Category Archives: New Releases

Upcoming Albums: The King Is Blind, Mork, Satyricon and Watain!

There’s been a wee flurry of upcoming releases announced recently so I thought I’d round up the ones I’m most looking forward to.

The King Is Blind

The King Is Blind’s debut album Our Father was one of last year’s big hits round here and I’m pleased to see they are keeping the momentum going. Their second album seems set to be called We Are The Parasite, We Are The Cancer and is due out in October 2017 on the band’s own label Calva Records. All we have to go on at the moment is a tantalising teaser clip but it sounds like we’re in for some political rage on album number two, maybe even tipping into grindcore. Definitely a serious vibe about this one… I’m excited.

Mork

Never heard of this band before but I’ve saw their name popping up recently. Turns out they’re a Norwegian black metal duo that have just been signed to Peaceville (home of all sorts of good stuff) and are due to release their third album Eremittens Dal on the 13th October. I’ve had a listen to the track I Hornenes Bilde and it’s right up my street. Very reminiscent of old Darkthrone stuff like In The Shadow Of The Horns: properly icy and primitive with some great catchy riffing. And for added authenticity it has pencil artwork by Jannicke Wiese-Hansen who penned classic covers from the likes of Burzum and Satyricon. Speaking of whom…

Satyricon

The black metal legends are set to follow-up their self-titled 2013 album in September with Deep Calleth Upon Deep. The band reckon this album continues the musical reinvention and exploration they started with the previous album. That won’t please everybody but it works for me cause I’ve become quite fond of the last one. I thought it was a proper grower with some excellent, atmospheric stuff on it. So I’m intrigued to see where this classy, ever-evolving band goes with this new release. Love that Edward Munch cover too.

Watain

Not much to go on here but satanic terrors Watain have thrown some posters up on their Facebook page, announcing an imminent as-yet-unnamed album which will be due in January 2018. Seems like ages since they released their last album, the slightly disappointing The Wild Hunt. But that album has been the only blip in an otherwise-stellar discography so I’ve got high hopes for this band’s return.

Possession – Exorkizein

Following an impressive demo and mini-album, I was expecting to be more impressed by Possession’s debut full-length album. The Belgians dish out impressively clear and concise black/death with plenty of evil atmosphere but they never really lift themselves out of the solid zone. Despite some strong riffs, the songs in the first half all blur into one. Exorkizein gradually improves, and is at its best in its closing stages with tracks like In Vain and Take the Oath being standouts. Possession have an appealing Watain-like delivery and catchiness but there’s not enough of that band’s threatening audacity and ambition here. Exorkizein is far from execrable but not exactly exciting either.

Formicarius – Black Mass Ritual

The last time I encountered the UK’s Formicarius was back in December when they contributed a track Lake of the Dead to the excellent compilation Speed Kills VII. Back then I called them “very promising” and I’m glad to report that, with Black Mass Ritual, they have delivered on that promise and then some.

Formicarius go medievil on your ass with their debut album, dishing out Cradle of Filth-style symphonic metal with power metal exuberance. The whirling atmosphere, rib-cracking riffs and exotic solos sound like Mustaine and Friedman jamming with Emperor, the potent speed metal velocity, galloping bass and catchy choruses bring to mind early Helloween and there’s a folky bent to the riffs and instrumentation that reminds me of the classic Skyclad albums.

All the performances are outstanding, from Lord Saunders’ articulate Abbath-esque croak to Morath’s grand and eloquent keyboard embellishments and solos (check out the excellent outro piano on Overlord, a standout moment). The songwriting is also uniformly excellent. An overly jaunty riff in Abhorrent Feast of Minds is the only thing close to a mis-step and it’s soon forgiven as Master of Past and Present closes the album on a dark, dramatic high.

It’s a fantastic debut: rampaging, grand black metal with a healthy dose of epic tradition and fearless creativity. In a year where I’ve been mainly knocked out by death metal albums, Formicarius have struck a decisive blow for black metal. And they’ve done it with an album that is all kinds of metal fun for all kinds of metal fans. The Black Mass Ritual begins on July 21st, don’t miss out.

Paradise Lost – New Releases For 2017

There has been lots of exciting news coming out of the Paradise Lost camp lately with not just one new release on the horizon but two! So I thought I’d be super-efficient and just deal with both in one handy post.

First up is the main event, the band’s new album Medusa. It’ll be out on September 1st and promises to continue the band’s increasingly heavy direction. The cover has a very cool folk-horror vibe and the vinyl single Blood And Chaos (coming out on August 3rd) has great artwork too. Their last album made my yearly Top 10 and I’ll be surprised if Medusa doesn’t end up in this year’s list. It’s an exciting release from a veteran band that’s still in vital form.

And if all that wasn’t awesome enough Music For Nations have lined up a 20th Anniversary reissue of their 1997 album One Second. It was the album that followed the massively successful Draconian Times and, in the words of frontman Nick Holmes, marked “for better or worse the beginning of a very experimental stage for the band.” It’s maybe not what some people think of as classic PL but it was an interesting progression from the band at a point where they could easily have stagnated: a great album with some classic songs.

The new edition will come with the live audio of the 1998 Shepherd’s Bush gig that has previously only been available on the DVD Evolve. This means there are a few B-Sides from the era that are not represented here but the live disc is a value-for-money bonus that makes it worth another punt (not to mention the usual liner notes and all that stuff). You can finally just listen to it without the band’s haircuts putting you off.

It’s all good news for Paradise Lost fans. These two releases, not to mention the blistering Vallenfyre album Fear Those Who Fear Him, should keep all you miserable buggers happy for a while.

New Akercocke Album Renaissance In Extremis Due In August

The return of eccentric extremists Akercocke in 2016 had me praising Satan like nobody’s business. Their new song Inner Sanctum was wonderful and I had a great time finally catching them live in Manchester.

Now they’ve announced the details of their upcoming new album Renaissance In Extremis and revealed the song Disappear that will open the highly-anticipated comebAK album.

It’s great stuff. Not as immediate as Inner Sanctum but it’s a tantalising taster for the album and proves that the band still has the knack for twisty-turny progressive death metal madness. Better yet, the pre-orders are up at Peaceville Records and the album will be available in a 3CD deluxe 60-page hardback with two bonus discs of rare recordings, demos, live tracks, cover versions and more!

Exciting news. The album is out on 25th August and promises to be a musical highlight of 2017. Hail Lucifer!

Venom Inc. Announce New Album Avé

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Venom Inc. have announced that they will release their debut album Aon August 11th 2017 via Nuclear Blast Records. In case you need a catch-up, Venom Inc. features two original members of Venom (guitarist Jeff ‘Mantas’ Dunn and drummer Anthony ‘Abaddon’ Bray) along with vocalist/bassist Tony ‘Demolition Man’ Dolan. The trio released three albums together as Venom in the late 80s/early 90s, most notably the fantastic and overlooked Prime Evil.

Although original bassist/vocalist Cronos currently performs and records under the Venom name, these three ex-members have been touring a classic Venom set under the name Venom Inc. since 2015. Now they have announced this album of new material and released a NSFW video for their new song Dein Fleisch.

It’s not the kind of old-school metal I was hoping for from them. Its down-tuned chugging and theatrical vocals are more Rammstein than Motörhead. It’s also a bit too slick and tight for my liking. I prefer my Venom out-of-control and filthy! If the rest of the album is more reminiscent of classic Venom then this might make for an interesting odd-one-out song. But if the rest of the album is like this then I’ll probably ‘ave to pass. What do you reckon?

Thus Defiled – A Return To The Shadows

I don’t normally get all that excited about covers EPs (Danzig excepted) but Thus Defiled’s A Return To The Shadows is a total riot. The release marks the UK black metallers’ 25th year in action and sadly, also their last. The quality-over-quantity band hasn’t exactly been prolific during that quarter century so the chance to hear some new recordings is hugely welcome.

The main attraction is the new track Armagedda In Rapture and it’s a scorcher. The impressive production is simultaneously clinical and savage. It’s pure riff destruction with fantastic demonic vocals and it’s easily the best black metal track I’ve heard this year so far. The kind of song that’s so awesome it just makes you laugh the first time you hear it.

The rest of A Return To The Shadows is taken up by cover versions and, interestingly, the band opted to only cover non-black metal material. It turns out to be a great call as the band are able to put their own spin on a batch of songs that less daring souls would consider unfuckwithable.

They scythe and scream their way through Death’s Evil Dead and Metallica’s Creeping Death. Impossible to top such classic tracks but they inject so much energy and spark into them that the effect is like hearing the songs for the first time. You can’t ask for more than that.

Next up is a bewitching version of Morbid Angel’s Demon Seed and as an extra bonus they’ve got Morbid Angel/Nocturnus legend Mike Browning adding superb ominous and cultish vocals to another belter of a track. The cover of W.A.S.P’s Hellion that closes is the weakest here, a shade lost under the windy howls of vocalist Paul C, but with repeat listens it starts to make more and more sense. The riffs are undeniable and a black metal band that covers W.A.S.P. deserves instant HMO bonus points.

It’s a brilliant EP. Tons of fun and if it wasn’t digital I’d have probably worn it out by now. Fans of extreme metal should not miss out on this download-only release (available here). All the band ask is that you donate anything you can spare to the Chuck Schuldiner-approved musician’s charity Sweet Relief. It’s a great gesture and, with the band deciding to call it day and slink off into the shadows, a great way for them to close out an impressive career of evil.