Category Archives: New Releases

New Songs From Watain, Saxon, Portal and Tribulation

There have been a few new tracks premiered online recently and a few are from upcoming albums that I’ve reported on but didn’t have any music available to share at the time. So I thought I’d share them here now! Let me know what you think and, if you’ve heard any good new tracks yourself, please share in the comments.

Watain – Nuclear Alchemy

As statements of intent go, Watain’s new song and video takes some beating. They’ll never admit it but this comes across like they’re trying very hard to make up for their disappointing previous album The Wild Hunt with bile, chaos, blood, fire, explosions and a liberal sprinkling of evil. Their new album Trident Wolf Eclipse (due Jan 2018) will reveal if they’re overcompensating or not but this track is undeniably exciting.

Saxon – Thunderbolt

The HMO-faves introduce their upcoming album with the title track and it’s the kind of heavy and hooky Euro-metal that they’re known for now. The Accept-esque backing vocals are the only mildly surprising feature. I’m not so sure about those. But Saxon always pick safe, solid singles to promote their new albums and this is no exception. Choose from a bewilderingly-expensive selection of PledgeMusic offers here.

Portal – Phreqs

I’ve only got a couple of Portal albums and I have mixed feelings about them, veering from indifferent to enthralled. Sometimes in a single sitting. Sometimes in the course of a single song! I’m sure these weirdos wouldn’t want it any other way. Their new song Phreqs from upcoming album Ion (due Jan 2018) continues this tradition. A smothering swarm of buzzy bee riffs that’s fascinating and sickening all at once. I’m surprised they’re not aiming for the Xmas No. 1 with this, to be honest.

Tribulation – The Lament

I really enjoyed Tribulation’s last album and have been looking forward to more from them but new track The Lament is a bit underwhelming. The production is fantastic but there’s no real song in there and the riffs and melodies all sound a bit stock to my ears. Hopefully the album will have more substance.

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Holy Terror – Blood Of The Saints (Song)

Here’s some obscure and fantastic 80s thrash for you! A lively and infectious banger from Holy Terror’s 1987 debut album Terror And Submission.

The whole album is superb, a ripping combination of thrash and speed metal. The band already has a unique sound but there are plenty of enjoyable, familiar elements: Megadeth’s fretboard mayhem, Exodus’ violence and the high-speed catchiness of classic Accept and early Helloween.

Terror And Submission has recently been reissued by Dissonance Productions as a standalone vinyl edition or as part of the 4CD/DVD boxset Total Terror which is the version I picked up recently. It’s an essential set that contains every album these overlooked L.A. thrashers ever released (Terror And Submission, 1988’s Mind Wars, 2006’s El Revengo and Live Terror). It also comes with a DVD with the Judas Reward promo vid and live sets from Milwaukee, Chicago and Anaheim. A phenomenally great value set at around £20.

I already had this album and Mind Wars as part of an older double-CD set on Candlelight Records. Unfortunately, that edition had mis-labelled CDs and a mastering glitch on Judas Reward, which put me off spending much time with the albums. So I’m totally delighted with Dissonance Productions’ new, fixed and remastered collection and look forward to finally giving Holy Terror the attention they deserve.

[Holy Terror – Blood Of The Saints]

A MUST-BUY

Lady Death – New Tribulation EP To Be Released In Dec 2017

A double-whammy of release news from the excellent Swedish band Tribulation. January 26th 2018 will see the release of a new full-length album entitled Down Below. And, if you just can’t wait that long for new Tribulation music, then they will be releasing a brand new 7” EP on December 22nd 2017 called Lady Death.

The EP, their first release with new drummer Oscar Leander, will include album track Lady Death and also a B-Side track called Skärselden. The artwork is also from Tribulation’s guitarist Jonathan Hultén and is pretty nifty. You can pre-order the usual rainbow varieties of vinyl colours from the label website here or the band’s own merch site here.

The band’s last album The Children Of The Night was one of the better, more durable releases of recent years so it’s exciting to have the band back. My only question is… I’ve seen a few bands do this recently… since when did one A-Side track and one B-Side track constitute an EP? Answers in the comments please.

Thunderbolt – Saxon Announce New Album For 2018

Saxon studio album No. 22 is on its way. The HMO favourites have announced that their new release will be called Thunderbolt and is due out on February 2nd 2018 via their Militia Guard label. The follow-up to 2015’s excellent Battering Ram has been produced once more by Andy Sneap and features original artwork by long time Saxon artist Paul Raymond Gregory.

Some tour dates have also been announced in the UK and Europe but don’t fret if your nearest venue isn’t listed as the band promise a lot more dates to follow in 2018.

The album will be available in the usual variety of versions including a digipack CD with a bonus track “raw” version of the track Nosferatu (The Vampires Waltz). And there will also be the now-obligatory deluxe box set version but I don’t know what’s in that as yet. I do know that the vinyl edition will not include the bonus track. Pre-orders will be available from 1st Dec 2017.

Thunderbolt Tracklisting:

Olympus Rising/Thunderbolt/The Secret Of Flight/Nosferatu (The Vampires Waltz)/They Played Rock And Roll/Predator/Sons Of Odin/Sniper/A Wizard’s Tale/Speed Merchants/Roadie’s Song

Kingdoms Disdained – Morbid Angel’s New Album Due 1st Dec 2017

Some surprise release news towards the end of the week there, with a big announcement from death metal veterans Morbid Angel. Their new album Kingdoms Disdained is due out on 1st December 2017 and the band has also unveiled the cover art and a new track Piles of Little Arms.

Kingdoms Disdained follows on from the band’s last album, the disastrous (if oddly-enjoyable) Illud Divinum Insanus* and the eventual dissolution of that album’s line-up. Now, joining the mercurial and ever-present Trey Azagthoth, we have returning bassist/vocalist Steve Tucker and new members Scott Fuller and Dan Vadim Von on drums and guitar respectively. And, strengthening the link to the band’s past, ex-guitarist Erik Rutan has taken on production duties too.

Given the controversy surrounding the previous album, this upcoming effort is already being subjected to a ton of scrutiny. Many aren’t happy with the artwork. I think it’s a bit too similar to the artwork for The Grey Eminence, the most recent album from Steve Tucker’s other band Warfather. I’d be more excited if they had come up with something a bit more unique but I don’t mind it and, until I’ve seen it on a physical edition, I’ll reserve judgement. The latest track Piles of Little Arms is also OK, if not particularly remarkable. What do you reckon? 2017 has been a banner year for death metal. Do Morbid Angel still have what it takes to lead the pack in such a competitive climate or are they set to become also-rans?

We’ll find out for sure on December 1st.

(Thanks to Nick Green for the heads-up about this!)

*This leap from “I” to “K” means that the 2015 RSD release Juvenilia has been counted as part of the official Morbid Angel A-Z canon.

The Obsessed Announce New Reissue of S/T Debut

Some exciting reissue news courtesy of Relapse Records. The self-titled debut album from doom legends The Obsessed is set for a remastered re-release on November 17th 2017. It was originally released in 1990 and, despite occasional reissues here and there, has been out-of-print for years.

It’s a big gap in my collection and one of those albums that I periodically consider shelling out for online. So this reissue is hugely welcome and a must-buy for me. And, as if the album reissue wasn’t good enough on its own, it will also come with previously unreleased bonus tracks, including a live set as well as the highly sought-after Concrete Cancer demo. It will also feature expanded artwork, never-before-seen photos, and extended liner notes from frontman Scott “Wino” Weinrich.

The classic band recently returned with their fantastic new album Sacred and this reissue just seals the deal on an excellent year for fans of Wino and doom metal.

The Obsessed will be available on 2CD, LP, 2LP, and digital formats via Relapse Records. Physical bundles and digital pre-orders are available via Relapse Records here and streaming services at this location.

Cradle Of Filth – Cryptoriana: The Seductiveness Of Decay (Review)

Cradle Of Filth are a British institution, one of the most recognisable and successful extreme acts to come from these shores. But, while they are loved and loathed by many, they’ve never made a huge impression on me either way. I’ve bought and enjoyed a fair few albums of theirs over the years but I’ve never had that phase where I’ve obsessed over them, where they were my band. Until now.

Although I was late getting to it, I was thoroughly impressed with 2015’s Hammer Of The Witches, and the band’s latest album continues in that vein. Themed around the Victorian obsession with death, Cryptoriana: The Seductiveness Of Decay is a darkly fabulous romp of hard-hitting gothic metal, delivered with expertise and passion. The overall approach is still the band’s patented blackened Hammer Horror style but there’s a whole wealth of approaches employed. Heartbreak And Seance’s romantic melodrama, thrash fury on Wester Vespertine, You Will Know The Lion By Its Claw’s pitch-black savagery and there are wonderful trad metal gallops and harmonies throughout (most thrillingly in The Seductiveness Of Decay). Best of all, vocalist Dani Filth puts each song over and then some: a spirited and veteran performance of considerable taste, breadth and character.

Hammer Of The Witches reached some peaks of excitement that aren’t quite reached here but its a nano-gripe about a near-flawless album. And, on the flip-side, the latest album has none of the excess that detracted from its predecessor. For all its expansive grandeur, Cryptoriana… is tight and direct. The pedal is to the metal at all times and the band’s cinematic flourishes are weaved and layered skilfully throughout the songs with no boring intros or interludes to be found. The style is familiar but the album is fresh and stakes its own unique place in their canon. An utterly wonderful release from a veteran band at the top of their game. My band.

HMO Rating: 4.5 out of 5