Tag Archives: Death Doom

Winter – Into Darkness (Album Review)

Winter – Into Darkness (Future Shock – 1990)

Released in 1990, when you’d expect a mix of influences like Hellhammer and Discharge to result in something akin to Napalm Death, New York’s Winter came up with something much bleaker and much slower. Into Darkness, their debut, shares a crusty, noisy, sense of protest with Napalm Death but rather than delivering it with blasting speed, Winter grind out an apocalyptically desolate combination of guttural death and turgid doom metal. It met with complete indifference on its original release and drummer and label problems meant the band called it a day soon after. But Into Darkness’ stature as a timeless mushroom cloud of misery has rightly grown over the years. An absolutely essential, boundary-pushing record.

2020 Svart Records reissue with the Eternal Frost EP bonus disc

Incantation – Onward To Golgotha (Album Review)

Incantation – Onward To Golgotha (Relapse Records 1992)

Immolation, Suffocation and Incantation, the big three of death metal’s “-tion” bands, are all equally deserving of umm… adulation. But these days it’s Incantation I’m enjoying the most. I’ve had their 1992 debut Onward To Golgotha on CD for years but when I saw this vinyl reissue in Edinburgh last week I had to pick it up. This is a churning, subterranean take on Morbid Angel style death metal, more concerned with blasphemy than gore. Over 30 years since it was released, it still sounds impressively brutal and atmospheric. So if you like your death metal dank and cavernous you should give Onward To Golgotha your undivided attention.

Anathema – Serenades (Album Review)

Anathema – Serenades (1993)

Anathema closed out their career with an album called The Optimist but back in their early days they were pessimistic purveyors of purest woe. Their 1993 debut album Serenades is growling, grinding doom: all funeral drapes, dead loved-ones and weeping willows. It puts a smile on my face though cause I love misery-guts metal and this is a great album to wallow in. The Cathedral-esque Sweet Tears is top drawer and Sleepless‘ goth melody makes it an early favourite of the band’s career. Even the more forgettable tracks like Under A Veil (Of Black Lace) have their share of cool riffs and moreishly sorrowful harmonies. Avant-garde interludes and French lady voices keep things interesting and varied. The 23 minutes of ambient wallpaper music at the end is a bit try-hard and the why/cry lyrics have a naiveté that would persist throughout the band’s career. But these minor quibbles are nothing to get sad about. Serenades is an impressive debut from a band with plenty of reasons to be optimistic.

Paradise Lost – Lost Paradise (Album Review)

Paradise Lost – Lost Paradise (1990)

The punishingly bleak death metal on Paradise Lost’s 1990 debut Lost Paradise makes it the odd-one-out in a discography more renowned for gothic melody. But the five teenagers had only been together about a year before being faced with the challenge of recording their first record and, despite not having found their voice yet, they make a pretty decent fist of it. A lack of songcraft means it all kind of mushes together but they already have their doleful mix of riff and lead guitar down, there’s the occasional decent hook (“where is your God now?”), and the whole thing has a entrancingly subterranean atmosphere. And Lost Paradise has proven pretty influential in its own right as one of the earliest albums to slow death metal down to a miserable crawl. The Yorkshiremen would do much better with subsequent releases but fans of meat and potatoes death/doom could do a lot worse than check this out.