Category Archives: New Releases

Kingdoms Disdained – Morbid Angel’s New Album Due 1st Dec 2017

Some surprise release news towards the end of the week there, with a big announcement from death metal veterans Morbid Angel. Their new album Kingdoms Disdained is due out on 1st December 2017 and the band has also unveiled the cover art and a new track Piles of Little Arms.

Kingdoms Disdained follows on from the band’s last album, the disastrous (if oddly-enjoyable) Illud Divinum Insanus* and the eventual dissolution of that album’s line-up. Now, joining the mercurial and ever-present Trey Azagthoth, we have returning bassist/vocalist Steve Tucker and new members Scott Fuller and Dan Vadim Von on drums and guitar respectively. And, strengthening the link to the band’s past, ex-guitarist Erik Rutan has taken on production duties too.

Given the controversy surrounding the previous album, this upcoming effort is already being subjected to a ton of scrutiny. Many aren’t happy with the artwork. I think it’s a bit too similar to the artwork for The Grey Eminence, the most recent album from Steve Tucker’s other band Warfather. I’d be more excited if they had come up with something a bit more unique but I don’t mind it and, until I’ve seen it on a physical edition, I’ll reserve judgement. The latest track Piles of Little Arms is also OK, if not particularly remarkable. What do you reckon? 2017 has been a banner year for death metal. Do Morbid Angel still have what it takes to lead the pack in such a competitive climate or are they set to become also-rans?

We’ll find out for sure on December 1st.

(Thanks to Nick Green for the heads-up about this!)

*This leap from “I” to “K” means that the 2015 RSD release Juvenilia has been counted as part of the official Morbid Angel A-Z canon.

Advertisements

The Obsessed Announce New Reissue of S/T Debut

Some exciting reissue news courtesy of Relapse Records. The self-titled debut album from doom legends The Obsessed is set for a remastered re-release on November 17th 2017. It was originally released in 1990 and, despite occasional reissues here and there, has been out-of-print for years.

It’s a big gap in my collection and one of those albums that I periodically consider shelling out for online. So this reissue is hugely welcome and a must-buy for me. And, as if the album reissue wasn’t good enough on its own, it will also come with previously unreleased bonus tracks, including a live set as well as the highly sought-after Concrete Cancer demo. It will also feature expanded artwork, never-before-seen photos, and extended liner notes from frontman Scott “Wino” Weinrich.

The classic band recently returned with their fantastic new album Sacred and this reissue just seals the deal on an excellent year for fans of Wino and doom metal.

The Obsessed will be available on 2CD, LP, 2LP, and digital formats via Relapse Records. Physical bundles and digital pre-orders are available via Relapse Records here and streaming services at this location.

Cradle Of Filth – Cryptoriana: The Seductiveness Of Decay (Review)

Cradle Of Filth are a British institution, one of the most recognisable and successful extreme acts to come from these shores. But, while they are loved and loathed by many, they’ve never made a huge impression on me either way. I’ve bought and enjoyed a fair few albums of theirs over the years but I’ve never had that phase where I’ve obsessed over them, where they were my band. Until now.

Although I was late getting to it, I was thoroughly impressed with 2015’s Hammer Of The Witches, and the band’s latest album continues in that vein. Themed around the Victorian obsession with death, Cryptoriana: The Seductiveness Of Decay is a darkly fabulous romp of hard-hitting gothic metal, delivered with expertise and passion. The overall approach is still the band’s patented blackened Hammer Horror style but there’s a whole wealth of approaches employed. Heartbreak And Seance’s romantic melodrama, thrash fury on Wester Vespertine, You Will Know The Lion By Its Claw’s pitch-black savagery and there are wonderful trad metal gallops and harmonies throughout (most thrillingly in The Seductiveness Of Decay). Best of all, vocalist Dani Filth puts each song over and then some: a spirited and veteran performance of considerable taste, breadth and character.

Hammer Of The Witches reached some peaks of excitement that aren’t quite reached here but its a nano-gripe about a near-flawless album. And, on the flip-side, the latest album has none of the excess that detracted from its predecessor. For all its expansive grandeur, Cryptoriana… is tight and direct. The pedal is to the metal at all times and the band’s cinematic flourishes are weaved and layered skilfully throughout the songs with no boring intros or interludes to be found. The style is familiar but the album is fresh and stakes its own unique place in their canon. An utterly wonderful release from a veteran band at the top of their game. My band.

HMO Rating: 4.5 out of 5

UPCOMING ALBUMS: Cradle Of Filth, Enslaved, Samael and more

It’s time for another nosey through the release schedule. Here’s a selection of some upcoming albums that are taking my fancy.

Cradle Of Filth – Cryptoriana: The Seductiveness Of Decay

I’m properly out of touch with Cradle Of Filth’s career but their newer material has been getting a lot of praise and I’m in a Filth-y mood lately so it’s about time I got bally well caught up. Good timing too as their latest album is due on September 22nd 2017 and their new track Heartbreak And Séance is an insanely likeable taster. I wasn’t expecting to be looking forward to this one so much.

Enslaved – E

New Enslaved albums are always noteable but I’ve not been totally diverted by any of their albums since Vertebrae (which I totally love). I’ve bought all the subsequent releases but I tend not to get much more out of them than a couple of good tracks. I hope that Es are indeed good and this album bucks that trend but, on the basis of new track Storm Son, I’m not expecting much.

Samael – Hegemony

I’m new to this band and I’ve only heard their (superb) earlier material. I gather their style has come a long way since then so wasn’t sure what to expect from their current stuff. The new track Angel Of Wrath has got me right onboard though. A bit like modern Satyricon, it seems uninteresting initially and then BAM. I’m hooked. And the more I hear it the more I like it.

Fleurety – The White Death

The avant-garde Norweirdos return with their first album in an age. Fleurety feature former members of Mayhem and Dødheimsgard while Czral-Michael Eide of Virus/Aura Noir is now in the band too. If that’s not enough to get your attention, check out new song Lament Of The Optimist. Compelling, eccentric, addictive stuff. Release date: 27th October.

Spectral Voice – Eroded Corridors Of Unbeing

Unfamiliar with this band’s music but know their name from their connection with Blood Incantation, whose album Starspawn made my Top 10 last year. And it seems like Spectral Voice’s debut album (released on 13th October) might be this year’s equivalent: filthy, guttural, otherworldy death metal. My kind of thing.

Europe – Walk The Earth

The Swedes are one of a dwindling number of classic rock acts that I still give a fuck about. The last album War Of Kings was a pretty sterling effort with a few monster tunes. And the new single has the epic feel of that album’s best stuff so I’m up for this. It’s out on 20th October and the digibook features a bonus documentary on DVD.

And that’s quite enough for one post. There are other exciting albums due but I’ll hold off on those until there are songs available to sample.

Upcoming Albums: The King Is Blind, Mork, Satyricon and Watain!

There’s been a wee flurry of upcoming releases announced recently so I thought I’d round up the ones I’m most looking forward to.

The King Is Blind

The King Is Blind’s debut album Our Father was one of last year’s big hits round here and I’m pleased to see they are keeping the momentum going. Their second album seems set to be called We Are The Parasite, We Are The Cancer and is due out in October 2017 on the band’s own label Calva Records. All we have to go on at the moment is a tantalising teaser clip but it sounds like we’re in for some political rage on album number two, maybe even tipping into grindcore. Definitely a serious vibe about this one… I’m excited.

Mork

Never heard of this band before but I’ve saw their name popping up recently. Turns out they’re a Norwegian black metal duo that have just been signed to Peaceville (home of all sorts of good stuff) and are due to release their third album Eremittens Dal on the 13th October. I’ve had a listen to the track I Hornenes Bilde and it’s right up my street. Very reminiscent of old Darkthrone stuff like In The Shadow Of The Horns: properly icy and primitive with some great catchy riffing. And for added authenticity it has pencil artwork by Jannicke Wiese-Hansen who penned classic covers from the likes of Burzum and Satyricon. Speaking of whom…

Satyricon

The black metal legends are set to follow-up their self-titled 2013 album in September with Deep Calleth Upon Deep. The band reckon this album continues the musical reinvention and exploration they started with the previous album. That won’t please everybody but it works for me cause I’ve become quite fond of the last one. I thought it was a proper grower with some excellent, atmospheric stuff on it. So I’m intrigued to see where this classy, ever-evolving band goes with this new release. Love that Edward Munch cover too.

Watain

Not much to go on here but satanic terrors Watain have thrown some posters up on their Facebook page, announcing an imminent as-yet-unnamed album which will be due in January 2018. Seems like ages since they released their last album, the slightly disappointing The Wild Hunt. But that album has been the only blip in an otherwise-stellar discography so I’ve got high hopes for this band’s return.

Possession – Exorkizein (Review)

Following an impressive demo and mini-album, I was expecting to be more impressed by Possession’s debut full-length album. The Belgians dish out impressively clear and concise black/death with plenty of evil atmosphere but they never really lift themselves out of the solid zone. Despite some strong riffs, the songs in the first half all blur into one. Exorkizein gradually improves, and is at its best in its closing stages with tracks like In Vain and Take the Oath being standouts. Possession have an appealing Watain-like delivery and catchiness but there’s not enough of that band’s threatening audacity and ambition here. Exorkizein is far from execrable but not exactly exciting either.

Formicarius – Black Mass Ritual (Review)

The last time I encountered the UK’s Formicarius was back in December when they contributed a track Lake of the Dead to the excellent compilation Speed Kills VII. Back then I called them “very promising” and I’m glad to report that, with Black Mass Ritual, they have delivered on that promise and then some.

Formicarius go medievil on your ass with their debut album, dishing out Cradle of Filth-style symphonic metal with power metal exuberance. The whirling atmosphere, rib-cracking riffs and exotic solos sound like Mustaine and Friedman jamming with Emperor, the potent speed metal velocity, galloping bass and catchy choruses bring to mind early Helloween and there’s a folky bent to the riffs and instrumentation that reminds me of the classic Skyclad albums.

All the performances are outstanding, from Lord Saunders’ articulate Abbath-esque croak to Morath’s grand and eloquent keyboard embellishments and solos (check out the excellent outro piano on Overlord, a standout moment). The songwriting is also uniformly excellent. An overly jaunty riff in Abhorrent Feast of Minds is the only thing close to a mis-step and it’s soon forgiven as Master of Past and Present closes the album on a dark, dramatic high.

It’s a fantastic debut: rampaging, grand black metal with a healthy dose of epic tradition and fearless creativity. In a year where I’ve been mainly knocked out by death metal albums, Formicarius have struck a decisive blow for black metal. And they’ve done it with an album that is all kinds of metal fun for all kinds of metal fans. The Black Mass Ritual begins on July 21st, don’t miss out.

HMO Rating: 4 out of 5