Category Archives: Classic Rock

Running Wild – Final Gates

I can’t think of many metal instrumentals I would pick out as album highlights but here’s one: Final Gates, from Running Wild’s 1988 pirate metal classic Port Royal. Written by, and showcasing, Running Wild’s new bassist Jens Becker, Final Gates is a cut above: avoiding the usual pitfalls of skippable atmospheric scene-setting or virtuoso showboating. Instead, it’s a track that stands on its own: creative and restrained with wonderful guitar solos and Becker going all Geddy Lee on some infuriatingly catchy bass lines. It’s a wonderful, funky odd-man-out amidst a bounty of power metal swashbuckling.

HMO Digest: 1st June 2022

Extra! Extra! Read all about it.

May was a very black metal month here at HMO, with strong new releases from Watain and Devil Master. I also listened to the Abbath album… a lot. And three of my four reviews on the blog were of that nefarious ilk.

Athenar of Midnight

Recent Posts

Midnight – Lust Filth And Sleaze (Song Review)

I’m fairly aggrieved that the phrase “put their log in the fiery place” has gone unnoticed.

Emperor – I Am The Black Wizards (Song Review)

In the comments, Kingcrimsonprog brought up the fun topic of mis-spellings on album sleeves. Any favourites typos out there? It wasn’t on a sleeve but my fave is in the Paul Stanley ad above. Can you spot it? It’s a belter.

Abbath – Dread Reaver (Review)

Epic blandness that stretches out before you like a featureless tundra.

Whitesnake – All In The Name Of Love (Song Review)

Soulful rock goodness from the perennial HMO man crush.

HMO Salutes

Alan White, Yes drummer, who has passed away aged 72. Wonderful drummer from the ultimate prog band.

Vangelis, Greek musician/composer, who has died aged 79. Best known round these parts for The Four Horsemen by Aphrodite’s Child. Top. Tune.

Record Store Day 2022

I wasn’t able to participate on the day on account of a shitey cold. But I still managed to grab what I wanted later in the week.

What I Was Listening To While I Wrote This Post

The Boston S/T. I might be in the minority in preferring the second album Don’t Look Back but the debut is awesome too. Brad Delp is one of the best singers that ever sang and I should be sick of More Than A Feeling by now. But I’m not.

The Month Ahead

I’m looking forward to the new Artificial Brain and Kreator albums and finally getting my hands on the much-delayed Mayhem De Mysteriis Dom Sathanas box set. There’s also the latest in the KISS Off The Soundboard series, a recording of their Donington ’96 show. I was there but now I can finally find out… were they genuinely boring or was I just too sunburned to appreciate them properly? Find out next time!

Whitesnake – All In The Name Of Love

“Some people tell me, the blues ain’t bad”

Any time I write about David Coverdale and Whitesnake I’m tempted to throw in a few knob gags. But I’m not going to because All In The Name Of Love is a heartfelt, serious Cov effort with The Gov feeling the post-Tawny blues and singing about it in soulful fashion. The woman troubles bring out the Free/Bad Company in his voice, which is where he’s at his best, especially when he lets loose on the wonderful bridge and closing choruses. Although it’s a bit smooth and MOR in production, I reckon this would have fit nicely on old beergut-era Whitesnake albums like Trouble and Lovehunter. It’s got a warm sound with a lovely bluesy guitar solo and a big throbbing organ underneath.

Mott The Hoople – Thunderbuck Ram

“The unrelenting blow that’s cast from down below”

Mott The Hoople’s second album Mad Shadows starts with a wallop. Both penned and sung by future Bad Company guitarist Mick Ralphs, Thunderbuck Ram has an quiet, haunting intro but then proceeds to thud with a vengeance as Ralphs dishes out some brash and blocky riffing. Songwise it’s a bit slight with just two verses and Ralphs’ vocals are on the histrionic side but the way the band just bludgeons through the whole thing is fantastic. In their early days, Mott often struggled to sound as convincing in the studio as they did live but they don’t have any problems here as they enthusiastically bash Thunderbuck Ram to a barely-controlled climatic wig-out.

Raven – Rock Until You Drop (Review)

IMG_20220206_213653837_HDR~2
Raven – Rock Until You Drop (1981)

Despite being dubbed “athletic rock”, Newcastle’s Raven were slow off the starting blocks. Their 1980 single Don’t Need Your Money was well-received but there was a big wait for their debut album to finally appear in October 1981. Not sure what took so long because Rock Until You Drop sounds like the power trio just rocked up to the studio and banged out their live set in one go. This is just one corker after another, crackling with raw energy and infectious enthusiasm (just check out John Gallagher’s crazed yelp at the end of Hell Patrol). And it’s loaded with classics too: from gonzo hard rockers Hard Ride, Over The Top and Don’t Need Your Money to superb Priest slashers like For The Future. I could do without the pair of Sweet covers though. They’re fun and add to the live gig vibe but I’d rather have had another Raven original or two. But it’s a minor gripe as Raven then proceed to wreck the place with the proto-thrash Lambs To The Slaughter and the mighty epic Tyrant Of The Airways. Raven might not need your money but you should fling some their way because you need this over-the-top NWOBHM madness in your life.

Porcupine Tree – A Smart Kid

“There was a war but I must’ve won”

The news that Porcupine Tree are back together and lining up a new album for 2022 has me heading back to their old albums. Today I’ve been listening to the first album of theirs that I heard, 1999’s Stupid Dream. As always, A Smart Kid stands out as one of the superior tracks: a spaced-out, Floydian prog tune with a wonderful, lush sound and an enchanting mix of acoustic instruments and electronic textures. It has charming lyrics too, relating the travails of the last guy on Earth as he muses on the low cost of living and lack of crowds before attempting to hitch a ride on a visiting spaceship. I was never totally sold on the parent album as there are a few too many piano Brit-poppish tunes for my liking but Porcupine Tree excel here. Clever lads.

Scorpions – We’ll Burn The Sky

“Through you I was so inspired”

One of the coolest Scorpions tracks ever. We’ll Burn The Sky‘s lyrics were penned by Jimi Hendrix’s last girlfriend Monika Dannemann, who was dating the Scorpions’ guitarist Uli Jon Roth. But weirdly, it wasn’t the Hendrix acolyte Roth that co-wrote the song with her. Move over Roth… and let Rudy take over! The Scorps’ other guitarist Rudolf Schenker put the lyrics to great use as an icy, eerie metal ballad with nice dreamy bits but also lots of electric and angular metal chonk. Not to be outdone, Roth makes his presence felt with plenty of stellar shred. Classic, state-of-the-art stuff for 1977. But ‘scuse me while I… burn this guy? Did they learn nothing from Hendrix?!

Black Sabbath – Sins Of The Father

“How much longer are you gonna pay, for yesterday”

Today I was listening to The Sab’s Dehumanizer for the first time in ages. Sins Of The Father stood out, which caught me by surprise cause it’s usually my least favourite track on the whole thing. It’s a bit meh of riff and the Beatlesque opening bit doesn’t do much for me. But as it picks up pace and intensity it creeps up on you and Dio sounds so committed: giving it full majestic welly on the awesome chorus and delivering the typically cryptic lyrics like they’re the most important words, ever. A dark horse track on an album that still improves with every listen.

Black Sabbath – Zero The Hero

“With a magic in their music as they eat raw liver”

I’m reliably informed that, while I was listening to Black Sabbath’s Zero The Hero in the office today, I gurned. Like Phil Anselmo feeling the money riff. Specifically about a minute in, when Ian Gillan’s vocals kick in for the first verse. It’s a sure fire sign a song is a winner. And Zero The Hero is a winner. Creepy crawly riff, spooky FX and pure attitude from Gillan as he vents his ire on some mediocre unfortunate. I usually prefer Sabbath songs to have a bit more of a riff journey going on. This song is more of a vibe. But what a vibe, capped off with a great atmospheric guitar solo from Tony Iommi. It’s popular nowadays to point out the riff similarity with GnR’s Paradise City but that song never makes me gurn like Zero The Hero does. I guess the Gunners just didn’t eat enough raw liver.

ZZ Top – I’m Bad, I’m Nationwide

“Nobody give me trouble, cause they know I got it made”

HMO salutes Dusty Hill who has passed away aged 72. The first album I spun today to celebrate his life was my favourite ZZ Top album Degüello. And I’m Bad, I’m Nationwide is one of my very favourite ZZ Top tunes. It’s the kind of cruising, carefree rock they did so well. Stonesy chords, gutsy guitar and the coolest lyrics: “a bluesman in the back and a beautician at the wheel”. And best of all, Dusty powering the song to a close with a bottom end of monstrously filthy proportions. He was the baddest and waaay more than merely nationwide. A phenomenal bassist, singer and songwriter with a classic career of over 50 years and the owner of one of music’s most famous beards, Dusty was absolutely global.