Category Archives: Song Reviews

Capsule reviews of songs

Gillan – No Easy Way (Song Review)

“You are so lovely, you are so beautiful”

There’s no easy way to shake off sorrow but listening to this classic Gillan tune, from 1980’s thumping Glory Road album, is guaranteed to blow away the blues. Gillan were a monster band and on No Easy Way they are at their boisterous, swaggering best. Guitarist Bernie Tormé runs riot all over this, unleashing a chaotic torrent of guitar to kick things off and then livening up the whole track with all sorts of howling bends and bombs. “Let it all pass by” is a bit of classic Ian Gillan life philosophy and he’s on brilliant rock ‘n’ rolling form here too. The sweet way he sings the quiet middle section is a wonderfully heartwarming bit of emotional connection.

Anthrax – Lone Justice (Song Review)

“Clear the streets as he rides into the town”

Lone Justice is one of the more mid-paced traditionally heavy metal songs on Anthrax’s second album, 1985’s Spreading The Disease. It doesn’t have the pummelling intensity of thrashers like A.I.R. or Gung-Ho and it’s fairly cartoony in terms of riffs and lyrics. But it’s still one of my favourite songs on the album. It’s got some great Steve Harris style bass going on and has a thumpingly hard-edged delivery, mainly due to Scott Ian’s hugely crunchy guitar tone. The track’s slower pace also allows the band’s (then) new vocalist Joey Belladonna to shine. He pushes a lot of air on the verses before settling in to a very cool melodic mode for the chorus. It’s so exhilarating that I don’t even mind constantly mishearing his description of the hero’s “stubbled chin” as the much less cool “double chin”.

Twisted Sister – Stay Hungry (Song Review)

“Expect no sympathy”

He’s more known for his iconic image and abilities as an imposing and phenomenally entertaining frontman but let’s hear it for Dee Snider, the singer. Twisted Sister’s Stay Hungry, the opening track from their 1984 album of the same name, is an upbeat, bare-boned rocker and paean to bloody-minded perseverance (something these New Yorkers knew all about). But it would ring hollow without Dee selling it like he does. He gives it his all, especially during the pre-chorus that pushes his voice to the top of its range where it’s at its most exciting and emotive. Fired up by his impassioned delivery, Stay Hungry becomes rousing and empowering. A superb album opener that leaves you hungry for more.

Trouble – Bastards Will Pay (Song Review)

“Fight ’em with peace and love”

Trouble’s self-titled 1984 debut (also known as Psalm 9) is one of the crucial early doom metal masterpieces, notable for its crushing guitar tones and the sincerity of its biblical imagery. But for all its timeless God-fearing doominess, what I really love about Trouble is how evil-sounding and aggressive it is. On Bastards Will Pay the Chicago band bash out charging and crunchy riffs from hell and Eric Wagner delivers anti-war lyrics with righteous intensity. It’s hippy stuff on paper but not with Wagner at the mic. When he hollers “you fuckin’ bastards are gonna pay” you just know they will. In this world or the next.

Megadeth – Mary Jane (Song Review)

“Prepare my friends to follow me”

Thrash giants Megadeth go all King Diamond on Mary Jane, weaving a witchy tale of vengeance from beyond the grave. Taken from 1988’s drug-addled So Far, So Good… So What! the track has a thick ghostly atmosphere (aided by the album’s reverb-heavy sound) and a haunting mix of clean and distorted guitars. As always with Megadeth, the guitars are state-of-the-art with numerous twists and turns but frontman Dave Mustaine excels vocally too with a tortured and hate-filled performance. Nowadays I tend to associate ‘deth with songs about politics and society but, in their earlier days, songs about magic and the occult were pretty common and Mary Jane is one of my favourite of the lot. In fact, it’s one of my favourite Megadeth songs… period!

Heavy Load – Heathens From The North (Song Review)

“Sweeping away in their ships of dragon”

Taken from 1981’s Metal Conquest EP (one of 2024″s most essential and overdue metal reissues), Heavy Load’s Heathens From The North is an epic Swedish metal wonder. It’s got brawny, snaking riffs, awesome rough-hewn vocals from Ragne Wahlquist and a glorious choral intro which doubles in magnificence when it returns in the midst of a sweeping guitar solo. It’s the kind of muscular, steady-as-she-goes Viking metal that really floats my longboat.

*

HMO salutes Ragne Wahlquist who has sadly passed away aged 69.

Dream Theater – Wait For Sleep (Song Review)

“Where images and words are running deep”

I wouldn’t exactly say Wait For Sleep is a standout track on Dream Theater’s 1992 album Images And Words. It’s just a wee piano/vocal ballad sandwiched between two prog metal powerhouses, Under A Glass Moon and Learning To Live, and works like a theatrical segue between them. But it’s a wonderful song that stands out all the same. Its lyrics provide a lot of inspiration for the album’s artwork as well as providing its title and it seems like a central track thematically with its pondering on life, death and grief. But, most importantly, Wait For Sleep is just bloody lovely. A cosy winter warmer that adds a crucial dash of tender humanity amidst the fearsome technical prowess either side and contributes to the total experience that only truly great albums have.

Deep Purple – Mandrake Root (Song Review)

“It’s some thunder in my brain”

Deep Purple’s 1968 debut Shades Of Deep Purple has only a hint of the explosive contribution that Purple would make to metal’s birth a couple of years later but it can be heard clearly and excitingly on the album’s Side-B opener Mandrake Root. It’s a great, funky rocker that makes sterling use of the E7#9 “Hendrix” chord and some raunchy crooning from the band’s normally mild-mannered original singer Rod Evans. But it’s when the band launch into a short bass-propelled instrumental freak out that sparks start to fly. In their live sets the band would use this track to launch into huge jamming extravaganzas. Here, it’s kept fairly brief but it still allows the band to tap into the sonic danger that they would become known for. Guitarist Ritchie Blackmore, a tentative presence on the rest of the album, blasts out some violent, noisy tremolo abuse that is the record’s strongest shade of the Deep Purple we all know and love.

Alice Cooper – School’s Out (Song Review)

“We can’t even think of a word that rhymes”

I adore Alice Cooper’s School’s Out album and listen to it a lot. But the majority of the time I skip its opening title track. It’s such an overplayed song that you can end up taking it for granted and I like to keep it fresh so that, when I do listen to it, I hear it for the timeless rock ‘n’ roll classic it is. It’s such a great idea, perfectly executed. The genius main riff is like a clarion call to party, Dennis Dunaway excels with his bouncy basslines, and Alice’s threatening voice is the perfect vehicle for the witty and anarchic lyrics. The band set out to capture the joy and energy of that last day of school and with School’s Out they get a snotty, rebellious and jubilant A+.

GWAR – Maggots (Song Review)

“How to describe such vileness on the page?”

I’m all for humour and wit in music but actual comedy bands or records have limited appeal for me. They might make me chuckle but I’m not going to need many repeat listens. Infamous intergalactic metallers GWAR are a rare instance where a band ventures well into the “comedy” zone while still coming up with enough good music and songs to make me want more. Here’s Maggots from their breakthrough 1990 album Scumdogs Of The Universe. Of course, GWAR can’t resist a joke about boogers but that’s the only bit of Maggots that bugs me. It’s a snotty, shlock-horror thrasher with great riffs, Oderus Urungus’ charismatic gurgle and an extremely catchy chorus where a buzzing fly provides a surprisingly inventive and infectious hook.