Dissection – Live Rebirth (Review)

Swedish Black Metal legends Dissection had only released two studio albums before they embarked on the “Rebirth of Dissection” tour that kicked off with this show in Stockholm (listed on the LP jacket as September 2004 but it other sources suggest that the show was actually in October!).

The band had disbanded in 1997 following the imprisonment of guitarist/vocalist Jon Nödtveidt as an accessory to the murder of an Algerian man in Sweden. Upon his release in 2004, Nödtveidt quickly assembled a new line-up of Dissection for the tour captured on Live Rebirth.

For a band with only two albums of material to draw from, this is an exceptionally strong set of well-written and passionately performed tracks. The atmosphere and excitement at the show is well captured. The taped intro of instrumental track At the Fathomless Depths combines with the enthusiastic crowd cheering to build the excitement level for the first track proper Nights Blood so the feeling of being at the gig is palpable from the offset. In fact, the opening song is exciting and epic enough to be worth the price of admission alone.

Dissection’s take on extreme Metal is grounded with a strong grasp of songwriting and pacing. There are stunning, memorable riffs in abundance here and, although the hoarser vocals and dark atmosphere may be off-putting for some, there is much to love here for fans of the NWOBHM era and other older acts like Mercyful Fate.

Highlights for me include Where Dead Angels Lie and Maha Kali (the only new track here). These are absolutely thrilling and timeless, both delivered with an enigmatic folky lilt. Maha Kali also builds to a fantastic climax with its exotic feel bolstered by female Hindi vocals. The Somberlain evokes Iron Maiden with its melodic guitar harmony lines and there is also an excellent cover of Tormentor’s Elisabeth Bathory. Another band for me to check out!

Overall, this is an incredible Metal live album and is right up there with the best of them. It’s dripping with atmosphere, epic in scope and there is not a single track on here that is anything less than incredible. For such a short-lived band to have created a set like this is pretty remarkable. Jon Nödtveidt would commit suicide in 2006.

Buying Note: This full gig is available on DVD as Rebirth of Dissection and also available as Live in Stockholm 2004 on CD and LP but that version has some tracks removed and some are shortened. This edition, released in 2010, by the excellent High Roller Records has the full set intact.

HMO Rating: 5 out of 5

Sammy and the Wabos – Live Hallelujah (Review)

I’m not the biggest Sammy Hagar fan in the world but I particularly enjoyed the period that followed his (initial) acrimonious split from Van Halen in the mid-90s. Having put together a great backing band called the Waboritas he proceeded to bring out a trio of  joyous Rock albums – Red Voodoo, Ten 13  and Not 4 Sale. With the Waboritas, Sammy had also become a formidable feel-good live act too and following a very competitive jaunt with Dave Lee Roth (the Sam and Dave tour) it was decided to capture the fun on CD.

The first thing that has to be said about Live Hallelujah is that it is LOUD. I actually can’t think of a live album that sounds more like being in the front rows of a concert than this one. Sammy’s older tracks are bristling with the kind of unhinged guitar assault that would make Ted Nugent proud and the Van Halen-era tracks are feel-good bliss (some featuring a speaker-rattling Michael Anthony and When It’s Love features Gary Cherone). Although Sammy and Vic Johnson are fine players they sensibly chose some of the least flashy Van Halen tracks which means they sit more comfortably alongside the non-VH songs. The newer tracks like Shaka Doobie, Deeper Kind of Love and Little White Lie are also strong, fitting in perfectly with the old favourites like Three Lock Box and Heavy Metal. In fact, one of the great features of the album is how it assimilates material from a long and varied career into a really cohesive set.

This has obviously never become a classic of any description but I really enjoy this and it actually served as a gateway for me to get more into Sammy’s and Van Hagar’s albums. Overall, if your ears can take the remorseless pounding of the production, this is just great fun and one of the best examples I can think of where a live album manages to evoke the excitement and vibe of a being at a really entertaining Rock show. If I’m looking for an album to put a smile on my face and a spring in my step this would be a strong contender and there can’t be a higher recommendation than that.

HMO Rating: 4 out of 5

W.A.S.P. – Live… in the Raw (Review)

 

Live… in the Raw 1997 Reissue

Many of the great live albums functioned as “end of an era” releases. They documented a period of a band’s career and placed a full-stop on it before evolving into something new.

Ever since the release of their debut single (Animal) Fuck Like a Beast, controversy had dogged W.A.S.P. and they soon became a prime target for the PMRC, while also experiencing death threats and even assassination attempts. The stress had tired the band, causing tensions in the ranks but also galvanising band leader Blackie Lawless who felt that the focus on the band’s image and antics had meant their musical merits were under-estimated.

Live… in the Raw was recorded over three dates on their successful world tour promoting their third album, Inside The Electric Circus. Opener Inside The Electric Circus is thrilling and has some great sawing guitar riffs. The band proceeds to tear through a taut, muscular set that mixes classics and new tracks alike. In fact there are three tracks on here that would have previously been unavailable: two excellent live tracks Harder Faster and The Manimal and one studio track Scream Until You Like It recorded to promote the Horror sequel Ghoulies II.

2011 reissue of Inside the Electric Circus relegates Live… in the Raw to mere bonus disc.

Like many of the best live albums, some of the songs here enjoy their definitive performances on this album. Inside The Electric Circus, L.O.V.E Machine, Wild Child and 9.5.-N.A.S.T.Y. are all superb. The only thing that stops Live… in the Raw being all the W.A.S.P. you’ll ever need is the notable omission of (Animal) Fuck Like a Beast (although they would atone for this with the release, in 1988, of the Live Animal EP).

Live… in the Raw would prove pivotal to the band’s career. It boosted the profile and legitimacy of their catalogue and functioned as a historically important “end of an era” release. The album would provide a full-stop on the sex, parties and gore period of their career. From now on, W.A.S.P. were going to get serious!

HMO Rating: 4.5 out of 5

… and classic rock too!