhearts is the thing they do where they’ll be playing a song but then take off in all sorts of directions, riffing all over the place until you wonder if they’ll ever find the song again. Other bands do this but The Wildhearts are just so good at it that I associate it with them. To be honest, I occasionally enjoy these mid-song rifferamas more than the songs that spawned them. But that’s not a problem on 2007’s gleefully aggressive The Wildhearts. My favourite albums of theirs since its release, every song is a gem and practically every song veers off into a roller coaster ride of riffs. Heartily recommended.

Budgie – Never Turn Your Back On A Friend (Album Review)

Budgie – Never Turn Your Back On A Friend (MCA 1973)

Budgie’s third album is a classic of early metal, mostly on the strength of its bookending tracks. The speedy, rifftastic opener (and future Metallicover) Breadfan and the monumental closer Parents make Never Turn Your Back On A Friend a must-hear and a great gateway into the Welsh band. My main gripe is the shite album title. I reckon that with that artwork they should have called it “Smuggler”. A wasted opportunity.