Category Archives: Hard Rock

Classic Rock, Genre, Hard Rock, Heavy Metal, HMO Diary, NWOBHM, Progressive Rock

HMO Diary: 1st December 2024

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It seems like I buy more box sets these days than anything else. Especially as we get nearer to Christmas there seems to be a tempting set or two released every week. Just yesterday I got the new box set reissue of Porcupine Tree’s 2007 career-peak Fear Of A Blank Planet. Loads to take in here: the album, documentary, bonus tracks, radio sessions, live stuff etc… So far, I can say that the album sounds superb, the documentary is very interesting and the packaging is very deluxe.

But all this box set activity has got me casting my mind back to a time when a box set purchase was just an annual treat, if that, and what my earliest box set purchases were.


Might as well start at the beginning so I looked out the oldest one I’ve got: Iron Maiden’s The First Ten Years. Released in 1990, my copy is not much to look at any more as it’s missing the lid but it’s still a worthwhile 10CD set of the band’s classic singles. And as a bonus it has the entertaining Listen With Nicko spoken word series from the band’s drummer Nicko McBrain. Possibly the first metal podcast ever? Anyway, I stuck on the first disc which features the Running Free and Sanctuary singles, the highlight of which was a barnstorming live version of Drifter.

The Maiden set is sadly bereft of any reading material which is a shame as one of my favourite features of a box set is a good book. That got me rummaging around for my copy of Free’s Songs Of Yesterday box from 2000. This was a very good box set for the time, comprised almost entirely of unreleased recordings and alternate versions. But it sprang to mind because it also had a particularly good book and I’ve had a great time today reading that and listening to the first two discs of the set. Phil Sutcliffe had written an excellent history of the band for Mojo magazine in the late 90s and expanded it here for the box set. It’s a fascinating read about a talented, tortured band.

It’s been a fun weekend of listening and reading with a wee bit of nostalgia too. I think I’ll be giving Cheap Trick’s Sex, America, Cheap Trick from 1996 a whirl next. Got any recent box set purchases or any memories of your first ones? Pandora’s Box? Thirty Years Of Maximum R&B? The Misfits? All belters.

Album Reviews, Classic Rock, Genre, Hard Rock, Heavy Metal

Blackfoot – Tomcattin’ (Album Review)

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Blackfoot – Tomcattin’ (Atco – 1980: Rock Candy Reissue)

Of Blackfoot’s three classic “animal cover” albums, 1980’s Tomcattin’ is my favourite. A rushed follow-up to the band’s 1979 breakthrough Strikes, it’s the band’s hardest and heaviest album. In southern rock terms, remarkably so. The band’s mix of suvvern hallmarks (Rickey Medlocke’s hollerin’ vocals and the rootsy dual geetars) and British blues rock (shades of Free and Humble Pie) is still evident throughout but there’s a downright crazy as hell attitude all the way through this album. The band sound like grizzled, aggressive road warriors: loving and leaving; fucking and fighting. So even a relatively Skynyrd-esque boogie like Gimme, Gimme, Gimme charges at pace and often erupts into aggressive metal riffs. And on superb tunes like Warped, On The Run and Every Man Should Know (Queenie) the band fire up like Nuge-style wildmen. I know this is the “cat” album but Tomcattin’ is the dog’s bollocks.

Classic Rock, Genre, Hard Rock, Progressive Rock, Song Reviews

Deep Purple – Mandrake Root (Song Review)

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“It’s some thunder in my brain”

Deep Purple’s 1968 debut Shades Of Deep Purple has only a hint of the explosive contribution that Purple would make to metal’s birth a couple of years later but it can be heard clearly and excitingly on the album’s Side-B opener Mandrake Root. It’s a great, funky rocker that makes sterling use of the E7#9 “Hendrix” chord and some raunchy crooning from the band’s normally mild-mannered original singer Rod Evans. But it’s when the band launch into a short bass-propelled instrumental freak out that sparks start to fly. In their live sets the band would use this track to launch into huge jamming extravaganzas. Here, it’s kept fairly brief but it still allows the band to tap into the sonic danger that they would become known for. Guitarist Ritchie Blackmore, a tentative presence on the rest of the album, blasts out some violent, noisy tremolo abuse that is the record’s strongest shade of the Deep Purple we all know and love.

Classic Rock, Genre, Hard Rock, Song Reviews

Alice Cooper – School’s Out (Song Review)

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“We can’t even think of a word that rhymes”

I adore Alice Cooper’s School’s Out album and listen to it a lot. But the majority of the time I skip its opening title track. It’s such an overplayed song that you can end up taking it for granted and I like to keep it fresh so that, when I do listen to it, I hear it for the timeless rock ‘n’ roll classic it is. It’s such a great idea, perfectly executed. The genius main riff is like a clarion call to party, Dennis Dunaway excels with his bouncy basslines, and Alice’s threatening voice is the perfect vehicle for the witty and anarchic lyrics. The band set out to capture the joy and energy of that last day of school and with School’s Out they get a snotty, rebellious and jubilant A+.

Classic Rock, Genre, Hard Rock, Song Reviews

Ted Nugent – Great White Buffalo: Double Live Gonzo! Version (Song Review)

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“It happened a long time ago, baby”

Ted had been yanking and cranking his Gibson Byrdland guitar so hard that by the fifth song on his 1978 live album Double Live Gonzo!, it had gone out of tune. But a mangled D chord isn’t enough to spoil the fun. If anything, it adds to the raw, honest vibe of this great performance. Great White Buffalo is a red-blooded garage rocker with vocals that make you feel like you’re round a camp fire as The Nuge relates the tale of the wasteful killing of the buffalo and the rousing climax where the Great White Buffalo returns to save the battered herd. The tone from that out-of-tune and out-of-control Byrdland is something else: guaranteed by Ted to “blow the balls off a charging rhino”. Presumably they would be put to good use?

Album Reviews, Classic Rock, Genre, Hard Rock, Progressive Rock

The Jimi Hendrix Experience – Axis: Bold As Love (Album Review)

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The Jimi Hendrix Experience – Axis: Bold As Love (Polydor/Track – 1967)

I went through a period of being obsessed with Axis: Bold As Love when I was a teenager, listening to it nearly every night. I don’t listen to it anywhere near that much now but it’s still my favourite studio album from The Jimi Hendrix Experience. Mainly due to the wonderful sonic tapestries Hendrix creates on colourful psychedelic tracks like Bold As Love, One Rainy Wish, Castles Made Of Sand and the timeless Little Wing. They’re all masterpieces and, as a budding guitar player, I found Hendrix’s playing and guitar tones fascinating and inspiring. If all that wasn’t enough there’s also the essential proto-metal of Spanish Castle Magic and If Six Was Nine: two of Hendrix’s, and therefore 1967’s, heaviest tracks.

Album Reviews, Classic Rock, Genre, Hard Rock, Progressive Rock

Rush – Grace Under Pressure Tour (Album Review)

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Rush – Grace Under Pressure Tour (Anthem – 2006)

I’ve been listening to Rush quite a bit recently and you can’t have a Rush kick without taking in a live album or two. It’s been a while since I’ve listened to the excellent Grace Under Pressure Tour, recorded in 1984 but released as a bonus CD with their 2006 DVD set Replay x 3. The album they were touring, Grace Under Pressure, is right up there as one of my favourite Rush studio albums so it’s great to have some live tracks from the era. The guitar solo in Red Sector A is breathtaking and the lively, pumping take on the The Enemy Within is far superior to the studio version.  The recording is taken from one of the DVDs from the box set and isn’t a whole show unfortunately, but it’s still a great listen with some excellent performances. And, given the band’s fashion crimes of the era, the audio-only option is very welcome.

Replica tour book from the Replay X 3 box set
Classic Rock, Genre, Hard Rock, Progressive Rock, Song Reviews

Rush – Marathon (Song Review)

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“In the long run”

It wouldn’t score a podium place in my list of favourite Rush songs but Marathon is definitely a standout from the band’s 80s era. Taken from 1985’s Power Windows, this is Rush at the peak of their pop-prog powers with funky basslines, enormodome guitar chords and a rousing chorus that builds to a climax of Olympian grandeur with the addition of a 25 piece choir. As always with Rush, this is high-performance stuff but Marathon is also uplifting and accessible. I never get tired of it.

Album Reviews, Classic Rock, Genre, Hard Rock, Heavy Metal

Judas Priest – Killing Machine (Album Review)

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Judas Priest – Killing Machine (CBS – 1978)

I’m cranking the hi-fi high today for my favourite Judas Priest album: 1978’s Killing Machine. Alternatively titled Hell Bent For Leather in some countries, Killing Machine continued the band’s impossibly superb run of metal-defining 70s albums and was their most red-blooded and raunchy release to date. Alongside megaton leviathans like the resolute Delivering The Goods, the turbo-charged Hell Bent For Leather and tough, direct rockers like Running Wild are songs like the glam stomper Take On The World and the wonderfully wistful Evening Star that managed to simultaneously evolve and simplify Priest’s style without diluting their lethal state-of-the-art metal godliness.

Classic Rock, Genre, Hard Rock, Heavy Metal, Song Reviews

Queensrÿche – The Lady Wore Black (Song Review)

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“And I listened, remembering all I heard”

It’s rare for a band to arrive as fully formed as Queensrÿche did on their self-titled debut EP. They sound absolutely world-beating, and in a year as strong as 1983 that was no mean feat. But, of the four songs on Queensrÿche, the one that sounds most like the ‘rÿche of the future is the closing track The Lady Wore Black. Geoff Tate’s high-flying yet melodic vocals and the tastefully restrained, emotive guitar solo are the stuff of metal legends and the gothic clean guitar and attacking, angular, textured riffing bear the hallmarks of the band’s best material yet to come. It’s hard to imagine a more attention-grabbing, anticipation-building career launchpad than The Lady Wore Black.