Category Archives: Classic Rock

Ozzy Osbourne – Dee (Song Review)

Following on from my post about Metallica’s Orion, here’s another instrumental that’s a showcase for a much-missed legend. Dee is a brief classical guitar piece that was written and performed by guitarist Randy Rhoads for Ozzy Osbourne’s 1980 album Blizzard Of Ozz. I can’t say that, in isolation, I find Dee particularly involving or moving. But the piece (written for the guitarist’s Mum, aww) is sensitive and pretty. Not words commonly associated with Ozzy Osbourne. And in the context of the full album it strengthens the overall musicality, variety and guitar hero-ness of a hugely enjoyable record. Countless aspiring guitarists (myself included) have tried to learn Dee and I’m sure they’ll continue to do so. That’s quite an impact for a 50 second interlude. His Mum must have been delighted beyond words.

Metallica – Orion (Song Review)

I have a notion to write about some instrumentals so let’s start with one that’s often rolled out as the best metal example of the form: Metallica’s Orion. I’m not inclined to rank such things but I wouldn’t argue with this song taking top spot on such a list. Orion is classy and classical metal and a great showcase for Metallica’s much-missed bassist Cliff Burton, who’s writing and musicianship dominates here. It’s extremely well-paced with not a minute wasted as the tune shifts from claustrophobic mega crunch to more open lead breaks and melodies. Burton excels throughout with a range of bass leads and harmonies that all cement his legendary reputation. I especially enjoy the organ-like churn that gets the song off to an ominous start and the tranquil melody mid-song is one of the band’s most moving moments and still takes me back to the feelings of wonder and discovery I felt as a teen getting into all this stuff in the first place.

Albert Bouchard – Mountain Of Madness (Song Review)

“Avast me hearties…”

Albert Bouchard’s Imaginos trilogy has mostly involved re-imagined versions of old Blue Öyster Cult songs but it’s a wonderful new song Mountain Of Madness that forms the centrepiece of the trilogies final album, Imaginos III: Mutant Reformation. A collaboration between ex-BÖC member Bouchard and current member Richie Castellano, this is a glorious manfeels adventure on the seven seas. Mountain Of Madness is a glorious AOR tune with a piratey sway, Kansas-style fiddle and a soulful, melodic vocal performance from Castellano. The Imaginos series has been one of the most delightful surprises of recent years and it’s hit a peak with Mountain Of Madness. I love it!

Angel – Mariner (Song Review)

“Sailed the straights alone my ship and me”

I’m a complete sucker for songs that evoke the sea or the coast and that’s exactly what I love about today’s song pick: Mariner from US pomp rockers Angel. Taken from their S/T 1975 debut, it’s not the wateriest song in terms of guitar effects and there are no atmospheric waves and seagull sounds. But the music and performance takes you on a wistful, dreamy journey that reminds me a lot of another seafaring classic, Procul Harum’s Salty Dog. Vocalist Frank DiMino is in particularly fine form, delivering the soaring and gentle tune like he’s got a faraway look in his eyes. But the best bit is an incongruous burst of piano that sounds like it’s straight out of the Rocky soundtrack. I guess you can take Angel out of the city, but you can’t take the city out of Angel.

Kansas – Belexes (Song Review)

“And gather together the best of your kind”

A highlight from Kansas’ self-titled 1974 debut, Belexes wears its influences very obviously on its sleeve but does a great job of showcasing the talent and forceful chops of the American proggers. There’s some exciting Purple-style wringing of guitar necks, the stomping rhythms and vocal harmonies are right out of classic Heep and then the keyboards go all Sinbad, sabres rattling like Emerson, Lake and Palmer. It’s a formidable performance and, in the spirit of the bands that influenced it, has a live, hot-off-the-press urgency. Originality is always a big plus, especially if you expect your progressive rockers to actually… you know… progress. But sometimes it’s good enough to just be shit hot. Like Kansas.

Robert Plant – Come Into My Life (Song Review)

“Hopes drift in higher places”

On Come Into My Life, well-chosen guest musicians sprinkle tasteful, but magical, fairy dust over a great song and turn it into a sublime one. Taken from Robert Plant’s excellent 1993 album Fate Of Nations, this is a passionate celtic rock song with gentle, shimmering verses and a fully Ledded big chord chorus. But because Boaby is the kind of guy (I imagine) that can just pick up the phone and get anyone he wants, Clannad’s Máire Brennan adds her beautiful ethereal voice and folk-rock giant Richard Thompson adds his distinctive, delicate guitar bends making Come Into My Life even more elemental and sumptuous than it already was. Ideal dreamy listening for a hot summer’s day.

Europe – In The Future To Come (Song Review)

“I’ll cover my pain, or I’ll go insane”

This kind of stately Euro metal should be right up my street but In The Future To Come, the track that kicked off Europe’s career in 1983, doesn’t quite cut it for me. The regal riffing and ripping solo are impressive and it’s very melodic and listenable. But for all its proficiency, it’s just a bit too naïve and mild-mannered for my liking. When I listen to this kind of stuff I want blood and thunder. FIRE! Yowww. In The Future To Come doesn’t rouse enough of that manly passion for me to rate it as anything other than mildly pleasing.

Virgin Steele – Last Supper (Song Review)

“The Law reveals itself, shining like the sun”

It’s Easter so I thought I’d listen to something a bit more Jesus-y for a change. Here’s Virgin Steele’s Last Supper from their superb album The Marriage Of Heaven And Hell – Part One. Virgin Steele most often concern themselves with outsider/rebel figures in religion and mythology so it’s great fun to hear frontman/songwriter David DeFeis portraying the big J.C. with his characteristic defiance and passion. And it’s an excellently crafted and mature metal song too with dark Phrygian riffs adding an appropriately middle-eastern feel and an intense, rousing performance from DeFeis. As the song comes to an end his Zep-esque oohs and woos will have you picturing Jesus as some kind of windswept, chest-beating Robert Plant type figure. Which is how I like to imagine him anyway. Praise the Lord.

Judas Priest – The Sentinel (Song Review)

“The figure stands expressionless”

Over the years, Judas Priest have had a growing penchant for lyrics that basically just describe some sort of apocalyptic cartoon character. A lot of their album covers depict similar creations too – check out the Metalli-Tarkus or whatever it is on the cover of their 1984 album Defenders Of The Faith. And that same album also has one of the best songs of this particular type: The Sentinel. Just that title alone is metal as fuck. And so is the song. The guitar intro is imposing and dramatic, the pacey riffing builds to a typically phenomenal display of guitar jousting from the Tipton/Downing dream team and Boaby Halford totally delivers the goods: singing phrases like “sworn to avenge” with utter conviction. Recorded following the band’s big US breakthrough, The Sentinel brims with confidence while also retaining the cutting edge of their earlier material, closing a faultless side of vinyl on an epic sci-fi high.

Whitesnake – You ‘N’ Me (Song Review)

“If you don’t stop what you’re doing to me, I’m gonna to do it to you”

Poor Cov the Guv. He’s normally the cock of the walk but on 1979’s You ‘N’ Me the ‘snake frontman is left holding his own, wondering where his lover has been all night… and who she’s been with. This short and sweet rock ‘n’ roller is slathered with rootsy slide guitar and injects some welcome energy into the Lovehunter album. It reminds me of Deep Purple’s Lady Double Dealer: lively and direct with cheating woman lyrics and a feelgood bridge that lifts the whole song. There’s no twist or suggestion that the narrator is just a big jealous pants (a nuance that would have worked well on that catchy bridge). No, this lady is just a double dealer. But given that Cov compares her to “page three girls in the Playboy books” I can’t blame her for looking elsewhere.