Category Archives: Classic Rock

Album Reviews, Classic Rock, Doom Metal, Genre, Heavy Metal

Black Sabbath – Black Sabbath (Album Review)

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Black Sabbath – Black Sabbath (Vertigo 1970)

Each one of the first six Black Sabbath albums has enjoyed a spell as my favourite Sabs record. At the moment though, it’s the groundbreaking 1970 debut that takes the top spot. The evil riffing is timeless, Ozzy’s voice sounds uniquely mournful and I love every note of Tony Iommi jamming away on The Warning while everyone else has nipped to the pub. And, in case the cover’s upside-down cross, haunted watermill and iconic magical, mystical woman aren’t Hammer Horror enough for you, Black Sabbath captures the Brummies at their most atmospheric and spooky musically too. Making it my Sabs of choice this Winter.

Back cover of my copy – the Sanctuary 2009 deluxe vinyl edition

The gatefold with upside-down cross!
Classic Rock, Genre, Hard Rock, Song Reviews

Sammy Hagar And The Waboritas – Things’ve Changed (Song Review)

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“Wondering, if you still got it in ya”

Here’s a feelgood classic rock song from a year that had very little of that going about. On Not 4 Sale Sammy Hagar And The Waboritas managed the rare feat (in 2002) of sounding like they were actually having a ton of fun bashing out songs like Things’ve Changed. It’s basic, familiar stuff but it’s also warm, catchy and delivered with infectiously easygoing charm. I love the mix of Who-like strummed acoustics and thick power chords and Hagar’s voice sounds great. Until this week I hadn’t listened to Things’ve Changed for over a decade so I can’t really say it’s essential but one listen was enough to have the song bouncing around happily in my head for days. It made me feel good. So no changes there.

Classic Rock, Genre, Hard Rock, Song Reviews

Enuff Z’Nuff – In Crowd (Song Review)

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“My favorite songs everybody says are lame”

In 1991, the rock “in crowd” was looking increasingly like a bunch of grunge numpties. So miserable. Much better to throw your lot in with glam outsiders Enuff Z’Nuff who released their pop metal masterpiece Strength that same year. It never scored the commercial breakthrough it was tipped to achieve but, never mind, it still holds up today. In fact, I listen to it and enjoy it more than ever. Here’s one of the album’s best tracks, In Crowd. It’s a brilliant sleazy rocker with a killer riff, Cheap Trick-grade hooks and smart, self-deprecating lyrics. Despite using the phrase “so miserable” seven times, In Crowd is a ton of fun.

Album Reviews, Classic Rock, Hard Rock

Magnum – Vigilante (Album Review)

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Magnum – Vigilante (1986 – Polydor)

The “My Little Unicorn” artwork isn’t the only thing about Magnum’s Vigilante that will have you exclaiming “ermagherd!” There’s a whole bunch of the band’s best tunes here: the hard-rocking title track; the passionate Midnight (You Won’t Be Sleeping); the sublime anti-war ballad Need A Lot Of Love; and When The World Comes Down, the winter warmer single that should have been a Xmas number one! Shame it was released in February. Queen’s Roger Taylor produced this 1986 album and his 80s pop sheen might not be for everyone, but the songs are pomp rock heaven.

Classic Rock, Genre, Hard Rock, Heavy Metal, Song Reviews

Aerosmith – Make It (Song Review)

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“What have you got to lose?”

I remember buying Aerosmith’s Columbia years compilation Box Of Fire back in the mid 90s. I didn’t know a lot of the band’s 70s stuff and I was worried I’d risked too much cash on 13 CDs worth of albums I might not like that much. But the moment I heard the first riff of Make It, the opening song on their 1973 debut album, I knew it was going to be ok. Make It is a great, gutsy opener and a decent song but it’s the guitars that really umm… make it. It’s chock full of dirty drop-D riffing and colourfully wonky soloing. And that intro riff, with its goosebump-inducing suspended chord and mini-gallop, still knocks me out as much today as it did back in 1994. Money well spent.

Album Reviews, Classic Rock, Hard Rock, Heavy Metal, Thrash Metal

The Wildhearts – The Wildhearts (Album Review)

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The Wildhearts – The Wildhearts (Round Records – 2018 Deluxe 2CD Reissue)

The thing I enjoy the most about The Wildhearts is the thing they do where they’ll be playing a song but then take off in all sorts of directions, riffing all over the place until you wonder if they’ll ever find the song again. Other bands do this but The Wildhearts are just so good at it that I associate it with them. To be honest, I occasionally enjoy these mid-song rifferamas more than the songs that spawned them. But that’s not a problem on 2007’s gleefully aggressive The Wildhearts. My favourite albums of theirs since its release, every song is a gem and practically every song veers off into a roller coaster ride of riffs. Heartily recommended.

Album Reviews, Classic Rock, Genre, Hard Rock, Heavy Metal, Progressive Rock

Budgie – Never Turn Your Back On A Friend (Album Review)

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Budgie – Never Turn Your Back On A Friend (MCA 1973)

Budgie’s third album is a classic of early metal, mostly on the strength of its bookending tracks. The speedy, rifftastic opener (and future Metallicover) Breadfan and the monumental closer Parents make Never Turn Your Back On A Friend a must-hear and a great gateway into the Welsh band. My main gripe is the shite album title. I reckon that with that artwork they should have called it “Smuggler”. A wasted opportunity.

Classic Rock, Genre, Song Reviews

Bert Jansch – Alice’s Wonderland (Song Review)

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Many of my favourite instrumentals come from the world of acoustic folk/traditional guitarists. The mid-60s was a golden era for the genre, with many major artists releasing albums of groundbreaking creativity and virtuosity. Today’s pick comes from one of these albums: it’s Alice’s Wonderland from Bert Jansch’s 1965 debut. Recorded live in a kitchen on a borrowed guitar, the lo-fi recording puts you right in the room with Jansch as he picks dreamily through an array of beautiful chords and timings, only settling down briefly for a sublime, swinging vamp. It seems loose and improvised but the repeating passages and the way the chords all lead into one another suggests otherwise. It’s an extraordinary piece from a magical era, musical genius of the most unassuming and laid-back kind.

Black Metal, Classic Rock, Genre, Hard Rock, Heavy Metal, HMO Digests, NWOBHM

HMO Digest – 10th September 2023

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It’s been aeons since the last HMO Digest! It’s time for another catch up on all things HMO.

Blog Recap

I don’t normally post in any sort of theme/series but I’m really enjoying doing my ongoing series of posts about instrumental songs. I’ll definitely be doing more stuff like this in the future. But, as far as instrumentals go, I’ve got plenty more to get through and you can expect some folk, prog and death metal over the next couple of weeks.

HMO Salutes

“Curse… the Gods! Too many people… have died.” Most recently, Bernie Marsden (died aged 72), most famous for his time in Whitesnake and co-writing all-time classic rock tunes like Here I Go Again and Fool For Your Loving.

The period since the last HMO Digest has also seen the passing of: Pete Brown (died aged 82) the poet, musician and co-writer of many extremely classic Cream cuts; Frehley’s Comet bassist John Regan (died aged 71); Mark Adams (died aged 64) – bassist and co-founder of doom pioneers Saint Vitus; Tank’s Algy Ward (died aged 63); and Metal Church drummer Kirk Arrington (died aged 61).


Up And Autumn

A weird September heatwave has just kicked in which is annoying as I was starting to get into a lovely Autumn vibe, listening to one of my go-to albums for this time of the year: Anathema’s Alternative 4. One of the best albums of the whole 90s British gloomy northerner scene, Alternative 4 is right at the sweet spot between the band’s metal beginnings and the emotional rock they’d become known for. And it’s being reissued on vinyl soon so if you don’t already own this classic… now’s the time.

New Stuff

Since it’s been a while since the previous digest, I’m just going to focus on some recent new albums I’ve bought (as opposed to reissues, box sets etc…). The biggest one is the new Virgin Steele album The Passion Of Dionysus. It still has all the idiosyncratic flaws of their other latter-day releases but I just find this band totally fascinating and this is their strongest release since The Black Light Bacchanalia (which, despite my muted review, has become one of my most listened to albums of the past few years). Yow!

There’s also the new Marduk album Memento Mori which is only just out. On first listen it sounds utterly caustic and hellish. These are compliments. There’s also been a “new” Akercocke live album Decades Of Devil Worship (actually an unreleased live recording from 2007) which is a complete blast, the band sound at the top of their game. And I’ve also posted my favourite songs from the new Albert Bouchard and DHG albums.


Upcoming Releases

September is looking pretty exciting in terms of new releases: to kick off there’s the eagerly-awaited return of Primordial with their new album How It Ends; Blood Incantation follow up their 2022 ambient release Timewave Zero with a new half brutal/half ambient EP Luminescent Bridge; Mayhem release a new live album Daemonic Rites; and space rockers Hawkwind celebrate the anniversary of their classic live album Space Ritual in super deluxe style with an 11-disc box set. Do not panic.

Thanks for reading! If you like seeing photos from my collection remember to check out the HMO Facebook page as there’s more of that stuff there. And if there’s any kind of topics you’d like to see me cover on these digest posts then let me know.

Classic Rock, Genre, Hard Rock, Heavy Metal, Song Reviews

Riot – Narita (Song Review)

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Riot’s Narita is a great example of an instrumental that just flat out rocks. None of your mellow interludes, atmospheric intros or virtuoso shredding here, just a brilliant band knocking out a banging tune. Named after a controversial Japanese airport, the construction of which provoked heated protests and riots from farmers and activists, 1979’s Narita is the title track of the band’s second album and also one of its most exciting songs: an energising mix of 70s US rock (Montrose, The Nuge) and the kind of charging attack and duelling guitars that would become synonymous with Maidenesque 80s metal. Presumably, vocalist Guy Speranza sat this one out because he couldn’t be arsed writing a song about an airport but his superb voice isn’t missed here as the music is so dynamic and catchy. The New Yorkers would become one of rock’s mythic coulda/shoulda bands, which is a shame. As you can hear from Narita, Riot deserved to take off.