Tag Archives: Season of Mist

Black Metal, Genre, Song Reviews

Tormentor – Elisabeth Bathory (Song Review)

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“Oh how I love to feel your breath”

Due to the challenges of being an extreme metal band in Communist Hungary, Tormentor’s 1989 debut album Anno Domini didn’t see the light of day as an official release. But a tape of the record soon found its way into the global tape-trading network and it became a big influence on the burgeoning black metal scene of the 90s. A key factor in this influence was the brilliantly prescient track Elisabeth Bathory. Like a lot of black metal the track is rooted in place and history: a love-letter to the notorious Hungarian noblewoman and alleged serial killer rumoured to have bathed in the blood of virgins to retain her youth. It’s cold, hypnotic stuff with relentless mid-pace, eerie arpeggios and a theatrical, vampiric performance from vocalist Attila Csihar. The impressive Csihar was later recruited by the infamous Mayhem to record vocals for their genre-defining classic De Mysteriis Dom Sathanas, which sent many black metal fans (like me) scurrying back to investigate his previous work with Tormentor. But it doesn’t matter whether you encounter this song in 1989 or 1999… or ten years from now. Elisabeth Bathory is quintessential, fervid, eternal black metal.

Black Metal, Genre, Heavy Metal, Song Reviews

Abbath – Make My Day (Song Review)

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“Can’t scare you if you can’t be scared”

Abbath’s Dread Reaver failed to make my day with its frustrating lack of oomph. But on the album’s bonus track, a cover of Motörhead’s Make My Day, the band give it some extra welly and conjure up the kind of excitement that’s missing on the main album. The chorus is anthemic enough to poke through the band’s wallop of noise and Abbath does a good karaoke Lemmy. Normally, he sounds like the kinda guy that does battle with mountain lions but here he sounds more like he makes love to them. If he can start capturing some of this swagger in his own material then he might be on to something.

https://www.youtube.com/watch?v=PU695toq59w

Album Reviews, Black Metal, Genre, Heavy Metal, Thrash Metal

Abbath – Dread Reaver (Album Review)

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Abbath – Dread Reaver (2022)

Abbath’s third outing Dread Reaver is the most uniquely frustrating album I have heard in many, many moons. Not because it’s completely absymal. I’d take a disaster like Morbid Angel’s Illud Divinum Insanus over this any day. That was a hoot! The problem with Dread Reaver is that it’s stuck at this infuriating point of being solid but never exciting me or blowing me away. A noisy, thrashy, black metal album from one of the genre’s greats that takes in all sorts of brilliant influences (Manowar, Motörhead, Mayhem, lots of Bathory) should make me feel something. Either Abbath’s considerable craft and experience has taken over in lieu of genuine inspiration or passion or he’s overworked the thing to the point where any human factor has been ground out. Whatever’s happened, it leaves me cold. And not in a cool, “grim permafrost” way.

Black Metal, Genre, Song Reviews

Abbath – To War! (Song Review)

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“Hear the roar of battle-horn”

The HMO Vault starts here! If we’re going alphabetically from A to ZZ Top, the first album in my collection is the self-titled album by Abbath. And that means Abbath‘s opening track To War! is the first song. A perfect song title to kick things off! And, serendipitously, it has a particularly magnificent beginning: a repeated single-note riff of martial boldness that builds up tension and excitement for what’s to follow. The rest of the song is the kind of strong, charging black metal blizzard you’d expect from the ex-Immortal frontman even if it’s never quite as attention-grabbing as that amazing intro. Still, To War! is a great way to kick off an album. And a collection.

Album Reviews, Doom Metal, Genre, Heavy Metal

Twilight Of The Gods – Fire On The Mountain (Album Review)

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Twilight Of The Gods – Fire On The Mountain (2013)

Twilight Of The Gods were formed as an all-star Bathory tribute act featuring the likes of Mayhem’s Blasphemer, Primordial’s Alan Averill and blast legend Nick Barker. In 2013 they took the plunge and released their own album of irony-free epic metal Fire On The Mountain.

It’s a treat to hear a black metal veteran take on the chest-beating, anthemic style of Manowar, Manilla Road, Omen and the like but it’s all a bit too sincere. There’s a pervading doom-laden vibe that works well on the moodier tracks like the Primordial-like Children Of Cain and the apocalyptic Sword Of Damocles, but the more anthemic efforts like Preacher Man and Destiny Forged In Blood prove a bit too stiff for comfort.

Alan Averill’s unique voice adds much-needed charisma, his lyrics are a lot of fun (“Van Stahrenberg stands with the Holy See of the Roman Empire”) and the band does a sterling job of launching into Maiden-style instrumental jousts, most notably on the rousing title track.

Fire On The Mountain places pretty low in the pantheon when stacked up against the classic bands that inspired it but there are enough great moments here to make it disappointing that they haven’t followed it up with a second album. It’s a solid effort for fans of the main players and for anyone that likes their metal with a bit of hair on its chest.