Category Archives: Genre

Sammy Hagar And The Waboritas – Things’ve Changed (Song Review)

“Wondering, if you still got it in ya”

Here’s a feelgood classic rock song from a year that had very little of that going about. On Not 4 Sale Sammy Hagar And The Waboritas managed the rare feat (in 2002) of sounding like they were actually having a ton of fun bashing out songs like Things’ve Changed. It’s basic, familiar stuff but it’s also warm, catchy and delivered with infectiously easygoing charm. I love the mix of Who-like strummed acoustics and thick power chords and Hagar’s voice sounds great. Until this week I hadn’t listened to Things’ve Changed for over a decade so I can’t really say it’s essential but one listen was enough to have the song bouncing around happily in my head for days. It made me feel good. So no changes there.

Enuff Z’Nuff – In Crowd (Song Review)

“My favorite songs everybody says are lame”

In 1991, the rock “in crowd” was looking increasingly like a bunch of grunge numpties. So miserable. Much better to throw your lot in with glam outsiders Enuff Z’Nuff who released their pop metal masterpiece Strength that same year. It never scored the commercial breakthrough it was tipped to achieve but, never mind, it still holds up today. In fact, I listen to it and enjoy it more than ever. Here’s one of the album’s best tracks, In Crowd. It’s a brilliant sleazy rocker with a killer riff, Cheap Trick-grade hooks and smart, self-deprecating lyrics. Despite using the phrase “so miserable” seven times, In Crowd is a ton of fun.

Marduk – Panzer Division Marduk (Album Review)

Marduk – Panzer Division Marduk (Osmose Productions 1999)

What did Hitler say to Marduk before they got in the tank? “Get in the tank, Marduk!”

On Panzer Division Marduk, the long-running Swedish black metallers wage satanic war on subtlety, variety, Jesus and the entire human race. Released in 1999, it’s the band’s most notorious and polarizing release. Essential listening, in other words. I think Marduk released better albums before and after this one but there’s something uniquely invigorating about Panzer Division Marduk‘s scorched earth assault. So get in the tank!

Magnum – Vigilante (Album Review)

Magnum – Vigilante (1986 – Polydor)

The “My Little Unicorn” artwork isn’t the only thing about Magnum’s Vigilante that will have you exclaiming “ermagherd!” There’s a whole bunch of the band’s best tunes here: the hard-rocking title track; the passionate Midnight (You Won’t Be Sleeping); the sublime anti-war ballad Need A Lot Of Love; and When The World Comes Down, the winter warmer single that should have been a Xmas number one! Shame it was released in February. Queen’s Roger Taylor produced this 1986 album and his 80s pop sheen might not be for everyone, but the songs are pomp rock heaven.

Aerosmith – Make It (Song Review)

“What have you got to lose?”

I remember buying Aerosmith’s Columbia years compilation Box Of Fire back in the mid 90s. I didn’t know a lot of the band’s 70s stuff and I was worried I’d risked too much cash on 13 CDs worth of albums I might not like that much. But the moment I heard the first riff of Make It, the opening song on their 1973 debut album, I knew it was going to be ok. Make It is a great, gutsy opener and a decent song but it’s the guitars that really umm… make it. It’s chock full of dirty drop-D riffing and colourfully wonky soloing. And that intro riff, with its goosebump-inducing suspended chord and mini-gallop, still knocks me out as much today as it did back in 1994. Money well spent.

Enslaved – Vertebrae (Album Review)

Enslaved – Vertebrae [2008 – Indie Recordings]
Enslaved have a ton of impressive albums to choose from, and I own them all, but 2008’s underrated Vertebrae has always been my favourite. It’s a genuinely brilliant mix of mellow prog and black metal frost. It also doesn’t hurt that it was the first album of theirs that I heard. The Norwegian band’s discography is varied and challenging so it’s always tempting to just return to the album I’ve listened to the most and know best. It’s also the Enslaved album that I have bought the most copies of. In order of purchase I’ve picked up the fold-out digipak version, a box set with a bonus live disc and also the 2019 reissue with bonus covers of Rush and King Crimson tunes (a meh Earthshine and a pretty good Red, in case you’re wondering). If you like both of those bands and fancy adding a bit of extremity to your listening then Vertebrae is a great place to start.

The 2009 Box Set with essential patch and lanyard!
The 2019 remaster/reissue

The Wildhearts – The Wildhearts (Album Review)

The Wildhearts – The Wildhearts (Round Records – 2018 Deluxe 2CD Reissue)

The thing I enjoy the most about The Wildhearts is the thing they do where they’ll be playing a song but then take off in all sorts of directions, riffing all over the place until you wonder if they’ll ever find the song again. Other bands do this but The Wildhearts are just so good at it that I associate it with them. To be honest, I occasionally enjoy these mid-song rifferamas more than the songs that spawned them. But that’s not a problem on 2007’s gleefully aggressive The Wildhearts. My favourite albums of theirs since its release, every song is a gem and practically every song veers off into a roller coaster ride of riffs. Heartily recommended.

King Crimson – Larks’ Tongues In Aspic, Part One (Song Review)

Metalheads shouldn’t be discouraged that I’m ending my instrumental series with some progressive rock. On Larks’ Tongues In Aspic, Part One, King Crimson unleash the kind of demonic power that your average black metaller would gladly sacrifice their corpse-painted left bollock to have access to. Being a prog track, there are also plenty of other tangents and moods here, from muscular jazz funk to bucolic classical and a climax of ghostly voices and spellbinding lead bass from the late John Wetton. But the way the sung erupts from its twinkly opening and ominous violin into that diabolical, violent riff… there are no words.

Budgie – Never Turn Your Back On A Friend (Album Review)

Budgie – Never Turn Your Back On A Friend (MCA 1973)

Budgie’s third album is a classic of early metal, mostly on the strength of its bookending tracks. The speedy, rifftastic opener (and future Metallicover) Breadfan and the monumental closer Parents make Never Turn Your Back On A Friend a must-hear and a great gateway into the Welsh band. My main gripe is the shite album title. I reckon that with that artwork they should have called it “Smuggler”. A wasted opportunity.

Bert Jansch – Alice’s Wonderland (Song Review)

Many of my favourite instrumentals come from the world of acoustic folk/traditional guitarists. The mid-60s was a golden era for the genre, with many major artists releasing albums of groundbreaking creativity and virtuosity. Today’s pick comes from one of these albums: it’s Alice’s Wonderland from Bert Jansch’s 1965 debut. Recorded live in a kitchen on a borrowed guitar, the lo-fi recording puts you right in the room with Jansch as he picks dreamily through an array of beautiful chords and timings, only settling down briefly for a sublime, swinging vamp. It seems loose and improvised but the repeating passages and the way the chords all lead into one another suggests otherwise. It’s an extraordinary piece from a magical era, musical genius of the most unassuming and laid-back kind.