Category Archives: Hard Rock

Sammy Hagar And The Waboritas – Things’ve Changed (Song Review)

“Wondering, if you still got it in ya”

Here’s a feelgood classic rock song from a year that had very little of that going about. On Not 4 Sale Sammy Hagar And The Waboritas managed the rare feat (in 2002) of sounding like they were actually having a ton of fun bashing out songs like Things’ve Changed. It’s basic, familiar stuff but it’s also warm, catchy and delivered with infectiously easygoing charm. I love the mix of Who-like strummed acoustics and thick power chords and Hagar’s voice sounds great. Until this week I hadn’t listened to Things’ve Changed for over a decade so I can’t really say it’s essential but one listen was enough to have the song bouncing around happily in my head for days. It made me feel good. So no changes there.

Enuff Z’Nuff – In Crowd (Song Review)

“My favorite songs everybody says are lame”

In 1991, the rock “in crowd” was looking increasingly like a bunch of grunge numpties. So miserable. Much better to throw your lot in with glam outsiders Enuff Z’Nuff who released their pop metal masterpiece Strength that same year. It never scored the commercial breakthrough it was tipped to achieve but, never mind, it still holds up today. In fact, I listen to it and enjoy it more than ever. Here’s one of the album’s best tracks, In Crowd. It’s a brilliant sleazy rocker with a killer riff, Cheap Trick-grade hooks and smart, self-deprecating lyrics. Despite using the phrase “so miserable” seven times, In Crowd is a ton of fun.

Magnum – Vigilante (Album Review)

Magnum – Vigilante (1986 – Polydor)

The “My Little Unicorn” artwork isn’t the only thing about Magnum’s Vigilante that will have you exclaiming “ermagherd!” There’s a whole bunch of the band’s best tunes here: the hard-rocking title track; the passionate Midnight (You Won’t Be Sleeping); the sublime anti-war ballad Need A Lot Of Love; and When The World Comes Down, the winter warmer single that should have been a Xmas number one! Shame it was released in February. Queen’s Roger Taylor produced this 1986 album and his 80s pop sheen might not be for everyone, but the songs are pomp rock heaven.

Aerosmith – Make It (Song Review)

“What have you got to lose?”

I remember buying Aerosmith’s Columbia years compilation Box Of Fire back in the mid 90s. I didn’t know a lot of the band’s 70s stuff and I was worried I’d risked too much cash on 13 CDs worth of albums I might not like that much. But the moment I heard the first riff of Make It, the opening song on their 1973 debut album, I knew it was going to be ok. Make It is a great, gutsy opener and a decent song but it’s the guitars that really umm… make it. It’s chock full of dirty drop-D riffing and colourfully wonky soloing. And that intro riff, with its goosebump-inducing suspended chord and mini-gallop, still knocks me out as much today as it did back in 1994. Money well spent.

The Wildhearts – The Wildhearts (Album Review)

The Wildhearts – The Wildhearts (Round Records – 2018 Deluxe 2CD Reissue)

The thing I enjoy the most about The Wildhearts is the thing they do where they’ll be playing a song but then take off in all sorts of directions, riffing all over the place until you wonder if they’ll ever find the song again. Other bands do this but The Wildhearts are just so good at it that I associate it with them. To be honest, I occasionally enjoy these mid-song rifferamas more than the songs that spawned them. But that’s not a problem on 2007’s gleefully aggressive The Wildhearts. My favourite albums of theirs since its release, every song is a gem and practically every song veers off into a roller coaster ride of riffs. Heartily recommended.

Budgie – Never Turn Your Back On A Friend (Album Review)

Budgie – Never Turn Your Back On A Friend (MCA 1973)

Budgie’s third album is a classic of early metal, mostly on the strength of its bookending tracks. The speedy, rifftastic opener (and future Metallicover) Breadfan and the monumental closer Parents make Never Turn Your Back On A Friend a must-hear and a great gateway into the Welsh band. My main gripe is the shite album title. I reckon that with that artwork they should have called it “Smuggler”. A wasted opportunity.

HMO Digest – 10th September 2023

It’s been aeons since the last HMO Digest! It’s time for another catch up on all things HMO.

Blog Recap

I don’t normally post in any sort of theme/series but I’m really enjoying doing my ongoing series of posts about instrumental songs. I’ll definitely be doing more stuff like this in the future. But, as far as instrumentals go, I’ve got plenty more to get through and you can expect some folk, prog and death metal over the next couple of weeks.

HMO Salutes

“Curse… the Gods! Too many people… have died.” Most recently, Bernie Marsden (died aged 72), most famous for his time in Whitesnake and co-writing all-time classic rock tunes like Here I Go Again and Fool For Your Loving.

The period since the last HMO Digest has also seen the passing of: Pete Brown (died aged 82) the poet, musician and co-writer of many extremely classic Cream cuts; Frehley’s Comet bassist John Regan (died aged 71); Mark Adams (died aged 64) – bassist and co-founder of doom pioneers Saint Vitus; Tank’s Algy Ward (died aged 63); and Metal Church drummer Kirk Arrington (died aged 61).


Up And Autumn

A weird September heatwave has just kicked in which is annoying as I was starting to get into a lovely Autumn vibe, listening to one of my go-to albums for this time of the year: Anathema’s Alternative 4. One of the best albums of the whole 90s British gloomy northerner scene, Alternative 4 is right at the sweet spot between the band’s metal beginnings and the emotional rock they’d become known for. And it’s being reissued on vinyl soon so if you don’t already own this classic… now’s the time.

New Stuff

Since it’s been a while since the previous digest, I’m just going to focus on some recent new albums I’ve bought (as opposed to reissues, box sets etc…). The biggest one is the new Virgin Steele album The Passion Of Dionysus. It still has all the idiosyncratic flaws of their other latter-day releases but I just find this band totally fascinating and this is their strongest release since The Black Light Bacchanalia (which, despite my muted review, has become one of my most listened to albums of the past few years). Yow!

There’s also the new Marduk album Memento Mori which is only just out. On first listen it sounds utterly caustic and hellish. These are compliments. There’s also been a “new” Akercocke live album Decades Of Devil Worship (actually an unreleased live recording from 2007) which is a complete blast, the band sound at the top of their game. And I’ve also posted my favourite songs from the new Albert Bouchard and DHG albums.


Upcoming Releases

September is looking pretty exciting in terms of new releases: to kick off there’s the eagerly-awaited return of Primordial with their new album How It Ends; Blood Incantation follow up their 2022 ambient release Timewave Zero with a new half brutal/half ambient EP Luminescent Bridge; Mayhem release a new live album Daemonic Rites; and space rockers Hawkwind celebrate the anniversary of their classic live album Space Ritual in super deluxe style with an 11-disc box set. Do not panic.

Thanks for reading! If you like seeing photos from my collection remember to check out the HMO Facebook page as there’s more of that stuff there. And if there’s any kind of topics you’d like to see me cover on these digest posts then let me know.

Riot – Narita (Song Review)

Riot’s Narita is a great example of an instrumental that just flat out rocks. None of your mellow interludes, atmospheric intros or virtuoso shredding here, just a brilliant band knocking out a banging tune. Named after a controversial Japanese airport, the construction of which provoked heated protests and riots from farmers and activists, 1979’s Narita is the title track of the band’s second album and also one of its most exciting songs: an energising mix of 70s US rock (Montrose, The Nuge) and the kind of charging attack and duelling guitars that would become synonymous with Maidenesque 80s metal. Presumably, vocalist Guy Speranza sat this one out because he couldn’t be arsed writing a song about an airport but his superb voice isn’t missed here as the music is so dynamic and catchy. The New Yorkers would become one of rock’s mythic coulda/shoulda bands, which is a shame. As you can hear from Narita, Riot deserved to take off.

Ozzy Osbourne – Dee (Song Review)

Following on from my post about Metallica’s Orion, here’s another instrumental that’s a showcase for a much-missed legend. Dee is a brief classical guitar piece that was written and performed by guitarist Randy Rhoads for Ozzy Osbourne’s 1980 album Blizzard Of Ozz. I can’t say that, in isolation, I find Dee particularly involving or moving. But the piece (written for the guitarist’s Mum, aww) is sensitive and pretty. Not words commonly associated with Ozzy Osbourne. And in the context of the full album it strengthens the overall musicality, variety and guitar hero-ness of a hugely enjoyable record. Countless aspiring guitarists (myself included) have tried to learn Dee and I’m sure they’ll continue to do so. That’s quite an impact for a 50 second interlude. His Mum must have been delighted beyond words.

Albert Bouchard – Mountain Of Madness (Song Review)

“Avast me hearties…”

Albert Bouchard’s Imaginos trilogy has mostly involved re-imagined versions of old Blue Öyster Cult songs but it’s a wonderful new song Mountain Of Madness that forms the centrepiece of the trilogies final album, Imaginos III: Mutant Reformation. A collaboration between ex-BÖC member Bouchard and current member Richie Castellano, this is a glorious manfeels adventure on the seven seas. Mountain Of Madness is a glorious AOR tune with a piratey sway, Kansas-style fiddle and a soulful, melodic vocal performance from Castellano. The Imaginos series has been one of the most delightful surprises of recent years and it’s hit a peak with Mountain Of Madness. I love it!