Category Archives: Classic Rock

Iron Maiden – Brighter Than A Thousand Suns (Song Review)

“Cold fusion of fury”

Iron Maiden’s 2006 album A Matter Of Life And Death proved that the British metal veterans were still an act to be reckoned with, delivering some of their most vital and creative material for years. No track illustrated this better than album highlight Brighter Than A Thousand Suns. Making great use of a churningly tense and ominous time signature, it’s one of Maiden’s proggiest and heaviest songs. Frontman Bruce Dickinson goes all Van Der Graaf Generator with dark, coded lyrics that depict the dawn of the nuclear age (and the influence is made crystal clear with a lyrical nod to the VDGG track Whatever Would Robert Have Said?) Musically there’s a Rush-like feel with the band twisting and turning through a range of moody, tricky sections. And Dickinson responds to the song’s dynamic shifts with a vocal performance that builds in intensity in a breathtaking and explosive way. Brighter Than A Thousand Suns is a track that is stylistically uncharacteristic for the band but, in terms of theatrics and excitement, has all the spirit of Maiden at their most classic.

KISS – Hooligan (Song Review)

“I mean, you know how cool I am”

It might seem odd to use a song he’s not particularly known for, and didn’t write or sing, to salute original KISS guitarist Ace Frehley. But Hooligan is a great example of Frehley as a team player and how his impeccable, instinctive and characterful guitar playing elevated any song he played on. The 1977 Peter Criss vehicle probably isn’t a song that rides high in anyone’s ranking of KISS’s greatest work but I’ve always had a big soft spot for it. Criss’ hollering is infectious, I love the old-timey rock ‘n’ roll vibe and I’m a sucker for Paul Stanley’s use of capos for rhythm guitar parts. But, best of all, Space Ace wrings out a memorable and effortlessly cool guitar solo that crackles with electricity. And his soaring guitar part over the song’s climatic chords is one of KISS’ most joyous and euphoric moments. Ace, who has sadly left the planet aged 74, inspired legions of people to pick up guitars (including me) but there will never be anyone quite like this beloved, otherworldly legend ever again.

Tommy Bolin – Teaser (Song Review)

“Yeah, she’ll tempt ya ‘til ya fall”

Backed by an array of talented guests and session musicians, Tommy Bolin works through a dazzling array of musical styles and moods on his 1975 debut solo album Teaser. But on the album’s title track he gets down to the business of some straight-up, groovy hard rock. The bluesy main riff that kicks things off is one of those “why didn’t anyone come up with this before?” classic riffs, the chorus’s crashing chords and stabbing bends have a Hendrix-y flash and excitement and Bolin colours the whole song with all manner of jazzy licks, tasty slide and spacey Echoplex effects. As well as being a guitar masterclass, Bolin’s singing also has a under-achieving cool charisma too. Teaser is a class track from one of my most cherished, most listened-to albums and I never get tired of hearing it. His role in the demise of 70s Deep Purple tarnished his reputation and his drug-related death cut his career tragically short but Teaser (both the song and album) is the work of a young guy with more maturity, talent and flair than many musicians manage to access in their entire lives.

Fist – Name, Rank & Serial Number (Song Review)

“Now tell me the positions of your guns and armoured forces”

The debut single from South Tyneside’s Fist, this darkly amusing track depicts a military interrogation from the point of view of a stymied torturer who, despite his best efforts, can only obtain his captive’s Name, Rank & Serial Number. It’s a fantastically vibrant and catchy track. In particular, Keith Satchfield (who sadly passed away in early 2025) deserves a medal for his infectious, rhythmic vocals and inventive lyrics. Fist’s recording career ended up all too brief but in that short run they released some of the best tracks of the whole NWOBHM era. On Name, Rank & Serial Number, Fist managed the rare feat of being classic and definitive while also being startlingly original.

Bad Company – Bad Company (Album Review)

Bad Company – Bad Company (Island/Swan Song – 1974)

When I think of the term “supergroup”, Bad Company are one of the first bands that spring to mind. With their 1974 self-titled debut album, they absolutely lived up to that billing. The British group featured two former members of Free and their unfussy, soulful rock picks up where Free left off but in a more feelgood, riff-based, rock ‘n’ roll mode courtesy of ex-Mott The Hoople guitarist Mick Ralphs. And Ralphs ensured they achieved mega success by penning the ingeniously simple single Can’t Get Enough, a cruising and carefree radio staple. Not to be outdone, vocalist Paul Rodgers chipped in the album’s masterful title track, a thoroughly stirring mix of ghostly atmosphere and outlaw manliness. Other highlights include the priapic proto-Whitesnake Rock Steady and a sublimely classy remake of Mott’s Ready For Love. Bad Company were having too good a time to infuse the album’s ballads with anything near the emotional heavy load that Free conjured but tracks like The Way I Choose have proven to be growers over decades of listening and are great vehicles for Rodgers’ smooth vocals. The whole album sounds ballsy and beautiful, especially Ralphs’ creamy guitar tones. Bad Company is the cool, confident and timeless sound of talented musicians revelling in a newfound personal and creative chemistry. When I think of the term “classic rock” Bad Company is one of the first albums that springs to mind.

HMO salutes Mick Ralphs who recently passed away, aged 81.

(Bad Company 2CD deluxe edition from 2015)

You can get this album and more on this box set too!

Alice Cooper – It’s Hot Tonight (Song Review)

“Damn Hot Tonight”

1977’s Lace And Whiskey is not one of my favourite Coop albums by any means but the album opener It’s Hot Tonight is one of my most beloved tracks of his. It’s got an extremely ballsy opening riff and a ton of swagger, coming across every bit as scorched and steamy as the title suggests. Maybe it’s just because of the album title and artwork but I always get a hot city noir vibe from it too. The first time I ever saw Cooper live was in Glasgow on an unusually hot night and I was thrilled when he launched into this. Seeing the great man strut his way through a huge-sounding version of this in a packed, sweaty Barrowlands was just brilliant, a peak concert-going moment for me.

Gillan – No Easy Way (Song Review)

“You are so lovely, you are so beautiful”

There’s no easy way to shake off sorrow but listening to this classic Gillan tune, from 1980’s thumping Glory Road album, is guaranteed to blow away the blues. Gillan were a monster band and on No Easy Way they are at their boisterous, swaggering best. Guitarist Bernie Tormé runs riot all over this, unleashing a chaotic torrent of guitar to kick things off and then livening up the whole track with all sorts of howling bends and bombs. “Let it all pass by” is a bit of classic Ian Gillan life philosophy and he’s on brilliant rock ‘n’ rolling form here too. The sweet way he sings the quiet middle section is a wonderfully heartwarming bit of emotional connection.

Twisted Sister – Stay Hungry (Song Review)

“Expect no sympathy”

He’s more known for his iconic image and abilities as an imposing and phenomenally entertaining frontman but let’s hear it for Dee Snider, the singer. Twisted Sister’s Stay Hungry, the opening track from their 1984 album of the same name, is an upbeat, bare-boned rocker and paean to bloody-minded perseverance (something these New Yorkers knew all about). But it would ring hollow without Dee selling it like he does. He gives it his all, especially during the pre-chorus that pushes his voice to the top of its range where it’s at its most exciting and emotive. Fired up by his impassioned delivery, Stay Hungry becomes rousing and empowering. A superb album opener that leaves you hungry for more.

Trouble – Bastards Will Pay (Song Review)

“Fight ’em with peace and love”

Trouble’s self-titled 1984 debut (also known as Psalm 9) is one of the crucial early doom metal masterpieces, notable for its crushing guitar tones and the sincerity of its biblical imagery. But for all its timeless God-fearing doominess, what I really love about Trouble is how evil-sounding and aggressive it is. On Bastards Will Pay the Chicago band bash out charging and crunchy riffs from hell and Eric Wagner delivers anti-war lyrics with righteous intensity. It’s hippy stuff on paper but not with Wagner at the mic. When he hollers “you fuckin’ bastards are gonna pay” you just know they will. In this world or the next.

HMO Diary: 12th January 2025

I had me a real good time recently, getting 2025 off to fun start by listening to lots of The Faces and Van Halen.

The Faces At The BBC is one of the best box sets I’ve bought for a while, I’ve been enjoying it immensely. The fact that The Faces were ace live isn’t exactly news because the Five Guys Walk Into A Bar… box set already did a great job of documenting that, but these BBC recordings are a soulful, rocking revelation all the same.

You don’t need me to tell you how good the first two Van Halen albums are, but I’ve been listening to them cause I’ve been enjoying Alex Van Halen’s Brothers book. Actually it’s the audiobook I’ve been enjoying because I liked the idea of hearing him reading it. It’s a thoughtful, detailed and moving memoir and Alex hasn’t been an outspoken figure for many years so it’s a treat to hear him reading the story.

All this brings me to the topic of my plan for 2025: I want to read more.
Continue reading HMO Diary: 12th January 2025