Tag Archives: Sanctuary

Bruce Dickinson – The Breeding House (Song Review)

“His spawn lay in the freezer, the killers that bore his name”

The Breeding House is one of a number of recorded and abandoned tracks that Bruce Dickinson worked on in the years preceding his 1994 album Balls To Picasso: his first solo album since leaving Iron Maiden. The pressure of making his first post-Maiden statement resulted in a number of rethinks and reshuffles and a right mixed bag of music. Ranging from tried-and-trusted Tattooed Millionaire style rock to totally daft experimentation.

The Breeding House was one of the earliest of these unused tracks to get a release when it appeared as a B-Side on the Tears Of The Dragon single. Of his output at the time, this was the closest in style to his previous band: with chord progressions and harmony guitars straight out of the Maiden playbook. Jagged Edge/Skin guitarist Myke Gray zips around the fretboard in style and the Air Raid Siren soars throughout, especially in the thrilling bridge, and contributes a layer of intrigue with some dark and cryptic lyrics.

I had lost interest in Maiden and Bruce in the early 90s but The Breeding House had a sense of freshness and commitment that got me excited to hear what Dickinson had to offer as a solo artist.

HMO Rating: 4 Out Of 5

Samson – Survivors (Review)

Samson – Survivors (1979)

Samson’s 1979 debut was one of the first albums to come from the New Wave Of British Heavy Metal. But the hasty Londoners weren’t quite studio ready yet and Survivors was a half-decent effort at best. Bassist Chris Aylmer and vocalist Bruce Bruce are pictured on the cover but weren’t actually in the band when Survivors was recorded so guitarist Paul Samson handled vocals and Gillan’s John McCoy added some heavy help: playing bass as well as co-writing and producing. And the album is at its strongest when it picks up some of that gonzo Gillan-esque edge. It’s Not As Easy As It Seems, Big Brother, Koz and Six Foot Under are all boisterous highlights. But the rest of the album is dated and forgettable and Samson and McCoy both fall short in their vocal and production roles. Still, for all its faults, it has an ordinary Joe charm that captures the spirit of the emerging movement. Later, with Aylmer and Bruce onboard, Samson would power up and hit the NWOBHM head on. With biceps of steel.

HMO Rating: 3 Out Of 5

(Buyer note: Most reissues add alternative versions with improved sound and Bruce Bruce on vocals. Essential!)

My copy – 2001 reissue on Sanctuary Records